Tag Archives: The Magic Garden (venue) – Battersea – London

February 2018 – upcoming London folk etc. gigs at the Magic Garden – Emma Lohan and Lánre (4th February); Echo Trails and Alba&Leo’s Elsewhere Quartet (8th February)

27 Jan

Riffling through the music schedules at Battersea’s Magic Garden pub reminds me of my incurable habits and hopes as regards raiding the CD racks in charity shops. Though it’s not the place for tribute bands, per se, there’s a lot of cover and tribute music being played there – straight evocations of New Orleans funk, Latin jazz, folk-blues or Celtic sessions – but picking out something I really personally want, something a little more original or eclectically fused, is more hit-and-miss.

Thankfully, the Magic Garden’s a place I keep checking back on, since a few of those more original gems tend to show up and flourish there.

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Emma Lohan, 4th February 2018

Sunday Folk: Emma Lohan + Lánre
The Magic Garden, 231 Battersea Park Road, Battersea, London, SW11 4LG, England
Sunday 4th February 2018, 9.00pm
– free event – information here and here

February’s first Sunday sees the Magic Garden hosting the lovely bubbling folk-pop of Galway globetrotter Emma Lohan – her debut appearance at the venue, but one of an increasing number of recent wanders across the Irish Sea. Though she’s been billed variously as “Atlantic-folk meets ethno-pop” or “folk fusion that lies somewhere between sean nós and surf pop”, neither description quite does justice to what she creates: beautifully-constructed cloud-tossed songs imbued with the flicker of constant motion, which effortlessly blend together jigs, jazz, acoustic dreampop and palm-patter drawing on a palette of petal-skittering guitar, strings, kalimba, gently glowing hornwork and glockenspiel.

As to where it all comes from… well, there’s Irishness in the curve of her accent (and in some of the sessional lightness and fluidity to how everything fits together on the records), but in its wholeness her music embraces world funk, beach pop, psychedelic Balearic haze and uncoiling rhythms from South America, West Africa and Asia. Emma’s clearly the rolling stone which softly gathers everything.




 

In support is London-Afropean singer-songwriter Lánre, presenting an unplugged take on material from last year’s ‘Human’ EP and from nearly a decade of music making (including the band GK Real and songs which have seen her invited to perform in Paris). In the studio, she layers her simple, direct spiritual songs (many of them touching on the healing of black-girl wounds – beauty and worth, the straining for a sense of home) with rich blankets of ambient, post-gospel and choral-soul arrangement, sometimes stirring in a little country guitar or traditional Yoruba walking song. Live, whether playing solo or working with a band, African-American rootings show more clearly, seeming to touch on similar turf to Odetta or Erykah Badu, but also Toni Morrison and Arthur Lee.





 
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Echo Trails + Alba&Leo Elsewhere Quartet, 8th February 2018
Echo Trails + Alba&Leo’s Elsewhere Quartet
The Magic Garden, 231 Battersea Park Road, Battersea, London, SW11 4LG, England
Thursday 8th February 2018, 9.00pm
– free event – information here and here

Selling Echo Trails as being some kind of hopeful mashup of “epic groove and post-rock” is a massive undersell. Just because they’ve got a little Godspeed string thunder in them on occasion (and know a thing or two about old-school jazz’n’R&B propulsion) doesn’t mean that they’re one of those bands that milk the juice out of other genres and feed it into papery approximations.

A well-honed acoustic band is like a set of unhindered precision muscles, able to flex rhythms on the fly and dance in unexpected curves, and this is just such a band. Fronted by Dimitra Tzanakaki (a ballsy, smouldering Greek blend of Beth Gibbons, Tori Amos and Bette Midler) they’re a supple alliance of guitar, voluble double bass, viola and drumkit, the song undercarriage slipping easily from Mediterranean folk to psychobilly to a salsa set-to or to shedbashing Led Zeppelin thrills. Since their arrival in 2014 they’ve phased out keyboard and phased in pedalwork, enriching texture even as the instrumentation shrank: hence the post-rock tag, but there’s Schönberg, Piaf, Korn, Temper Trap, bebop and Hidden Orchestra tucked into their bag of influences along with Godspeed.




 
Back in their home country of Croatia, Alba Nacinovich and Leo Škec – trading as Alba&Leo – are already reknowned for being one of the best jazz-folk duos in the country. Having relocating to London last year from their hometown of Rijeka, they’re in with a good chance of getting the same reputation over here. Initially and deceptively a childlike presence, Alba turns out to have fiery focus, flexible tone, eclectic tastes and a laser-guided skill at everything from vocalise to pure pop; Leo is a dizzyingly skilled, mostly-acoustic-and-pedals guitarist with a mastery of percussive fingerstyle, quicksilver jazz runs and subtle electronic soundshaping. Tossing around terms like “augmented reality” like magicians’ scarves, they dip with equal verve into cover reinventions and original songs in both Croatian and English; while they’re still finding their feet with the latter, the music and the pattering, driving skills are already there. The quickest, laziest comparison is a junior, Slavic Tuck & Patti, minus the cheesecloth and cuddliness… but Alba&Leo won’t be junior for long.

For this gig, Alba&Leo are appearing in expanded and augmented form as The Elsewhere, a new quartet in which they’re bolstered by broad-based percussionist Sass Hoory (a specialist in Middle Eastern sounds) and polydisciplinary cellist Natalie Rozario (who’s drawing on a skillset that crosses theatre, jazz and opera). The show is part of an explosion of early-2018 Alba&Leo activity which includes a free evening with slow-jamming folk/R&B singer Breantonia and “love child of Sting and Edith Piaf” Miri at Borough’s Gladstone Arms on 3rd February, a duo gig upstairs at Ronnie Scott‘s on 30th January, and the actual debut of The Elsewhere at Harringay’s Jam In A Jar the following day on the 31st. I’ve got no Elsewhere clips, but here are some of Alba&Leo in assorted action…




 

October 2016 – upcoming gigs – a transatlantic 15th October – avant-pop with Trevor Wilson + Jackson Emmer + Michael Chinworth at The Back 40 (Asheville, North Carolina); classical fusion with Emily Hall + Ryan Teague + Resina + Lucy Claire at Daylight Music (London); folk and psaltery groove with Jausmė + Sian Magill at the Magic Garden (London)

12 Oct

More by chance than design, today’s preview post (for Saturday 15th) covers both sides of the Atlantic.

I’ve been following (and tracing back) the career of singer/songwriter Trevor Wilson for a while now – from his cross-genre experiments at Bennington College to his scatter of solo records and his more recent work steering the eerie/joyous glee-pop unit Anawan. Having opted to leave New York (after one last concert in his Brooklyn base), he’s now upped sticks to North Carolina and settled in the “art mecca” city of Asheville, where he’s wasted little time, not just putting down roots but making them work. Details on his first post-New York concert below:

Trevor Wilson + Jackson Emmer + Michael Chinworth
‘The Back 40’, 60 Craggy Avenue, Asheville, North Carolina, 28806, USA
Saturday 15th October 2016, 6.30pm
– free event (donation suggested) – email for more details

Trevor says “after some months of finding my way around, I’m very excited to announce my first performance here. Remarkably, I will be joined by none other than Anawan members Ethan Woods and Michael Chinworth, as well as two new singing partners, Jeremiah Satterfield and Laura Franke. Michael will perform a set, and so will Jackson Emmer, one of my oldest and dearest friends. This will all happen in a backyard farm just through the woods from my house in West Asheville. It will be an outdoor, bonfire-style concert, and we’ll convene at 6:30 to chit chat and snack. I’ll be performing some Anawan material with Ethan and Michael, as well as some new material with Laura and Jeremiah.”

The new material may or may not relate to Trevor’s upcoming new album ‘Sour Songs’ which he describes as featuring “the most direct, pop-oriented, and fun tracks I have ever created. They’re based around the keyboard, and a lot of them feature electronic beats. It’s definitely a departure, but it feels honest, and really connected to where I am at right now. I truly can’t wait to share them with you.”

Meanwhile, here’s an appropriately rural clip from a few years ago, featuring Trevor singing in the fields (albeit up in Vermont), plus an Anawan video from around the same time.



 

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On the same Saturday, back in London, it’s another day and another Daylight Music show. Following last week’s organ-and-voice extravaganza, the Daylighters continue to happily mull over ten years of presenting everything from electronic bleeps to uke-toting folkies via unusual instruments and classical inroads. This week leans more towards the latter…

Daylight Music 236, 15th October 2016

Arctic Circle presents:
Daylight Music 236: Emily Hall + Ryan Teague + Resina + Lucy Claire
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 15th October 2016, 12.00pm
– free event (suggested donation: £5.00) – information


 
Emily Hall writes contemporary and avant-pop-slanted takes on the classical song cycle, instrumental narrative and opera. This has led her into commissions for (among others) London Sinfonietta, London Symphony Orchestra, BBCNOW, the Brodsky Quartet and Opera North. It’s also led to collaborations with the likes of the English author Toby Litt (who co-wrote her song-cycle on the diverse “everyday wonder and lurking fear” nature of motherhood, ‘Life Cycle’ – see the excerpt above) and Icelandic poet/occasional Bjork lyricist Sjón, who crafted the words for her haunting trio opera ‘Folie à Deux’.

The latter begins with a man singing an awed paean of worship to an hillside electricity pylon and goes on to explore the consequence of a religious frenzy being transmitted from one person to another, and a relationship in isolation succumbing to the weight of a wild delusion. It’s scored for two singers and a pair of harps (one acoustic, the other electromagnetic) and you can listen to it in full below.


 
There’ll probably be samples of these plus Emily’s other works in the Daylight showcase. She will be accompanied by Khoros Choir and by classically-inclined singer-songwriter Ana Silvera. Emily has also helped to invent a triggering instrument-cum-mobile, which fits in a suitcase, so with any luck she might be bringing that along too.

Bristolian multi-instrumental composer/producer Ryan Teague has followed a gradually developing path from his minimalist electronic roots which has incorporated classical, electronic, acoustic and soundtrack work and approaches learned from all these fields (as well as from gamelan, a form which informed his ‘Storm Or Tempest May Stop Play’ piece premiered last year at Daylight Music).


 

Ryan’s upcoming album, ‘Site Specific’ features full-band music pulling in influences from impressionistic early-’70s electric jazz. His performance on Saturday sees him accompanied by bass clarinettist Gareth Davis, electric pianist/synthesizer player Dan Moore and drummer Mark Whitlam.

 
Karolina Rec is an Warsaw-based cellist and composer working with improvisation and texture under the project name of Resina. In addition to her own work, she’s been involved with several Polish bands and projects including Kings of Caramel, Cieslak and Princess, Nathalie And The Loners, and Anthony Chorale. Here’s a little of her textured post-classical performance looping:


 

There will also be contributions by composer-performer Lucy Claire. She’s a late addition and there’s not much news on exactly what she’ll be doing. Her work stretches from soundscapes and soundtrack to deeper and more involved contemporary classical works, so she might be performing anything from a between-acts soundscape to a tape-and-keyboard piece to stints on the in-house pipe organ and piano. Here’s a taste of some of what Lucy does:


 

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In the evening, Lithuanian-born singer-songwriter/kanklės player Jausmė and novelistic folkie Sian Magill return to south London’s Magic Garden, following up their show back in July.

Jausmė + Sian Magill
Heavenly Sunday Folk @ The Magic Garden, 231 Battersea Park Road, Battersea, London, SW11 4LG, England
Sunday 16th November, 9.00pm
– free event – information

The last time Jausmė was here, she was duetting with cellist Nicole Collarbone. This time, she’s on her own. Although she usually labels her songcraft and instrumentalism (voice and kanklės, plus the occasional effects pedal) as “urban etherealism”, and generally lets it fall somewhere between its Baltic roots and her adopted home of Milton Keynes (when she’s not guesting on other people’s techno and sub-bass tracks), she’s billing this Saturday’s music as “soul, jazz and folklore”. This either means that she’s found a new smoothed-out direction for her psaltery songs, or uncovered a new twist. Come and see. Meanwhile, here are two of her songs played out on the grasslands. (The second one might provide some explanation…)



 
Building on what looks like a fruitful gig friendship with Jausmė, Sian Magill brings more of her detailed folk songs into play – immaculate and quietly smouldering; modern-traditional; emotion-soused but steeped in intelligence.


 

October 2016 – upcoming London gigs – Vlad Miller’s Notes From Underground at MAP Café (6th); Honeyfeet and Dila V & The Odd Beats at Magic Garden (8th)

4 Oct

A quick note on two London gigs this week, taking place at a couple of London’s more lively out-of-the-way venues in Kentish Town and Battersea, but rooted much further eastward. (No. Not Upminster.)

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Vlad Miller/Notes From Underground, 6th October 2016

Vlad Miller- Notes From Underground
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Thursday 6th October 2016, 8.00pm
information

Jazz quartet Notes From Underground are led by pianist and composer Vlad Miller, London-based musical director of the Moscow Composers Orchestra (providing a meeting point for creative Russian jazz musicians for around two decades now) as well as a key part of London world music ensemble Ancestral Collective. Vlad’s compositions form the foundations of the band – strongly influenced by Russian musical tradition, and steeped in a parallel tradition of narrative. While wordless, each piece draws on fable, history or cryptic jokes to tell a story embellished by colourful collective improvisations. Subject matter has included the Cold War, Diaghelev and The Ballet Russe, the farce and gallows-humour fraughtness of the fraught relationship between artists and the Kremlin, the lives of insects and the travails of a cruise ship in peril in the White Sea.

The band also features Indian-inflected contrabass guitarist Leslee Booth (Branco Stoysin Trio), drummer Dave Rohoman (onetime drummer for Ian Dury in Kilburn & The High Roads, subsequently an explorer on the London improvising scene) and saxophonist-of-a-hundred bands Adrian Northover (currently working with Jazz-Thali, The Custodians, The London Improvisers Orchestra, Trip-Tik, The Remote Viewers, the Thelonious Monk-interpreting Hard Evidence trio and many more).




 

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Honeyfeet + Dila V & The Odd Beats, 8th October 2016

Honeyfeet + Dila V & The Odd Beats + DJ Pony + DJ Joplin Parnell
The Magic Garden, 231 Battersea Park Road, Battersea, London, SW11 4LG, England
Saturday 8th October, 8.00pm
– free event (before 8.00pm; door fee after that) – information

Down at the Magic Garden, ill-kept Mancunian folk/R&B secret Honeyfeet are playing a free gig (well, free if you arrive early enough). Mixing “ethio-trad, barrel-house pop, cowpunk and folk-hop” (I think that only one of those is a typo) and fronted by imposing power-coquette Ríoghnach Connolly, they’ve been storming their way around festivals for nearly ten years now, sharing and showcasing their mixture of jollity, oomph, raunch and macabreness with songs about “eating people, dancing on graves and infidelity… but it’s not all bad news.”


 
It takes quite a band not to be intimidated by the smouldering verve and dark wit of Honeyfeet when on the same bill, but Dila V & The Oddbeats will certainly carry off their support slot with a dynamic vigour of their own. Another band with an earthy and captivating frontwoman – Dila Vardar – they work Mediterranean and Eurasian folk from Turkey, Spain, Greece, Roma culture and the Baltic states (including vigorous dashes of rebetiko and bolero) through flangers and wah-wah. The result’s a sinous turbo-driven take on psychedelic folk, taking it away from its usual Anglo-Afro-Celtic circles and sending it roaring around several thousand years of cultural meeting points from the middle of the world.


 
DJ sets from Joplin Parnell and the mysterious Pony intersperse and round off the evening… and that’s all for now. Should be enough to satisfy.
 

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