More gigs for the coming week…
Firstly, Baba Yaga’s Hut are running an evening at Corsica Studios, which takes in the London date of an electro-industrial tour.
Necro Deathmort + Deadfader + Cementimental (Baba Yaga’s Hut @ Corsica Studios, 4-5 Elephant Road, London, SE17 1LB, UK, Monday 5th October 2015, 8.00pm) – £6.00
As if Necro Deathmort‘s name didn’t tell you enough about them, over an eight year career they’ve released albums called ‘This Beat Is Necrotronic’ and ‘Music Of Bleak Origin’ (although more recent albums have seen a shift towards a less morbid and more science-fictional outlook. Dark electronica festival veterans with a drone, doom and noise approach, the project entangles electronic instrumentalist AJ Cookson (The Montauk Project, Medes, Sol Invicto) with Matthew Rozeik (guitarist from post-metal/post-prog band Astrohenge). Their music rises from gurgling boneyard beats, medical-equipment breakdowns, squishy miasmas and faux-sax drones towards something ruined and regal – a grand deathbed vision.
Sharing Necro Deathmort’s current tour is Berlin-based dubstep/noise/electro fusilladeer DeadFader – memorably described as “chainsaw-step” by Baked Goods Distribution (who went on to rave about how the project coughs up “the most seismic grooves imaginable” and that the music “sinks its teeth into your arm and refuses to let go”). I can’t top that as a description right now – have a listen below and see if you agree with it.
Joining Necro Deathmort and DeadFader for the London date are Cementimental. Everything I can dig up about these guys is a barking blur of ludicrous disinformation: almost the only lucid facts coughed up from their promotional flotsam is that they’re led by a “noisician” called Dr. Age (or Tim Drage, who may or may not have a daytime/surface job in cute Lego animations) and have been doing “harsh noise, circuit-bending, rough music since 2000AD”. The Dr. is supported by a cast of obscure and possibly imaginary characters – a guitarist called Toru, a part-time turntablist, a man called Mrs Columbo (who handles the incoherent screaming), and “additionalists” called Murray the Eel and Sir Concord Discount (the latter’s a “rock goblin”). Maybe this makes Centimental sound like the joke band on the bill, and there’s plenty of humour in what they do (a couple of early tracks were called Too Long and Merzbow It Ain’t, while a more recent one’s called Commendable Amputation of an Excessive Gargoyle), but the fact remains that they’ve been going for nearly half again as long as their gigmates. Draw your own conclusions.
Up-to-date info here, tickets here.
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On the Thursday, there’s a Cafe Oto convening of music from Cairo, Bristol and Montreal, running in parallel to events in Egypt and Lebanon and covering a broad variety of influences and outcomes.
Maurice Louca + John Bence + Sam Shalabi (Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, UK, October 8th 2015, 8.00pm) – £12.00/£14.00
Cafe Oto, in collaboration with Thirtythree Thirtythree and Nawa Recordings, bring you the second edition of the five-part event series entitled ‘Labyrinths’ (or ‘Mātāhāt’ in Arabic) and based in London, Cairo and Beirut over October and November.
Maurice Louca is an Egyptian musician and composer born in Cairo where he lives and works. As well as being the co-founder of the bands Bikya, Alif and Dwarves of East Agouza, he lends his sound to numerous projects, composing for theatre, film and contemporary art. Inspired by many influences, from psychedelic to Egyptian shaabi, his second album ‘Benhayyi Al-Baghbaghan (Salute the Parrot)’, released on Nawa Recordings in November 2014, shattered the confines of musical and cultural labelling and was dubbed by many as a game-changer for the region’s bustling independent music scene. Amidst his collaborations and inconspicuous touring across Europe and the Arab world in the last few years, Louca has sought a richer and much more complex sound. ‘Benhayyi Al-Baghbaghan’, the fruit of such intense reinvention and a departure from his first solo album ‘Garraya’, is a work that leaves ample space for fluidity and improvisation, paving the way for unique live renderings.
From a family background rich in classical pedigree and firmly embedded in Bristol’s forward-facing electronic music culture, John Bence has pooled a breadth of influence scarcely credible for a composer only entering his second decade, and now he is starting to put his inspiration into live and recorded motion. As a producer he is already thinking ten steps ahead, often incorporating voice or home recorded percussion into his cyclical technique of scoring, recording, manipulating, re-scoring and re-recording in waves, creating heady, intoxicating ripples of harmony and noise. An obscure snippet of dub-plate drone under a previous moniker was enough for Nicolas Jaar, who instantly approached him about a release on his Other People label. Six months on, ‘Disquiet’ was released – a masterful hybrid of classical and electronic clocking in at a tantalising ten minutes. More, much more, is coming. Mercurial, elusive and of seemingly limitless imagination, John Bence is rising to the surface.
Sam Shalabi is an Egyptian-Canadian composer and improviser living between Montreal, Quebec and Cairo, Egypt. Beginning in punk rock in the late 70s, his work has evolved into a fusion of experimental, modern Arabic music that incorporates traditional Arabic, shaabi, noise, classical, text, free improvisation and jazz. He has released five solo albums (including ‘On Hashish’- a musical mediation on German writer Walter Benjamin; ‘Osama’, an audio collage on Arabophobia in the wake of 9/11; and his most recent ‘Music for Arabs’), five albums with Shalabi Effect (a free improvisation quartet that bridges western psychedelic music and Arabic Maqam scales) and three albums with Land of Kush (an experimental 30-member orchestra for which he composes). He has appeared on over sixty albums and toured Europe, North America and North Africa. Recent projects include the release of the sixth Shalabi Effect album, a duo album with Stefan Christoff, two albums on the Italian label Sagittarius with Beirut, Turkish and Egyptian musicians and a tour in the eastern U.S with Alvarius B (playing solo oud). He is also releasing ‘Isis and Osiris’ (a new composition for oud and electronics) on Nashazphone as well as releasing an album with The Dwarves of East Agouza (a Cairo based trio with Maurice Louca and Alan Bishop) while currently working on his sixth solo album.
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More noise rock and fringe jazz shortly…
Misfit City 