Jnauary 2010 – EP reviews – Evolutia’s ‘Fear’s Fall’ (“they certainly don’t stint on the dramatics”)

17 Jan
Evolutia: 'Fear's Fall'

Evolutia: ‘Fear’s Fall’

They have a history with at least one Californian prog-rock band in it; yet Evolutia’s Stephen Cameron and Andrew Barnhart work better with a strong pop injection. Popping up a couple of years ago with the ‘After All These Years’ EP, Evolutia’s brisk multi-instrumental dazzle (along with Stephen and Andrew’s tag-team singing) quickly impressed. Now they’re revealing – in flashes – greater breadth and songwriting solidity beneath that glossy surface.

Of course, you do have to deal with the Muse factor first. Initially, those occasional neo-classical flourishes, the impassioned diva vocals and Stephen’s dual role on piano and guitar feel pretty familiar. Evolutia’s music is very much in Muse’s terrain of borderline-hysterical prog-pop. In fact, they’re hovering in almost the precise same spot that Matt Bellamy and co. did about a decade previously.

Yet while Muse increasingly inflate themselves into a Paganini stunt show of inhuman proportions (and arguably always dealt more in effect than humanity), Evolutia maintain heart and a human scale. Songs like My Element are clearly pomp-rock angst epics – Stephen and Andrew bawling “I fall apart without you” as instruments somersault around them – but they’re recognisably about people, rather than being exercises in style. Every explosive caper of Stephen’s piano, every upfront sprun-ng-g-g of Andrew’s supple prog-funk bass playing (and on this occasion, Mitch Holmes’ crisp and flexing drumwork) is there to underpin a human experience; whether this is ageing (“with faces that weathered / we stood up tall ’til the end”), the corrosions of ignorance, or simple fear.

That said, they certainly don’t stint on the dramatics – and their talent for sounding like a four- or five-piece band rather than an augmented duo certainly helps. With a tight and vicious vocal from Andrew, Half Awake provides the kind of semi-operatic sturm-und-drang rarely offered since the days of ‘Queen II’. Over jagged, emotional Beethoven piano, Andrew sneers out flashes of punk life (“brought up in a home of no-can-do, / what’s to learn in a prison but a vice or two?”) with a mixture of disgruntled rage and sympathy as he slips in and out of character. He weaves a history of resentment and slippage between one disaster and another, one violent situation and another; down and down the spiral, while a growling bass synth mutters like a cornered dog.

With Stephen temporarily abandoning his piano for some trashy but laser-guided guitar playing, We Used to Sleep starts life as a glam-punk anthem. It’s soon underlaid by prog convulsions – spasms of bass; distorted roars of texture; quick flashes of djent-styled metal riffage, like violently shunting trains. These toss the bucketing, arena-sized tune around on their knotty shoulders while Stephen sings of lost innocence, abandonment and faith: “If you find yourself lying in wait, or tasting their bait / just don’t go losing your hope yet.” This is lighter-waving rock heroism for sure – and cut by the yard – but it’s played with an invigorating power. For a few moments, flushed with Evolutia’s determined romance, you believe.

Fear’s Falls’ title track, meanwhile, is a real pocket epic. Driven by flowing expressive piano dancing over sparring drums and saw-edged walls of bass, it crams far more into its relative sparse lyric and its five-and-a-half minute running time than you’d expect, while Stephen delivers his most heartfelt and hopeful vocal of the whole EP. As the band travel, they reveal tightly-packed musical pockets en route: little cells transforming the spaces inside the tune from within, mirroring the night journey from fear to reassurance. “We shed this weight like it was our skin – / the ones we love are lost again, / and hope is becoming my closest friend… / Truth is changing what we want. / Fear melts away when we see / there’s nothing in the dark save you, save me.”

As Fear’s Fall winds down, there’s a cute little instrumental diversion into pseudo-reggae. Perhaps it’s there to show that after all of the emoting and instrumental flagrancy, Evolutia have a sense of humour. It’s unnecessary. They’ve got something better: in spite of all of their flashy arena-rock drama, they retain heart throughout. Maybe once they get past the more blatant Muse-ry, more people will notice this.

Evolutia: ‘Fear’s Fall’
Bandcamp
Download-only EP
Released: 11th January 2010

Buy it from:
Bandcamp

Evolutia online:
Homepage Facebook Twitter Bandcamp YouTube

One Response to “Jnauary 2010 – EP reviews – Evolutia’s ‘Fear’s Fall’ (“they certainly don’t stint on the dramatics”)”

Trackbacks/Pingbacks

  1. Misfit City Reviews | Evolutia - July 26, 2012

    […] He also covered our last EP, Fear’s Fall, in a review here; MisfitCity.org – Fear’s Fall EP. […]

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

SWOONAGE

Swoon. /swo͞on/ A verb. To be emotionally affected by someone or something that one admires; become ecstatic. Here are some people and things that make me swoon. #swoon #swoonage

Post-Punk Monk

Searching for divinity in records from '78-'85 or so…

theartyassassin

...wandering through music...

Get In Her Ears

Promoting and Supporting Women in Music

Die or D.I.Y.?

...wandering through music...

The Music Aficionado

Quality articles about the golden age of music

THE ACTIVE LISTENER

...wandering through music...

Planet Hugill

...wandering through music...

Listening to Ladies

...wandering through music...

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

The Quietus | All Articles

...wandering through music...

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

furia log

...wandering through music...

The Recoup

Yesterday's Sounds Today

A jumped-up pantry boy

To say the least, oh truly disappointed

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Organized sounds. If you like.

Gapplegate Classical-Modern Music Review

...wandering through music...

When The Horn Blows

...wandering through music...

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

FLIPSIDE REVIEWS

...wandering through music...

Headphone Commute

honest words on honest music

The One-Liner Miner

...wandering through music...

Yeah I Know It Sucks

an absurdist review blog

Obat Kanker Payudara Ginseng RH 2

...wandering through music...

Pop Lifer

Waiting for the gift of sound and vision

Good Music Speaks

A music blog written by Rich Brown

Do The Math

...wandering through music...

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The World's Worst Records

...wandering through music...

Soundscapes

...wandering through music...

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

FRIDAY NIGHT BOYS

...wandering through music...

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

a home for instrumental and experimental music

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

...wandering through music...

Life Just Bounces

...wandering through music...

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Aquarium Drunkard

...wandering through music...

eyesplinters

Just another WordPress.com site

NewFrontEars

...wandering through music...

%d bloggers like this: