September 2002 – album reviews – Steve Lawson’s ‘Lessons Learned from an Aged Feline Pt. 1’ album, 2002 (“a serious experimental musician as well as a family-friendly melody man”)

18 Sep

Steve Lawson: 'Lessons Learned From An Aged Feline - Pt 1'

Steve Lawson: ‘Lessons Learned From An Aged Feline – Part 1’

Dedicating an entire album to a cat sounds unforgivably twee, but Steve Lawson really couldn’t care less. He’s probably immune to any such embarrassment, having long fostered an image as The Cuddly Solo Bass Player (This included a stint braving potentially fatal scorn from Level 42 fans, when he played some unmanly support slots to their heroes while wearing angora coats, glitterball T-shirts and heterosexual nail varnish. If he isn’t immune to embarrassment, at least he can claim that that’s something Paul Simonon never had the balls to do.) There’s also solidity to his gesture: the cat in question is Steve’s old and ailing Abyssinian, and Steve himself is a firm believer in the lessons gained from loving our companions (pets included) and learning to accept their ageing and their eventual deaths.

Originally ‘Lessons Learned From An Ancient Feline Pt 1’ was a free companion release for the second Steve Lawson album – ‘Not Dancing For Chicken‘. As such, it’s inevitably less ordered. At the crudest summary, it’s an outtakes-plus kind of release compiling the bits of the ‘…Chicken’ sessions which didn’t fit comfortably onto the main album. Even so it gives a surprisingly effective rough’n’ready look at Lawson’s prolific and wide-ranging talent. The lover of pretty tunes who’s also a serious gear-hound and sound-mangler; the electronic texture looper who’ll groove like Gilberto. The distorted beat-science meddler with a thoroughly un-ironic taste for playing Fly Me To The Moon straight with no chaser or spoiler.

On the easy side, there are a couple of bits of Lawson the Latin lover. The opening One Hip Cat is a twangy Brazilian-style guitar study, allowing him to display some accomplished jazzy chops inside its lazy summery breeziness. There’s a hint of what’s to come via in the shape of the occasional odd drones undercutting the music; drifting in like the suspicion of sharky shadows deep below blue lagoon water. Here Endeth The Lesson is one of Steve’s loop-assisted live collaborations with himself – a duet between a slow Latin rhythm bass with a pillowy tone and a solo fretless bass carrying the tune. The latter (high and tenor-y) sings off into the dusk with an impeccable spacey melodicism, ultimately sliding away into a sleeper’s fade.

Either of these two pieces could have fitted into a summer jazz festival of samba and ice cream, and they’d also have matched those glitterball T-shirts. Two neighbouring pieces definitely couldn’t. Cute names notwithstanding, both Framulous Jam and Evil Harv’s Evil Empire are discombobulated systems music. Like everything else on the album, they’re generated solely by Steve’s bass guitar and effects rack in real time. Unlike the easy-on-the-ear pieces, they sound thoroughly electronic and abstracted.

Evil Harv’s Evil Empire arrays fast and atonal binary-on-off hums, mingling them with suspension-bridge twangs and plucks and snips. Interrupt silences and backward sounds are stewed into the brew, before all is ultimately rendered into a backdrop for some of Lawson’s roaming, unbounded glissandi. In Framulous Jam, harmonic chime-chords are worried gently by electronic interrupts, setting up interesting conflicts between hanging sustain and random blip-jitters. Both could sidle into those earnest meets in obscure juice bars, haunted by men from ‘The Wire’ intent on watching other men frown over gurgling laptops.

Ultimately, the album’s centrepiece is the saccharin-titled but sonically stretching two-parter Sleep Eat Snuggle Repeat. In the first part, angelic traces of sustained E-bow bass – thrillingly vocal – move between foggy front of cold and warm textures, exchanging almost imperceptibly. In echoing caverns beyond, pings ring like stressed piano notes, clocks tick, water drops, wah-pedals disgorge diffuse gushes of sound, and bubble-motors pulse and spurt. Part two builds on the preceding one. A float of sounds and traces are punctuated, now and again, by a giant organ-like roar as the digital stops are eased out. It’s pure abstract indulgence, but mightily effective. It sounds like the dreams of a flea on a whale.

The big joke is that behind the twee titles lurks Steve’s most bizarre album yet, and one which stakes his most effective claim to being a serious experimental musician as well as a family-friendly melody man. What was the most important lesson which Steve Lawson learned from his cat? Why, to move when you least expect it…

Steve Lawson: ‘Lessons Learned From An Aged Feline Pt 1’
Pillow Mountain Records/Bandcamp, PMR 0013(B) (no barcode)
CD-R/download album
Released: 2nd September 2002

Buy it from:
Bandcamp, download only. The original release was a CD-R included with early orders of ‘Not Dancing For Chicken’: some copies may be in circulation second-hand.

Steve Lawson online:
Homepage Facebook Twitter Bandcamp Soundcloud

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

SWOONAGE

Swoon. /swo͞on/ A verb. To be emotionally affected by someone or something that one admires; become ecstatic. Here are some people and things that make me swoon. #swoon #swoonage

Post-Punk Monk

Searching for divinity in records from '78-'85 or so…

theartyassassin

...wandering through music...

Get In Her Ears

Promoting and Supporting Women in Music

Die or D.I.Y.?

...wandering through music...

The Music Aficionado

Quality articles about the golden age of music

THE ACTIVE LISTENER

...wandering through music...

Planet Hugill

...wandering through music...

Listening to Ladies

...wandering through music...

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

The Quietus | All Articles

...wandering through music...

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

furia log

...wandering through music...

A jumped-up pantry boy

To say the least, oh truly disappointed

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Organized sounds. If you like.

Gapplegate Classical-Modern Music Review

...wandering through music...

When The Horn Blows

...wandering through music...

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

FLIPSIDE REVIEWS

...wandering through music...

Headphone Commute

honest words on honest music

The One-Liner Miner

...wandering through music...

Yeah I Know It Sucks

an absurdist review blog

Obat Kanker Payudara Ginseng RH 2

...wandering through music...

poplifer.wordpress.com/

Waiting for the gift of sound and vision

Good Music Speaks

A music blog written by Rich Brown

Do The Math

...wandering through music...

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The World's Worst Records

...wandering through music...

Soundscapes

...wandering through music...

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

FRIDAY NIGHT BOYS

...wandering through music...

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

a home for instrumental and experimental music

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

...wandering through music...

Life Just Bounces

...wandering through music...

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Aquarium Drunkard

...wandering through music...

eyesplinters

Just another WordPress.com site

NewFrontEars

...wandering through music...

%d bloggers like this: