Tag Archives: The Cockpit Theatre (venue) – Lisson Grove – London – England

November 2016 – upcoming London jazz gigs (28th) – Alexander Hawkins-Elaine Mitchener Quartet, Michael Janisch and The James Beckwith Trio at the Cockpit; Ping Machine Quartet at the Sitara

26 Nov

Two London jazz-hops for Monday…

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Cockpit Productions present:
Jazz In The Round: Alexander Hawkins/Elaine Mitchener Quartet + Michael Janisch + The James Beckwith Trio
The Cockpit Theatre, Gateforth Street, Lisson Grove, London, NW8 8EH, England
Monday 28th November 2016, 7.00pm
information

According to their own description, the Alexander Hawkins/Elaine Mitchener Quartet work with “repertoire (which)“fuses Mitchener’s unique way with both melody and abstraction, with Hawkins’ idiosyncratic compositional and pianistic world; as well as spotlighting re-imaginings of a small number of non-original songs which reveal the influence of precursors such as Jeanne Lee and Linda Sharrock.” The project’s still young enough not to have spawned either recordings or video clips, so you’ll have to imagine it from the existing pedigree of its players and movers.

Pianist and composer Alexander Hawkins (a onetime renegade lawyer and youthful church organist who evolved into a jazz keyboard explorer of rare brilliance) has already made marks as a noted collaborator with Louis Moholo, Shabaka Hutchings and plenty of others, plus previous leader/co-leader work with Convergence Quartet, Hammond organ funk-improv trio Decoy and his own de-/free-constructive Trio and Ensemble. He’s been hailed as an exceptional talent within his generation.


 
Vocalist Elaine Mitchener, though she’s been following a decidedly more outre path, is also exceptional: twisting and fusing (or placing in parallel) vocal approaches from jazz, gospel, sound poetry, free improvisations and contemporary classical, and where possible blending it with performance aspects of movement theatre. A collaborator with the likes of Phil Minton and Evan Parker (music), Deborah Warner (theatre) and Christian Marclay (both and neither), she’s as happy with pre-linguistic gabble and the esoteric libretti of David Toop operas as she is with a standard. At least as likely to be found performing in a gallery space as in a jazz club, she’s one of Britain’s most daring singers; balanced conceptually (though not necessarily tonally) between Lauren Newton, Abbey Lincoln, Dagmar Krause and the latterday Scott Walker (as well as the aforementioned avant-jazz vocal trailblazers Lee and Sharrock), but carving out a highly individual expressive space of her own. Below is just one example of what she does.


 
The quartet is completed by double bass player Neil Charles (from Alexander’s existing Trio) and by drummer Steve Davis, who appear to be considerably more than sidemen: “structurally, the group function as complete equals, veering radically from the traditional norm of ‘singer plus rhythm section’, instead treating this as only one possible dynamic amongst many.”

Reknowned émigré-American bass player Michael Janisch (once of TransAtlantic Collective, more recently a member of City of Poets, leader of Paradigm Shift and prime mover of both Whirlwind Recordings and the Whirlwind Festival) is playing a solo set as the middle act. Outside of master classes, this is an unusual scenario for Michael: he’s generally to be found at the hearts of ensembles, pushing them on with inspired work whether on double bass or electric bass guitar. There’s no details on which of these he’s using this time (it might be both).

As opener, pianist James Beckwith brings the trio of himself, rising jazz-pop drummer Harry Pope and bass guitarist Joe Downard (a protégé of the great Herbie Flowers, now one of London’s busiest cross-disciplinary bass players in jazz, blues, country, soul and hip hop). Together they present a London spin on “New York contemporary jazz harmonies, the piano trio lineage, Middle Eastern and Asian folk, to mould strong rhythmic tunes delivered with driving energy”, working from fragmented syncopation to tight funky knots.


 

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Ping Machine Quartet, 28th November 2016Some time ago, I was bemoaning the loss of Archway scratch-deli Forks & Corks (an up-and-coming London jazz venue) to buildings works and gentrification. While I’ve been grumbling, Archway local (and cheerily formidable double bass hero) Jonny Gee, who had some responsibility for the music there) has picked himself up undaunted, and moved proceedings a minute or so’s walk south to the Sitara restaurant. There he’s continued to build plans for an Archway jazz scene with an unfolding series of surprising blink-and-you’ll-miss-them meal-plus-music gigs, of which this is the latest.

Jonny Gee presents:
Ping Machine Quartet
The Sitara, 784 Holloway Road, Archway, London, N19 3JH, England
Monday 28th November 2016, 6.00pm
information

There’s not too much information on this one besides from the words “improv, bebop, jazz” tossed onto the poster like hasty clip-art, so (as with the Hawkins/Mitchener Quartet) you’ll just have to go by the reputations of the people in the band. Nothing to do with the similarly-named polystylistic French ensemble, they’re a more recent alliance of Jonny, Orphy Robinson and two other impressive London musicians.

Jonny’s sideman and MD work for King Salsa, Antonio Forcione, Ravi Shankar and Cleo Laine only scratches the surfaces of a thrillingly animated career on bass, which has stretched from jazz to Latin dance to baroque classical and back again in a ongoing arc of possibilities. Orphy, meanwhile, is a beloved veteran of the ‘90s British jazz boom. Once a Jazz Warrior, subsequently a Blue Note-signed vibraphonist, he’s now firmly fixed at jazz statesman status thanks to diverse work within education and curation as well as his host of ongoing projects as a player (including Nubian Vibes, Bruise, Codefive, Clear Frame and his Black Top duo with pianist Pat Thomas).

Regarding the remaining half of the quartet – drummer Andrea Trillo has played with both Herbie Hancock and Jerry Dammers, as well as with Dave O’Higgins, Jon Toussaint, Simon Purcell and Tim Richards. Long steeped in jazz and Latin music, Shanti Paul Jayasinha’s played trumpet for Brand New Heavies, Jason Yarde, Tim Garland and Buena Vista Social Club as well as leading his own ShantiJazzWorld ensemble. He also plays flugelhorn and, for this gig, might be toting the Slumpet (his custom valve/slide trumpet). In case he doesn’t, this is what it sounds like.


 

July 2016 – upcoming London gigs – Ant Law, Cassie Kinoshi and Zoe Rahman play Jazz in the Round (25th); Countermeasure’s spectacular a capella (31st); a two-day run for Pasek & Paul’s ‘Edges’ song cycle (30th & 31st)

21 Jul

Popping up at the end of the month…

Cockpit Productions present:
Jazz In The Round: Ant Law Trio + Cassie Kinoshi’s Seed + Zoe Rahman
The Cockpit Theatre, Gateforth Street, Lisson Grove, London, NW8 8EH, England
Monday 25th July 2016, 7.00pm
information

I’ve just caught up with The Cockpit Theatre’s regular monthly jazz extravaganza (which is pretty good going on my part, since it’s only been happening for four-and-a-half years already…) This month, the 2016 summer season concludes with a triple bill of London jazz acts, plus the usual warm-up DJ set from Jazz FM’s Jez Nelson and Chris Philips (‘Somethin’ Else’, ‘The Blueprint’, ‘Chris’ Starpoint Radio’). As ever, the audience is positioned around the band in a thrust-stage setting, allowing a different sonic perspective and sense of involvement.

A member of Tim Garland’s all-star Lighthouse quartet, guitarist Ant Law uses bop jazz, folk-rock and Carnatic music as part of his musical palette (which also includes modern jazz, heavy metal and M-Base-inspired rhythmatism). A onetime Edinburgh University physics graduate and Berklee College alumni, he also works with Paul Riley and Trio HLK (with Richards Kass and Harold), with “proggish” fusion quartet Project DSB, plays as a regular sideman with Camille O’Sullivan and leads his own quintet. On this occasion, he’s performing with his trio – completed by drummer Asaf Sirkis and bass player Matt Ridley – delivering fluid rapid compositions in a constant state of teasing upheaval.


 

Led by alto saxophonist and Tomorrow’s Warrior Cassie Kinoshi, Seed are a ten-piece band combining jazz with inner-city London, West African and Caribbean influenced grooves. The stellar line-up of some of London’s most up-and-coming young jazz musicians also features Miguel Gorodi and Sheila Maurice-Grey (trumpets), Joe Bristow (trombone), Theon Cross (tuba), Chelsea Carmichael (tenor sax), Joe Armon-Jones (piano), Oscar Laurence (guitar), Rio Kai (bass) and Patrick Boyle (drums). An alumnus of all-female TW band Nérija, Cassie is a diverse, inquisitive composer whose own music takes inspirations from jazz and black cultural history but also delves into lighthearted chiptunes, classical chamber music inspired by subjects as diverse as Chaucer and Tetris, and sombre electronic soundscapes.


 
British/Bengali pianist and composer Zoe Rahman creates music formed by her mixed heritage, her initial training as a classical musician, and her very broad musical taste, with her love for contemporary jazz as the binding agent. On this occasion, she’ll be playing solo.


 

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Countermeasure: 14 Characters A Cappella
The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England
Sunday 31st July 2016, 2.00pm
information

Fourteen-piece Canadian vocal troupe Countermeasure make a visit to London at the month’s end, as part of their European tour. I could mine the press release for details on the prizes they’ve won and the other groups they’ve collaborated with; but the truth is that, when talking about vocal groups, somehow that mass of information always seems to mean less. Maybe one’s just impatient to be seduced by the voices… so here they are, delivering a multilayered take on Cole Porter’s I Got You Under My Skin; working in tricks and tips from close-harmony, contemporary R&B, jazz vocalese and broken beats.

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Back at the Cockpit, there’s a production of Pasek & Paul’s ‘Edges’. …

CC Productions present:
‘Edges: A Song Cycle Following Coming-Of-Age Questions’
The Cockpit Theatre, Gateforth Street, Lisson Grove, London, NW8 8EH, England
Saturday 30th July 2016, 7.30pm
Sunday 31st July 2016, 5.00pm

information

Part theatre musical and part song cycle, ‘Edges’ was originally written by Benj Pasek and Justin Paul while they were still students at the University of Michigan, many years before they were conquering Broadway with ‘Dogfight’, ‘James and the Giant Peach’ and ‘A Christmas Story’ and being hailed as the heirs to Rodgers and Hammerstein. The piece has been described as “a witty and honest look at the choices we make and what happens when we are on the edge of our lives. Covering such issues as love, commitment, identity and meaning, ‘Edges’ follows four adults escaping expectations and their complicated relationships.”

This production of the show features musical actors Adam Bailey, Peter Cumins, Laura Mansell and Catherine Mort. Here’s a clip featuring a montage of songs and moments from a previous production at the Capital Repertory Theatre in Albany, New York State.


 

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