REVIEW – Cceruleann: ‘Fucking Wind’ single, 2012 (“waiting to be wrong-footed”)

6 Jun
Cceruleann: 'Fucking Wind'

Cceruleann: ‘Fucking Wind’

In love and on the road: it should be sweet. Instead, you’re continually waiting to be wrong-footed.

First, there’s the music – electronic dream-pop of a multiple-nostalgic kind. The tune is balmy. The blipping synth lines, the crude keyboard beats, the hiccuping voice cut-ups are all from ’80s sample pop. That dazed, wet-gossamer female vocal and the smudge of stretched-out organ goo (swirling from speaker to speaker), draws inspiration from shoegazery and similar blissful-nauseous mid-’90s psychedelia. The puffed hints of melodica and the yawns of bass swim in from first-generation post-punk; or perhaps I’ve just been drawn into the dream, and am imagining them.

Then there’s the song itself. A girl in a car, savouring the moment, coos the simplest, most sugary lover’s line. “It’s OK, baby, don’t worry / ‘cos we’re driving with the summer breeze in my face.” That’s it. There are four more words in the entire lyric, one of which is “ethereal.”

Finally, lurking around the corner like a mugger-in-waiting, there’s that blunt instrument of a title. It’s already plastered all over the cover art. You keep expecting it to come down hard and smash the reverie. Or, alternatively, for everything to turn metaphysical and carnal as the gale hits, the cuteness ends, the car pulls over and everyone starts rutting in the back seat.

For something so light and fluffy on the surface, Cceruleann’s debut single throws up plenty of confusion. Even more subtext gets plastered in when you discover that the band are a brother-and-sister duo (instrumentalist Elliot, singer Marilyn). If I were you, I’d do my best to ignore that for now. In some ways, that’s easy to carry out: though moving together in musical step, Elliott and Marilyn sound as if they’re musing in different worlds. Along the way, some of Marilyn’s words are caught up and shredded, then tossed like happy litter in the wake of the tune. As for that title, it never arrives in the song. The f-bomb remains undetonated. Have they scammed us? Did they just get sick of their own song and punish it with a sarcastic name?

Or perhaps we’re looking in the wrong place. Maybe the real story is about the other person who’s out on that drive – perhaps listening to this endless burble of contentment and seething, their knuckles clenched white on the wheel or wrapped tight around the knees, wondering once again why it’s so impossible to see how another person sees, to feel their feelings, comprehend their tastes… even to understand how you can get through a single day of being with them anymore. Maybe the romance of the playful summer wind is lost along with that. As it teases and strokes at cheekbones, perhaps on the other side of the car it’s whipping petulantly at a cowlick; and while fringe blows aggressively into eyes, and as love heads into the sour spot for good, perhaps something vile is being muttered into that uncaring breeze.

Cceruleann: ‘Fucking Wind’
Holy Underground Recordings/Bandcamp
Download-only single
released 14 May 2012

Buy it from:
Bandcamp

Cceruleann online:
Facebook Twitter Soundcloud Bandcamp

5 Responses to “REVIEW – Cceruleann: ‘Fucking Wind’ single, 2012 (“waiting to be wrong-footed”)”

  1. Dann Chinn June 7, 2012 at 12:05 am #

    Well, here’s some more wrong-footing for you. Just as I posted this I went over to Cerulean’s Bandcamp page to check on a link, only to find that after nearly a month of promotion, they’ve renamed the track ‘Future Wind’. Perhaps we”l never find out about that backstory now…

    • Cerulean July 10, 2012 at 9:35 pm #

      Thank you so much for this awesome review of our song. We have a new one out today 🙂 http://ceruleanmusic.bandcamp.com/track/hearts-stop

      • Dann Chinn July 10, 2012 at 10:11 pm #

        I’m on it. 🙂

    • Dann Chinn July 10, 2012 at 9:44 pm #

      Apparently the name change is a tactic to get the single played/covered in more censorious territories, and the original title will be kept on the album version. Fair enough.

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