Elephant: ‘Allured/Actors’
“Oh, hello, / I’m a never-ever-let-it-show – / But I know that you know. / Maybe I should let it, let it show…”
On past evidence Elephant have a knack for drawing us in while admitting to little. Their debut single mingled dream-pop with reggae and industrial chill, and cold electronics with fairy-tale flashes. They ride on a solid understanding of black pop, yet constantly swerve away from it into Euro-cool whiteness. They readily confuse, and they excel in oblique feelings – perhaps they can’t help it. Amelia’s blank singing, their aloof and obscure post-punk textures, their taste for quick-cut lyrics and surreal, visual word-imagery… while their work so far is memorable, all of it’s a conundrum. Yet for a moment, on this second single, everything is clearer.
With only the subtlest indie-pop bleachings and dream-pop shadings, Allured is an R’n’B piano ballad: plain and simple. There’s the deep, minimal support of bass. There’s the gaps, space and swat of a heavy-lidded slow sex-beat; the sparse flick of tambourine like a shimmying skirt-fringe. Essentially it’s a slow jam that’s strayed out of the dance club in its heels and skintights, taken a wrong turning past the taxi rank, and been painlessly swallowed by Elephant’s dreamy way of doing things. In the video we watch as voyeurs as Amelia and Christian languidly nuzzle and smooch each other – lengthily, and uninterruptedly. Either they’re answering that “are-they-aren’t-they?” question that’s hung around Elephant since the beginning, or they’re very committed to the world of this particular song.
Whether Elephant have simply been infected by R’n’B’s outright and intoxicated sexuality, or whether they’ve swallowed it deliberately, is open to question. I suspect the latter. Few areas of twenty-first century pop haven’t rolled over and submitted to R’n’B’s sweaty vigour and its gobby, blinged-up sex’n’suss’n’opportunity confidence. While some diehard indie-poppers might still scream and scrub it off; or cling to older schools of soul, Elephant see a good thing and slurp it up, embracing and engulfing it in their turn. So here they are, reaching out greedily into the wide-open mainstream while happily sunk in obsession, drunk with sensuality.
Only the lyrics retain that peculiar Elephantine distortion. Amelia rolls the words around on her tongue, dabbing them with glottal stops and her own strange short-circuiting shifts of accent or syntax, whether wriggling into a tangled lick of coyness, circling orgasm (“our own anatomy, so I find the path – my brain / it carousels instantly, drives me to insane,”) or swimming in a stupor of surrendered identity (“I dreamt he’d written me… He took me away, crossed me away from the crowd…”) By rights, this clotted wordplay should cripple the song. Instead it lolls sexily across the beat, as if on the brink of falling out of bed.
Then the B-side – Actors – throws us right off the scent. Same old Elephant; entirely different set of clothes. Rather than the wallow of bass and beats, here are acoustic guitars on the strum, a skinny ice-rink organ, and a dose of fast-paced pop soufflé which chuffs around its drum track like a toy steam train. It’s a tune for people in mini-dresses to run around Paris to, or chase summer bicycles through Spanish Harlem. Once again, Amelia’s dazed delivery and tangled string of lyrics ensure that it keeps the Elephant stamp.
It’s anyone’s guess as to what she’s singing about this time – “hop around aimlessly, simply surrender to time. /Animations out past under the feet, imitating a shadow spine.” Somehow the words fall into place as she sings of paying the rent “with a monogram eye” or murmurs about “the highest apple in the tree.” Perhaps, like many of the best and sexiest club hook-ups, it’s just a happy accident.
Elephant: ‘Allured/Actors’
Memphis Industries, MI0193S/D
vinyl 7″/download single
released: 18th July 2011
Buy it from:
Memphis Industries.
Elephant online:
Misfit City 