Archive | June, 2021

June 2021 – single & track reviews – Obijan’s ‘Ubesvarte anrop’ (featuring Action The Man & Julie); All Cats Are Beautiful’s ‘thought i saw u in the shop last nite’; E Rodes’ ‘Fortune’

15 Jun

As today’s opener, ‘Ubesvarte anrop’ is pretty irresistible. Reformed dream-popper Obijan ropes in both his favourite rapper Action the Man and (I think) Danish pop and media sensation Julie Berthelsen, then lets them loose on something that resembles contemporary electropop merging seamlessly with peak-period New Order dance choruses… but in Norwegian.

The title means “Missed Calls”. I can’t tell whether they’re singing something smutty about area-code hookups, or whether it’s about regretting chances to talk, or whether it’s a tale of ever-mounting farce revolving around phones. Action seems to be rapping about metallophones at one point – and meows – so perhaps there’s some cats-on-glockenspiels action in the story. I can only go by the moods: sparkling syncopations, blue-neon club-night synth jabs, kick beats that tickle your instep, and a bobbing air of keyboard-driven optimism. Bewildered by a succession of London heatwaves and torrential rain, I’m just going to hang onto this one as evidence of a consistent summer falling into place, and I’ll hope for the best.

After Obijan’s retro effervescence, All Cats Are Beautiful sound subdued, but that’s part of the point. As a duo separated by Covid lockdown in different countries, they’ve been spending their time writing songs together over the web about how much they miss each other, blurring them into the world of love-songs (with their own particular femme-queer/non-binary friendship and personal mix adding some interesting ripples to the usual undercurrents).

Elena sings this one on her own, as it emerges from scrappy soul chords to build through layering synth and rhythm parts from a bedroom-studio skeleton to kick drum and a full shimmying pop body. Solo or not, she seems to be singing for both herself and her Cats partner Kyle, separate wishes and memories slotting and merging into each other until it’s just one person again, one combining story. “I wanna show you round my hometown – where I learned to stand up and where I learned to fall down. / I don’t wanna let you out of my sight – the world was pushing me left, but you were on the next right… / I wanna circle back into that place – where we listened to Frank Ocean on the fire escape. / There’s all these moments just waiting in line – I got enough here to last the whole ride.”

What emerges from this merging and layering hints at disco and rave (in those cheerful little keyboard bloops) while homing right on the twee-pop preoccupations of ’90s indie heart-achers like The Field Mice. “Even though we’re miles apart, my mind is playing tricks on my heart. / I thought I saw you in the shop last night but I know you’re taller in real life.” It’s cute, it’s a little solipsistic, but ACAB work affectingly within the fact that love and fellowship are often built piecemeal out of trivia, memento-moments and small, benevolent personal quirks; out of solidarities in parallel; out of finding someone who understands your little flaws and markers, and the sparks that make you think; and that sometimes these little firefly nuggets are tremendously important, and that you miss them inordinately when they’re not there. “You can come around any time / Now would be a good time.”

E Rodes‘ mid-month single ‘Fortune’ sees him back on his own after early June’s full-band Electric Roads outing – and if you felt that that one seemed like a humorous gripe at the pinch of marriage and partnerhood, then you could view this one as a kind of apology. If ‘Soon Canoe’ poked fun at inconsistency, cramped spirits and the apparent impossibility of satisfying someone else, ‘Fortune’ turns it around and focuses on the fonder perspectives of passing time, of gratefulness and thankfulness. “Old, blind, I’m not he who finds gold and silver beneath the sea. / Still, fortune found me. / In her wake, a smoke of memories.”


Easing in on children’s-story countryside ambience (a blanket of gentle hammered dulcimer, birdsong, church bells, street chatter and duck gabble) the arriving song chords build on each other; like worn, wonky granite steps sparkling in the sunlight. As gentle carpeting Hammond organ and winding, wandering bass lead us deeper in, ‘Fortune’ journeys through classic, sleepy-rural English psychedelic cadences. There’s more than a touch of latter-day David Gilmour in here, a sprinkle of pastoral-era Andy Partridge; and, in some respects, answering echoes to the blossoming Italian Anglophilia of Sterbus… but more than anything it feels as if Étienne is finding more of himself in revealing more of himself.

In spite of the sonic beguilement in the loving production and the expansive nature-to-music arrangement – the feeling that this is stepping smoothly from outside comfort to inner reverie – it’s the generosity that stays with us. “Row, row, have no fear / We have weathered far worse storms and stronger wind…. / Song of love, I don’t know? I may be a fool / But it’s the least I could do for you.”

Obijan: ‘Ubesvarte anrop’ (featuring Action The Man & Julie)
Apollon Records (no catalogue number or barcode)
Download/streaming single
Released:
15th June 2021

Get/stream it from:
Apple Music, Deezer, Spotify, Tidal, Amazon Music, Qobuz

Obijan online:
Facebook, Soundcloud, Last.fm, Apple Music, YouTube, Deezer, Spotify, Tidal, Amazon Music, Qobuz   

All Cats Are Beautiful: ‘thought i saw u in the shop last nite’
Moshi Moshi Music (no catalogue number or barcode)
Download/streaming single
Released:
15th June 2021

Get/stream it from:
Bandcamp, Apple Music, YouTube, Deezer, Spotify, Amazon Music

All Cats Are Beautiful online:
Facebook, Soundcloud, Bandcamp, Apple Music, Deezer, Spotify, Instagram  

E Rodes: ‘Fortune’
Don’t Tempt Me Frodddo (no catalogue number or barcode)
Download/streaming single
Released:
15th June 2021

Get/stream it from:
Bandcamp, Apple Music, YouTube, Spotify

E Rodes online:
Facebook, Bandcamp, Apple Music, YouTube, Instagram, Spotify

June 2021 – single & track reviews – Gabriella Smith/Gabriel Cabezas’ ‘Lost Coast III’; Hot Mustard’s ‘Jerkwater Strut; Ada Moreau’s ‘My Shadow Halts’

7 Jun

Following up on last month’s twirling ‘Bard of a Wilderness’ single, Gabriella Smith and Gabriel Cabezas continue to bring voice, cello and found percussion items to bear on the theme of human responses to the wild spaces, and to the destruction wrought on Gabriella’s California home by last year’s wildfires. While building on the pattering jazz and classical extended-playing techniques which threaded through ‘Bard…’, ‘Lost Coast III’ also sidesteps the former’s barely-restrained murmur and its mingled mourning/accusatory wordings. Skipping across a triple-beat, it’s more of a fiery Latinized waltz heading out on an angry roadtrip – its rage barely constrained, its grief turned into a wild chattering momentum veering all over the tarmac.

This time, Gabriella ignores texts in favour of dance chanting and thermal-tossed multi-tracked vocalese. She plays against herself in what sounds like a wordless, impressionistic vocal ballet of fire-panicked neighbours chattering and arguing, sharing fears and concerns as they try to save themselves what they can. Mingling with this is a sense of boiling injustice, a fury at the fact that this is actually happening. Hands and bow beat on cello case and cans, while Gabriel’s rapid string melodies squeal, strum and chop against the rhythms (and the viola of Bedroom Community labelmate Nadia Sirota adds more midrange sinew).

Round about the halfway point, the piece erupts into a frantically hummed-and-sung chorale of overdubbed Gabriellas, the cello casting disaster drones across the voices. Towards the end, everything disintegrates into a tangled mass of cello frenzy, alarms and firebell rattles before soaring out into a finale which combines everything that’s gone before into a thrillingly twisted-up whole. The more times that you listen to this, the more it seems to reveal; as if it’s not just dealing with the impact of the 2020 fires but mining deeper into Californian history for a catalogue of misfortunes, oppressions, mismanagements and outright fuck-ups, giving voice to all of the indignations that came with them but which were brushed under the forest floor. Rousing stuff, in every sense.

The remaining two singles (this time around) are much more relaxed.

Mixing rare groove with early hip hop/boom bap, the debut Hot Mustard single ‘Jerkwater Strut’ is a bit of idealised, retro-fitted funky-sidewalk strolling. At the group’s core, Jack Powell and Nick Carusos create a Chic-ish dynamic of guitar and bass co-leadership, although the group’s rural South Carolina location (and Jack’s taste for softly melting wah-wah trickles and behind-the-beat pacing) locate it in a much lazier groove. Brooklyn’s Big Brass Beats horn duo (with their Antibalas and TV on the Radio connections) phatten it out, but with the outcome being more New Orleans and Memphis than it is Big Apple (though they do cite a little bit of Wu-Tang Clan as an addition to the mixture). I guess Charleston (a boat ride and a bump away from Hot Mustard’s Johns Island hangout) also gets a look in.

Wordless, thoughtful and quietly happy, ‘Jerkwater Strut’ is more urban than island. Yet, if so, it’s a window onto a different kind of city life in which the tourists are gone, the guests no longer need to be impressed, and an early evening can be spent on the stoop and the street at your own, relaxed pace.

We might be being softened up here, or we might be being let in on an open secret. I can’t really tell yet. That title (like a bit of ancient jazz-age mockery) and Jack’s Gilliam-esque animated video (full of fish, cryptids and marine mythology) are laden with clues which don’t ultimately lead anywhere. Eventually, it’s just sunshine, personal contentment, and the subliminal beat of the far-off city as a comfort, all subsumed into a relaxed neighbourhood vibe.

The third in a monthly progression of singles by Stockholm-based semi-ambient composer Ada Moreau, ‘My Shadow Halts’ leaves behind the gorgeous European fogginess of its predecessors. With that former chilly brume replaced by a more evanescent sonic misting, its descending temple-bell arpeggios, distant piano and even more distant mother-of-pearl synth-sheening lead it more into Asian temple haunts.

These days, there’s more of a risk involved in attempting this kind of thing. Even as ‘My Shadow Halts’ nods to the 1980s traveller’s-ambience of Harold Budd or Roedelius, it also risks summoning up the same kind of atmosphere as many a touristy New Age salute to Bhutan or Kyoto (narrowly skirting Chinoiserie and faux-Gamelan as it does so). Fortunately, despite sounds and intimations, Ada’s actual intentions are less to do with evoking place than in fixing a position of grace.

According to her, ‘My Shadow Halts’ is about “the subjective experience of time. When the light is just right, and everything seems to slow down to that moment, frozen in time. A sudden sense of a more elevated and peaceful reality. Your stress and aggression momentarily forgotten and left behind.”

With that in mind, listening reveals something better. By avoiding direct geographical or cultural tags, Ada allows the crass, picture-postcard aspects which can taint this kind of project – that collecting, spiritually acquisitive side of things – to gently drop away from the music. While still a little second-hand, the Asiatic touches become more like a thoughtful, mood-evoking temple print hung on the opposite wall, rather than a wholesale theft of scenery. As with Hot Mustard, I think Ada’s successfully blended her inspirations into something fresh enough to work. I’m also feeling that she’s narrowly dodged a genre bullet.

Gabriella Smith/Gabriel Cabezas: ‘Lost Coast III
Bedroom Community Records (no catalogue number or barcode)
Download/streaming single
Released: 7th June 2021

Get/stream it from:
Bandcamp, Apple Music, Deezer, Spotify, Amazon Music

Gabriella Smith online:
Homepage, Soundcloud, Bandcamp, Last.fm, Apple Music, YouTube, Deezer, Spotify, Amazon Music

Gabriel Cabezas online:
Homepage, Facebook, Twitter, Soundcloud, Bandcamp, Last.fm, Apple Music, YouTube, Deezer, Spotify, Instagram, Amazon Music

   

Hot Mustard: ‘Jerkwater Strut’
Color Red (no catalogue number or barcode)
Download/streaming single
Released: 4th June 2021

Get/stream it from:
Color Red store, Bandcamp, Apple Music, Youtube, Spotify, Amazon Music

Hot Mustard online:
Homepage, Facebook, Bandcamp, Apple Music, YouTube, Spotify, Instagram, Amazon Music

 

Ada Moreau: ‘My Shadow Halts’
ART:ERY Music Group, ART:ERY20210307
Download/streaming single
Released: 4th June 2021

Get/stream it from:
Soundcloud, Apple Music, Youtube, Spotify, Tidal , Amazon Music, Qobuz

Ada Moreau online:
Homepage, Soundcloud, YouTube, Spotify, Tidal, Instagram, Amazon Music, Qobuz

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