A look forward to the first week of the coming month, with plenty of alternative folk, acoustic singer-songwriters and some multi-media music from a couple of former Berlin arts-scene linchpins, ending up with some jazz…
The Furrow Collective (Hall Two @ Kings Place, 90 York Way, Kings Cross, London, N1 9AG, UK, Thursday, 1 October 2015 – 8:00pm) – £9.50/£14.50
The Furrow Collective brings together four of the finest, award winning musicians on the UK folk scene – Rachel Newton, Lucy Farrell, Emily Portman and Alasdair Roberts – and delves into the obscure world of balladry at its darkest and quirkiest.
Each singer airs lesser-known gems from their traditional repertoire with an eclectic backing of harp, guitar, viola, concertina, banjo, musical saw and rousing harmonies. With a bold, improvisatory approach, their common focus is to capture the raw edges and fleeting magic of ballads, with storytelling taking centre stage. Emily and Alasdair are both known for their original, folklore-influenced songwriting, and, often finding themselves on the same bills they struck up a musical friendship, sharing stages and collaborating on each others albums. Lucy and Rachel are both bewitching solo artists in their own right as well as being sought-after session players and long-time collaborators with Emily Portman in her trio.
The Furrow Collective’s 2014 debut release, ‘At Our Next Meeting’ received widespread critical acclaim, as well as a BBC Radio Two Folk Award for Best Group and a Best Traditional Track nomination this year. A new EP is currently being recorded for release in autumn 2015, followed by an album in early 2016.
Tickets available here.
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More people singing at the weekend…
Daylight Music 201: Mary Hampton, Nadine Khouri + Daudi Matsiko (Union Chapel, Compton Terrace, Islington, London, N1 2UN, UK – Saturday 3rd October 2015, 12.00pm-2.00pm) – free entry, suggested donation £5.00
Inspired by a passion for the winding road of the oral tradition from Homer onwards, Brighton-based songwriter Mary Hampton‘s songs possess an unusual transportive energy, moving her listeners through a sequence of shimmering landscapes that belong to past and present simultaneously. Accompanying herself on tenor guitar, and sometimes with members of her band Cotillion, she interprets material gathered from a wide range of sources, performing traditional songs alongside original work and settings of literary prose and poetry.
Nadine Khouri is a singer-songwriter currently based in London. A guitar-wielding folkie, with a love for shoegaze, moody soundtracks and spoken-word, Khouri’s music has been described by Rough Trade as a “music born of perennial outsider-status.” Her last release ‘A Song to the City’ was co-produced with Ryan Alfred (Calexico.) The EP also caught the attention of producer John Parish (PJ Harvey, This is the Kit) who invited her to guest on a song for his ‘Screenplay’ LP and subsequently to record her first album in his hometown of Bristol. Recorded live in a Georgian basement with a band assembled by Khouri, the resulting album ‘Lost Continents’ is a raw, atmospheric collection of meditations on loss and transformation, held within the hushed intimacy of Khouri’s voice. The first single from the album, You Got A Fire, is due for release in late October 2015.
Huntingdon is not famous for much. It was the birthplace of Oliver Cromwell and its local MP for many years was former Prime Minister John Major. Unlikelier still that the extraordinary songwriting talents of Daudi Matsiko (his name is pronounced “dowdy”) were nurtured in nearby Ramsey. Yet Daudi’s roots were somewhat further than Ramsey, his parents moving over from Uganda in the early 1980s. Daudi has been playing music since he was eight years old and writing songs since he was a teenager: although he’s still young, they speak of experience and trauma and gathered wisdom. Having suffered mental health problems in the past, he has used his music as a crucial salve in times of strife and stress. Daudi was lucky to grow up among a strong community of musicians – many of his Cambridgeshire buddies played on his breakthrough EP ‘A Brief Introduction To Failure’, which was supported by Gilles Peterson and helped bring him to a wider audience. His influences run the gamut, from The Mars Volta to Jeff Buckley, Beach Boys to Nick Drake. Plans are afoot for a new EP (working title: ‘The Lingering Effects Of Disconnection’).
More information on the concert is here.
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On the evening of the same day, Chaos Theory Promotions are back, displaying a continued knack for landing substantial art-music names…
Alexander Hacke & Danielle de Picciotto + Thomas Ragsdale (Chaos Theory @ The Hackney Attic, Hackney Picturehouse, 270 Mare Street, Hackney, London, E8 1HE, UK, Saturday 3rd October 2015, 8.00pm) – £14.00/£18.00
Chaos Theory enthuse:
We cannot wait to share this.
After watching the onset of gentrification filling their previous creative oasis in Berlin, the extraordinary duo of multi-instrumentalist/producer Alexander Hacke (Einstürzende Neubauten) & multimedia artist-musician Danielle de Picciotto (of Berlin club culture, Pop Surrealism and Love Parade fame, as well as being a member of the latest Crime & The City Solution lineup alongside Alexander) have been nomadic since 2010.
Giving up their home and most of their possessions, Danielle and Alexander have been touring the world, performing in Australia, doing residencies in Prague, Canada and Ireland, working in New York and recording in the Mojave Desert. (You may have seen them performing at Café Oto earlier this year, alongside Jarboe and Helen Money, as part of our 5 Years Of Chaos celebrations.)
This is the only UK show in their ongoing ‘We Are Gypsies Now’ tour, in which they will present music from Danielle’s new solo album ‘Tacoma’ (which speaks of leaving everything behind and trusting destiny to lead one’s way) and from their communal album ‘Perseverantia’ (which speaks of the strength and persistence necessary to survive outside of the grid) as well as material from their graphic diary ‘We Are Gypsies Now’ (which tells of how they gradually chose to become nomads) via glorious cinematic visuals. Here’s a small excerpt of their performance of ‘Perseverantia’ in February:
Thomas Ragsdale – best known as half of Manchester techno duo Ghosting Season and ambient duo worriedaboutsatan, as well as for his solo project Winter Son), also works as a film composer. He released his new album ‘Bait’ at the end of August via This Is It Forever, to coincide with the screening of Dominic Brunt’s film of the same name at Film4 Frightfest.
The album started life as a film score to the UK thriller; but rather than just release the various background drones and atmospheres, Ragsdale re-opened the files he’d given Brunt and started to re-imagine the whole thing as one complete album, as opposed to merely a soundtrack. Thomas adds “after carefully editing the original soundtrack by expanding on some parts, and cutting back on others, ‘Bait’ was sequenced to take you down a similar path to the movie: at once beautiful as it is beguiling, intense as it is disturbing – shimmering drones give way to gnarled bass, refracting synth lines clatter over arctic atmospheres.” This night we’ll see the full fruits of his labours in a multi-media performance.
Tickets are available here.
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And finally…
Andre Canniere (LUME @ The Vortex Jazz Club, 11 Gillett Square, London, N16 8AZ, UK, Sunday 4th October 2015, 7.30pm) – £8.00/£10.00
LUME pitch in with some words:
For our October gig at the Vortex, we are pleased to welcome the fantastic trumpet player and LUME On Tour survivor Andre Canniere!
Andre Canniere is an acclaimed trumpet player, composer and educator. Originally from rural Pennsylvania (USA), he spent the first five years of his career in New York City where he worked with artists such as Maria Schneider, Bjorkestra, Kate McGarry, Ingrid Jensen, Donny McCaslin and Darcy James Argue. He has toured widely throughout the United States and Europe with performances at Wigmore Hall, Carnegie Hall, Birdland, the London Jazz Festival, The Hague Jazz Festival and the Rochester International Jazz Festival.
Since his arrival in the UK, Canniere’s profile has been steadily rising, both as a solo artist and a collaborator. ‘Coalescence’ (defined as “the union of diverse things into one body or form”) is his second release for Whirlwind Recordings and follows the critically acclaimed debut ‘Forward Space’, which Jazzwise Magazine hailed as “one of the best recordings in a long time” and included in their Albums of the Year list. Tonight Canniere presents his exciting new band – himself on trumpet plus Brigitte Beraha (voice), Tori Freestone (tenor saxophone), John Turville (piano), Dave Manington (bass), Tim Giles (drums) – performing new music inspired by the poetry of Charles Bukowski and Rainer Maria Rilke.
More on upcoming October gigs shortly, as I take a look at the second week…
…oh, hold on, here’s one more…
Misfit City 