Tag Archives: Aaron Copland

Upcoming London gigs in early June – A Formal Horse & Ham Legion; Olga Stezhko; The Spiders of Destiny play Frank Zappa; a Bowie Night in Soho

29 May

Here’s some quick info on upcoming gigs in early June which I’ve heard about – all of them in London.

Over the last couple of years, Westminster Kingsway College has established itself as one of the capital’s finest homes for quirky art-rock – by which I don’t mean student hobby bands thrown together for campness or for ironic prankery, but a rich, complex, committed electric music spanning the range between gutter-punk and flouncing prog via metal, jazz, folk, avant-gardening and anything else which gets melted down into the stew. Here’s one of those gigs that proves the point.

A Formal Horse, 2015

A Formal Horse + Ham Legion (Westminster Kingsway College, 211 Gray’s Inn Road, London, WC1X 8RA, Tuesday 2nd June, 6.30pm)

A Formal Horse is a new progressive rock quartet based in Southampton. Although the band’s sound is difficult to pinpoint, their dense instrumental passages are reminiscent of King Crimson and Mahavishnu Orchestra, whilst Francesca Lewis’ lead vocals evoke the whimsical surrealism of the 1970s’ Canterbury scene. Wonky melodies and serene vocals over a brutal sound – their music keeps you on your toes. However, A Formal Horse go beyond simply regurgitating the music of their predecessors. With influences as diverse as Bartók and Bon Iver, the band prove that there is still much territory to be explored in the field of British progressive rock.

In June 2014, the band released their debut EP, which was recorded by Rob Aubrey (IQ, Transatlantic). They went on to perform at London’s Resonance Weekend alongside Bigelf and Änglagård, and were described by Prog Magazine as a “festival highpoint”. Since, they have shared stages with Knifeworld and Lifesigns, cementing their position at the forefront of the British progressive scene.

Ham Legion spent 2014 honing their sound and developing a storming live show. You can expect a collision of beaming up beat power pop, grinding metal outbursts, dramatic changes of mood, sudden passages of twistingly epic prog then moments of restrained delivery and somber reflection. They are striking out in 2015 with the release of their debut album towards the end of the year.

Tickets available here – £6.00/£5.00

Olga Stezkho: 'Eta Carinae'

Olga Stezkho: ‘Eta Carinae’

Olga Stezhko (the far-thinking Belarusian classical pianist whose ‘Eta Carina’ album impressed me so much last year) has two London concerts coming up in the first fortnight of the month. The second’s likely to be an all-access crowd-pleaser. Given its charity fundraiser status, I’m not sure whether the first is likely to feature or indulge any of Olga’s intriguing conceptual preoccupations with Scriabin, Busoni, cosmology and early twentieth century consciousness, but even if it isn’t it’s a great opportunity to see a fine musician at work in a grand location.

Olga Stezhko charity piano recital in aid of Friends of the Belarusian Children’s Hospice (St Pancras Parish Church, Euston, London NW1 2BA, Thursday 4th June, 1:15pm – 2:00pm)

Programme not revealed – free admission, donations requested.

EC4 Music in aid of The Prince’s Trust (Barbican Hall, Tuesday 9th June, 7:30pm – 9:30pm)

The choir and orchestra of London-based EC4 Music return for their seventh fundraising concert in aid of The Prince’s Trust with a stirring selection of music from both sides of the Atlantic.

Programme:

Leonard Bernstein – Overture from ‘Candide’
Aaron Copland – Appalachian Spring
George Gershwin – Rhapsody in Blue
Vaughan Williams – Serenade to Music
Leonard Bernstein – Chichester Psalms
Eric Whitacre – Water Night
Hubert Parry – Blest Pair of Sirens

Performers:

EC4 Music Choir and Orchestra
Tim Crosley – conductor
Olga Stezhko – piano
Claire Seaton – soprano
Roderick Morris – countertenor
Thomas Herford – tenor
Adam Green – baritone

Tickets available here – prices from £10.00 – £35.00 plus booking fee.

Some of London’s most active art-rockers are brewing up a free Zappa homage in Croydon at around the same time. Details below:

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The Spiders of Destiny play Frank Zappa (The Oval Tavern, 131 Oval Road, Croydon, CR0 6BR, Saturday 6th June, 8:30pm)

Great googly moogly! On June 6th, nine-piece tribute band Spiders Of Destiny come to The Oval Tavern to play a marathon set of music by the late, great Frank Zappa. Featuring world class performers with a sense of humour from notable prog/alternative bands such as: Knifeworld, Perhaps Contraption, Pigshackle, Medieval Baebes, The Display Team, Hot Head Show, Poino, Spiritwo, First, A Sweet Niche and more. So polish up your zircon-encrusted tweezers, trim your poodle, learn the mudshark dance and join us as we propagate the conceptual continuity instigated by one of the masters of modern music.

More info here – this gig is FREE ENTRY but there will be a donations jug doing the rounds during the intermission.

book-bowiespianomanAnyone with an interest in David Bowie, rock history, cabaret, electropop and all of the other things that get swept up into Bowie’s art should head to Soho on Thursday 11th June for A Bowie Night at Gerry’s Club, at which pianist and writer Clifford Slapper launches his book ‘Bowie’s Piano Man: The Life of Mike Garson‘ (which also has its own Facebook page).

As well as readings and signings there will be performances of Bowie songs from avowed fans Danie Cox (from “flock-rockers” The Featherz), Ray Burmiston (of ’80s heroes Passion Puppets), club siren Katherine Ellis (Freemasons, Ruff Driverz, Bimbo Jones etc.) and acoustic singer Jorge Vadio. There’ll also be a performance from a longtime ‘Misfit City’ favourite – London balladeer, Brel translator and onetime ‘Pirate Jenny’s’ host Des de Moor, who’ll presumably be singing his Bowie-gone-chanson interpretations from his ‘Darkness and Disgrace’ show. (I’m particularly pleased to see that Des is back onstage. It’s been a long time.)

More on the book below, and more on Gerry’s Club here.

“It is pointless to talk about his ability as a pianist. He is exceptional. However, there are very, very few musicians, let alone pianists, who naturally understand the movement and free thinking necessary to hurl themselves into experimental or traditional areas of music, sometimes, ironically, at the same time. Mike does this with such enthusiasm that it makes my heart glad just to be in the same room with him.” – David Bowie

Mike Garson has played piano on sixteen David Bowie albums, including Aladdin Sane, with his celebrated piano solo on its title track, Diamond Dogs, Young Americans, 1. Outside and Reality. He has also played live with Bowie on countless tours and shows, and remains his most long-standing and frequent band member.

For some time Clifford Slapper has been working very closely with Garson to write a book which explores the life of this extraordinary and eccentric modern musician. It documents in detail how as a pianist he was catapulted overnight from the obscure world of New York’s avant-garde jazz scene to a close and long connection with Bowie. In addition, Garson is recognised as a classical virtuoso, a jazz master and one of the world’s greatest exponents of improvisation. He has also recorded and performed live with other rock legends such as the Smashing Pumpkins and Nine Inch Nails. All of this is covered by this first ever biography of Mike Garson.

Its starting point was several days of in-depth and frank conversation with Garson himself, and covers a wide range of themes which will be of interest to all Bowie fans, but also to anyone with a passion for music, social history or the process of creative inspiration. Input has also come from many interviews with those who have worked with him over the years, including Earl Slick, Trent Reznor, Sterling Campbell, Reeves Gabrels, Dave Liebman and many others.

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