Tag Archives: Miles Cooper Seaton

October 2016 – upcoming gigs in London – more avant-classical/experimental ensemble work as new Kammer Klang season opens at Café Oto with Miles Cooper Seaton, Distractfold Ensemble and Martyna Poznańska (4th October)

30 Sep

Heading off the end of his Kammer Klang-sponsored Oto residency, Miles Cooper Seaton moves seamlessly into headlining the first concert of the Kammer Klang 2016/2017 season.

* * * * * * * *

Kammer Klang, 4th October 2016Kammer Klang presents:
Miles Cooper Seaton & ensemble + Distractfold Ensemble + Martyna Poznańska + Monocreo DJs
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Tuesday 4th October 2016, 8.00pm
information

The word on Miles (again): “For over a decade, (his) work has defied genre and discipline, spanning immersive ambient installations, intimate sets in sacred spaces and festival stages from Los Angeles to Tokyo – as a solo artist, with his own band Akron/Family and as a member of Michael Gira’s Angels of Light. Their common thread is the raw emotional charge that infuses every performance with incendiary energy, leaving listeners hyper-sensitised to their own feelings and bodies, to each other and to the world around them.”

For this particular concert, Miles will be presenting the British premiere of ‘Transient Music #2’, performed by a seven-piece ensemble featuring an enviably broad set of musicians from varied traditions. In addition to the two Italian musicians who’ve been his right-hand men for the whole of his residency over the previous week (singer/guitarist Tobia Poltroneri, percussionist Alessandro Cau), he’ll be joined by post-rock/art-pop heroine Laetitia Sadier (Stereolab, Monade), by Oliver Coates (curator, cross-discipline collaborator and principal cellist in several prominent orchestras), by multi-instrumentalist Cathy Lucas (Orlando, Vanishing Twin, School Of Hypnosis, Earth Moon Earth) and by Japanese-French throat-singer/flautist Maïa Barouh.

Describing his ‘Transient Music’ series as “an evolving composition for modular ensemble”, Miles adds “music as an art form is truly realised when it is perceived. It is reciprocity that gives it life. Given this fact, it is the field of perception or awareness that is the context in which a composition is experienced. Though we have a visceral and instinctual relationship with music as primordial utterance, our modern experiences of music are often bound more to the intellectual barriers we place around sound in order to compartmentalise and understand its intention.

“Transient Music aims to engage the intuitive or pre-descriptive space that exists in the gap between experience and understanding. Members of the ensemble are given principal guideposts and cues that relate to their own cosmologies in order to encourage the cultivation of a spontaneous and empathetic awareness. This awareness is then activated sonically and energetically, and finally made manifest as a collective gesture of inclusivity as the tonal field gradually extends to the perceiver.”

Further information on the others playing at the event:

Manchester-based Distractfold are a contemporary music ensemble who “specialise in performing instrumental, electro-acoustic and mixed chamber music from the twenty-first century. Founded by composers/artistic directors Mauricio Pauly and Sam Salem with clarinettist Rocío Bolaños, violinist Linda Jankowska, cellist Alice Purton and viola player Emma Richards, Distractfold have presented over forty concerts around the world since 2011 and became the first British ensemble to be awarded to the prestigious Kranichstein Prize for Interpretation at the 47th International Summer Course for New Music, Darmstadt.” The ensemble will be joined by an associate – the young electric guitarist Daniel Brew (Beats & Pieces), with technical director Constantin Popp offering technological support.

The Distractfold programme includes an “ecstatic” piece by the Australian composer Liza Lim, who establishes her compositional ideas around a nexus of “Australian Indigenous aesthetics; Asian ritual forms and performance practices… Sufi poetics of bewilderment, loss, communion and ecstasy; and the textilic arts of weaving and knot-making as a cross-modal technology for thinking.”

Distractfold will also be presenting British premieres of new works by Mauricio Pauly and Sam Salem. Both pieces were originally premiered this year, back on 7th August in Darmstadt (as part of the 48th International Summer Course for New Music) and display the differing approaches of the two Distractfold directors – Mauricio concentrating on ensemble music with unorthodox lineups plus “amplification, performative electronics and prefabricated sounds”, while Sam concentrates on more mixed-media work founded on “the sounds of urban environments (and) specific geographical location(s)… aspir(ing) to illuminate and explore the hidden musicality and beauty of his geographical subjects, as well as his own relationship to his environment as both a source of inspiration and musical material.”

Bookending the evening will be individual sets by Berlin-based cross-disciplinary artist Martyna Poznańska and by DJs from the Milton Keynes record label Monocreo. Using field recordings, writing, composition and visual material including video and photography (plus her background in linguistics, Spanish literature and sound art), Martyna explores “the processes of remembering and forgetting, growth, decay and transformation” via installation and performance work. Monotreo’s releases, based around the remit of “sound art and outer limits”, have included recordings of post-punk and rhythmic electronic music as well as graphic scores.

Performers:

Miles Cooper Seaton + ensemble
Distractfold Ensemble
Martyna Poznańska
Monocreo DJs

Programme:

Martyna Poznańska – unspecified work for ‘Fresh Klang” programme
Mauricio Pauly – Charred Edifice Shining, for amplified string trio (2016) (UK premiere)
Liza Lim – Inguz (Fertility), for clarinet in A and violoncello (1996)
Sam Salem – Untitled Valley of Fear, for three object operators, tape and video (2016) (UK premiere)
Miles Cooper Seaton: Transient Music #2 (UK premiere)
Monocreo DJ set

Here’s a set of examples of other work by the composers and performers involved, including one from a previous Oto appearance:



 

September 2016 – upcoming London gigs – free (in all respects) Miles Cooper Seaton & Friends residency at Café Oto (26th-30th)

23 Sep

Over the last four days of September, Miles Cooper Seaton (one limb of the Akron/Family trio, and as of the last three years a roaming solo artist) is setting up home in Café Oto. He’s there for an exploratory residency which should cover the whole range of his work – from spontaneous musical narrative to immersive ambience, intimate songwriting performance, outright improvisation and explorations of sacred space (both constructed and induced).

All of this should draw on Miles’ mixed heritage of freak-folk and post-hardcore experimentalism, his interest in spiritual and “functional” music (from post-European choirs to pre-Colombian chants), as set against personalised songwriting, and the “visceral, confrontational and humanist values” which he formed on his journey through the worlds of countercultural art and punk rock, as well as encounters and collaborations with the likes of Hamid Drake, Michael Gira, Keiji Haino, William Parker and the Sun Ra Arkestra.

As it happens, you’re invited along too.


 
Kammer Klang presents:
Miles Cooper Seaton & Friends Residency
Oto Project Space @ Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Monday 26th to Friday 30th September 2016, 10.00am-6.00pm (plus evening shows)
– free events – information

Here’s what Miles himself said as part of the announcement (interruptions and asides added by me afterwards):

“After being asked by Kammer Klang to perform as part of their series (…more on that later…), the idea came up to spend time in Cafe Oto’s Project Space. I was immediately attracted by the opportunity to engage the atmosphere where I would be staging ‘Transient Music’, as I consider the piece to be so deeply about the place where it occurs. Maybe the work itself is about building a context to inhabit, a temporary home inside the deluge of messages and impressions. In any event, applying that same schema onto a residency appealed to me.

“Recently, work has led me to spend the majority of my time in Italy with musicians and artists local to the cities and villages I visit. Two of the many people I have met along the way who have informed, inspired or facilitated the continued development and understanding of the nature of this work are Alessandro Cau (promiscuously collaborating improvising/experimental percussionist and timbre researcher) and Tobia Poltroneri (Veronese singer, songwriter and guitarist for C+C=Maxigross, as well as curator of Lessinia Psych Fest). They will join me at the studio at their leisure to work on what seems interesting.

“Daily, the door will be open for intervention, sonic and otherwise, from the surrounding neighbourhood and what-or-whomever compels itself in our direction.

“There will also be two evening events in the Project Space. In addition to Cau and Poltroneri performing solo, I will perform some works in progress, and more will be announced…

“Perhaps we will manifest a well-tuned collective psychic environment that fosters lateral approach, favors a whim, and provides fertile soil for the tangents that eventually result as (in this case artistic) innovation. Perhaps nothing will happen and we’ll just enjoy the time together. Either way, time will pass.”

At least some of the promised events and activities have solidified now. As stated, throughout the whole residency there’s the opportunity for anyone to drop into the studio space and join the creative process between eleven in the morning and seven at night. At eight in the evening on Wednesday 28th, Miles, Alessandro and Tobia will deliver a triple set of intimate solo performances; and for the whole of Thursday 29th they’ll be exploring Western, African and Cuban forms during an all-day drop-in improvisation session featuring local guest musicians (with the day intended for listening, and the night intended for dancing).

All of this is free to attend. Whether or not you’re booze-bribeable, there’s free beer available to help sustain the atmosphere.

Here’s some additional performance and interview footage of Miles, to add to the understanding.


 

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