Tag Archives: Alexandra Wood

November/December 2017 – upcoming London classical gigs – City of London Sinfonia’s ‘Modern Mystics’ series (9th & 22nd November, 2nd December)

30 Oct

From early November to early December, City of London Sinfonia are putting on a “trilogy” of concerts exploring “how music and sound can link us to spiritual experiences”, featuring various contemporary classical pieces; many of which are drawn from the fields of Eastern European holy minimalism, or from musical strands involving contemporary takes on spiritual or environmental matters. At least two of the concerts feature added meditational or projected-image aspects; which might sound gimmicky, but it can’t be denied that this particular music lends itself to psychedelic or synaesthesic experiences.

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Modern Mystics: 'The Fruit of Silence', 9th November 2017

Modern Mystics: ‘The Fruit of Silence’
Southwark Cathedral, London Bridge, Southwark, London, SE1 9DA, England
Thursday 9th November 2017, 7.30pm
– information here and here

In the first concert, the Sinfonia are joined by violinist/evening director Alexandra Wood, conductor Michael Collins and the Epiphoni Consort, promising “music that draws you in with its purity, clarity and tranquillity… the music of Pärt, Vasks and Tabakova evoke the transcendental, with chant-like washes of colour and spellbinding soundscapes.” The concert also features projected visuals by Jack James Projections.

Programme:

Pēteris Vasks – The Fruit Of Silence
Arvo Pärt – Seven Magnificat Antiphons
Arvo Pärt – Summa
Arvo Pärt – Fratres
Arvo Pärt – Magnificat
Dobrinka Tabakova – Organum Light
Arvo Pärt – Tabula Rasa

This concert also features a brief pre-concert “mindful meditation” event in the cathedral’s retrochoir at 7.00pm, guided by CLS violinist and alternative healer Ann Morphee, with a plan to “explore the deeply contemplative second movement of Part’s ‘Tabula Rasa’, and enhance our self-awareness and openness ahead of the performance by employing mindfulness techniques… the art of focusing on the present moment. It is a fundamental strategy for dealing with stress, helping us to relax and be uninfluenced by habitual behaviour that we experience in our day-to-day activities”. No previous experience is required, but there are only fifty places available (for event ticketholders only).

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Modern Mystics: 'The Book of Hours', 22nd November 2017

Modern Mystics: ‘The Book of Hours’
Village Underground, 54 Holywell Lane, Shoreditch, London, EC2A 3PQ, England
Wednesday 22nd November 2017, 7.30pm
– information here, here and here

The second concert, conducted by Jessica Cottis, features “new music which evokes the sounds of ancient worlds… Music is timeless – it links the modern-day to forgotten eras, stretches seconds into minutes and makes hours dissolve in a moment. Combining live orchestra, recordings and lighting, the second concert in City of London Sinfonia’s Modern Mystics Sonic Trilogy conjures up the past through music, light and amplification.” Again, Jack James provides the projections and visuals.

Programme:

Howard Skempton – Only the Sound Remains
Jonathan Harvey – Mythic Figures
Guillaume de Machaut/Richard Causton – Kyrie/Sanctus from ‘Messe de Nostre Dame’
Julian Anderson – Book of Hours

Again, there’s a strongly ecclesiastical aspect to this one, with the Anderson piece being a modern reexamination of ancient Christian monk rituals, the Harvey originating from an IRCAM taped work with Tibetan temple bell, and the Causton being a reworking of part of a de Machuat mass (with its two instrumental groups separated as far from each other as the venue will allow). While not directly religious in its roots, the Skempton is a musical evaluation of cultural and temporal loss centred around the decay and demolition of an old mill, and the gap left by its absence.

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Modern Mystics: 'The Protecting Veil', 2nd December 2017

Modern Mystics: ‘The Protecting Veil’
St John’s Smith Square, Smith Square, Westminster, London, SW1P 3HA, England
Saturday 2nd December 2017, 7.30pm
– information here, here and here

Alexandra Wood returns as orchestra leader and event director for the third and final concert (which is also part of the Southbank Centre’s ‘Belief and Beyond Belief‘ series). This will be a presentation of John Tavener‘s ‘The Protecting Veil’ with cellist Matthew Barley sharing the load as both featured soloist and presenter. The event’s described as “an ecstatic vision of devotion revealed by cello and orchestra… ‘The Protecting Veil’ is music which blurs the line between humanity and divinity – a glimpse into otherworldliness through the Eastern Orthodox rituals celebrated around Mary, Mother of God. We invite you on a journey to the centre of the music through living programme notes – and get close enough to touch as we transform St John’s Smith Square with intimate seating.”

Programme:

John Tavener/Matthew Barley – Living programme notes on ‘The Protecting Veil’
John Tavener – The Protecting Veil
 

October 2016 – upcoming classical gigs – Helen Grime Day at Wigmore Hall in London (15th), Cariolan Trio + Adam Brown at Conway Hall in London (30th); plus Ligeti Quartet in Little Missenden, London and Aberdeenshire (16th, 17th, 30th)

10 Oct

Helen Grime Day @ Wigmore Hall, 15th October 2016

Helen Grime Day
Wigmore Hall, 36 Wigmore Street, Marylebone, London, W1U 2BP, England
Saturday 15th October 2016, 1.00pm/6.00pm/7.30pm
information

Wigmore Hall is devoting a whole day to the work of Scottish composer Helen Grime, who’s about to begin her term as the Hall’s first female composer-in-residence for the 2016/2017 and 2017/2018 seasons.

An hour-long early afternoon concert will be entirely devoted to Helen’s chamber music, played by a five-piece ensemble of strings, oboe and piano. There’ll be two sets of instrumental works originally inspired by fine art minatures – ‘Three Whistler Miniatures’ (triggered by Helen’s encounter with James Whistler’s chalk and pastel drawings in Boston’s Isabella Stewart Museum) and ‘Aviary Sketches’, influenced by the mysterious ‘assemblage boxes’ of American artist and sculptor Joseph Cornell. There’ll also be performances of Helen’s ‘Oboe Quartet’, and her string duo ‘To See The Summer Sky’, plus the British premiere of the piano and oboe duo ‘Five North Eastern Scenes’. (Here’s a version of the Whistler piece…)


 
In the evening, the Birmingham Contemporary Music Group and conductor Geoffrey Paterson will take over the hall for a double triptych of music by Helen and her influences.

From the press release: “Helen Grime’s ‘Seven Pierrot Miniatures’ (NB – a companion piece to Schoenberg’s ‘Pierrot Lunaire’) project the composer’s uncanny feeling for instrumental tone colours and textural contrasts, whilst her ‘Clarinet Concerto’ (to be played by soloist Mark van de Wiel) is a study in virtuosity that grows more meditative as it unfolds. Oliver Knussen and Elliott Carter have been formative influences in Grime’s career; her duo ‘Embrace’ picks up the duos in Knussen’s delightful ‘Songs without Voices’, and the Carter duo, written for Knussen’s 50th birthday, mirrors this.” There’ll also be a performance of Leoš Janáček’s woodland fantasy ‘Concertino’.

There are two takes on two of those Grime pieces below:



 
In between the concerts, at 6.00pm, Helen will give a forty-five minute talk.

Performers:

Alexandra Wood – violin (afternoon concert)
Rachel Roberts – viola (afternoon concert)
Philip Higham – cello (afternoon concert)
Nicholas Daniel – oboe (afternoon concert)
Huw Watkins – piano (afternoon concert)
Birmingham Contemporary Music Group – ensemble (evening concert)
Mark van de Wiel – clarinet (evening concert)
Geoffrey Paterson – conductor (evening concert)

Programme:

(morning concert:)

Helen Grime – Three Whistler Miniatures (for piano, violin & cello)
Helen Grime – Aviary Sketches (after Joseph Cornell) (for violin, viola & cello)
Helen Grime – To see the summer sky (for violin & viola)
Helen Grime – Five North Eastern Scenes (for oboe & piano) (UK première)
Helen Grime – Oboe Quartet (for oboe, violin, viola & cello)

(evening concert:)

Helen Grime – Embrace (for Bb clarinet & C trumpet)
Helen Grime – Seven Pierrot Miniatures (for piccolo, bass clarinet, piano, viola & voice)
Oliver Knussen – Songs without Voices Op. 26 (for flute, cor anglais, clarinet, horn, piano and string trio )
Helen Grime – Clarinet Concerto (for clarinet, piccolo, contrabassoon, harp & strings)
Elliott Carter – Au Quai (for bassoon and viola)
Helen Grime – Luna (for piccolo, oboe/clarinet, E-flat clarinet, horn, percussion & piano)
Leoš Janáček – Concertino (for piano, two violins, viola, clarinet, French horn and bassoon )

Incidentally, Helen has recently announced her first new work as part of the residency, which will be a piano concerto for Huw Watkins and Birmingham Contemporary Music Group. This will be premiered at the hall in March 2017. In the meantime, here’s a dip into yet another Grimes piece (her acclaimed orchestral work ‘Near Midnight’, which already seems to be working its way into the repertoire…)


 
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If you’re interested in hearing Helen’s ‘Aviary Sketches’ twice in one month, the The Coriolan String Trio are including it in their Conway Hall concert a couple of weeks after Helen Grimes Day, sandwiched in between two pieces of established classical repertoire…

promo-cariolan-trio

Conway Hall Sunday Concerts presents:
Coriolan String Trio + Adam Brown
Conway Hall, 25 Red Lion Square, Bloomsbury, London, WC1R 4RL, London
Sunday 30th October 2016, 5:30 pm
information

From the Conway Hall publicity mailshot – “The Coriolan String Trio combines the forces of chamber musicians from two renowned chamber groups, with a thirst for exploring and expanding on the repertoire for String Trio. As founding members of the Finzi String Quartet, viola player Ruth Gibson and violinist Sara Wolstenholme performed internationally, broadcast and recorded together until 2012. Until 2012, Robin Michael was cellist in the critically acclaimed Fidelio Trio for over ten years, with an extensive discography and premiering over a hundred new works for the genre. Since first meeting in 2013, all three have enjoyed collaborating through Wye Valley Chamber Music Festival and projects at Kings Place, London.”

Programme:

Ludwig van Beethoven – String Trio in G Op.9/1
Helen Grime – Aviary Sketches (after Joseph Cornell)
Wolfgang Amadeus Mozart – Divertimento in E flat K563

As a bonus, “at a pre-concert recital at 5.30pm, guitarist Adam Brown will perform solo, presenting varied dance forms from across Latin America. Performed works will be recorded on a forthcoming album that will include dynamic new arrangements and exciting first recordings.” No extra details on that, but here’s Adam performing a take on a Jimmy van Heusen classic…


 

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In between the previous two shows, The Ligeti Quartet are touring their interesting ‘Fellow Travellers’ programme at a couple of English venues.

From the Forge website:

“The Ligeti Quartet – consisting of violinists Mandira de Saram and Patrick Dawkins, viola player Richard Jones and cellist Val Welbanks – is dedicated to performing modern and contemporary music, commissioning new works, and engaging a diverse audience. Formed in 2010, they were united by their fascination with the music of György Ligeti, and have since established a reputation as leading exponents of new music.

“The title of this programme and the opening piece, ‘Fellow Traveler’, suggest socio-political and Cold War connotations. The pieces of music you will hear at this concert refer in various ways to tensions and freedom, unity through eclecticism – relevant themes in the month before the US presidential election. The concert is built around two major works by Samuel Barber and Dmitri Shostakovich, contemporaries who in this programme represent classics of the mid-20th century USA and USSR. Their music was related in language but written under very different circumstances; Barber composed his quartet in the prime of his life, buoyed by the artistic perks of The New Deal; Shostakovich wrote of his fear of mortality, in the grips of terminal illness and under Soviet scrutiny.”

The concert also includes quartet works by the polystylistic pioneer Alfred Schnittke, the polymathic jazz-and-classical composer John Zorn (from a set of intricate, witty compositions inspired by the rules and forms of sadomasochism), and the premiere of a new Duke Ellington-inspired quartet composed by another jazz musician, Laura Jurd (who’s also on tour this month).

Programme:

John Adams – Fellow Traveler
Alfred Schnittke – String Quartet No. 3
Samuel Barber – String Quartet in B minor, Op. 11
John Zorn – Cat O’Nine Tails
Laura Jurd – Jump Cut Shuffle (world premiere)
Dmitri Shostakovich – String Quartet No. 13, op. 138

Here are takes on moste of those pieces:





 
Dates:

In addition, the Quartet will be playing another show at the end of the month, in Aberdeenshire (as part of the ongoing Scotland-wide Sound Festival). This show will feature a different set, although one which illustrates the Quartet’s interests and preoccupations with modern and twentieth-century music.

Sound Festival presents:
The Ligeti Quartet
Woodend Barn, Banchory, AB31 5QA, Scotland
Sunday 30th October 2016, 7.00pm
information

Programme:

György Kurtág – Six Moments Musicaux, op, 44
Béla Bartok – String Quartet No. 5
Iannis Xenakis – Tetras
György Ligeti – String Quartet No. 1 (Métamorphoses nocturnes)

(Again, here’s some playthroughs of most of those pieces by various folk…)




 

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