Tag Archives: Strongroom (venue) – Shoreditch – London – England

March/April 2017 – upcoming London jazz-and-related gigs – Chimera Trio + Glaser Rapley Robinson @ Jazz Nursery (30th March); Chris Sharkey’s Survival Skills + Zeitgeist @ Jazz Market (13th April); Collocutor + Ill Considered + Ashley Henry Trio @ Jazz Café (15th April); a quick Craig Scott @ LUME lab reminder (19th April)

25 Mar

Quick notes on four upcoming London jazz gigs of various kinds, from Jazz Nursery’s more traditional double bill to the contemporary electro-digital fusion soup at Jazz Market, from an Afrocosmic evening in Camden to the cut-up wildness at LUME Lab…

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Jazz Nursery, 30th March 2017Jazz Nursery presents:
Chimera Trio + Glaser Rapley Robinson
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Thursday 30th March 2017, 7.30pm
information

“The Chimera Trio is a modern take on the classic organ trio sound inspired by the likes of Larry Young and Woody Shaw. The band features Sam Warner on trumpet, Jamie Safiruddin on organ and Dave Ingamells on drums, fusing elements of the organ tradition with more contemporary grooves, melodic ideas and improvisations. The trio started while studying together at Guildhall and went on to be shortlisted for the Chartered Surveyor Jazz Prize.

Glaser Rapley Robinson (with Matt Robinson on piano, Sam Rapley on tenor sax/clarinet and Will Glaser on drums – all members of Rapley’s music-and-storytelling quintet Fabled) aims to explore early songbook and jazz repertoire in an open and honest way. Although it’s an opportunity to work in a slightly unusual line up, the trio’s focus is on how they improvise collectively and is primarily an excuse for them to play tunes they love together and to see where they can take them.”

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Jazz Market, 13th April 2017

Chaos Theory Music Promotions presents:
Jazz Market: Survival Skills + Zeitgeist
Strongroom Bar, 120-124 Curtain Road, Shoreditch, London, EC2A 3SQ, England
Thursday 13th April 2017, 7.30pm
– information here and here

“The Jazz Market is all about the spirit and essence of jazz, redefining traditional sounds and approaches to music, so it’s super exciting to have a chance to see what the latest creatives are working on.

“On Thursday 13th April (the night before Easter weekend!) at Strongroom Bar, the legendary Chris Sharkey returns to London with his ever-evolving solo/improvisational electronic project Survival Skills, which involves electronic production and improvised guitar with a mass of effects. We were lucky enough to host the live premiere of Survival Skills in 2014 (at Battleship Grey’s single launch), and then again at Rich Mix last year for Bitch ‘n’ Monk’s album launch. Chris is a truly understated visionary, whose vast CV includes being a guitarist (and more recently a producer) in Acoustic Ladyland, TrioVD, Shiver and The Geordie Approach, and who has performed at countless international festivals in the jazz and math rock scenes. He’s a boundary-pushing artist who only looks forward, and one who captures the true spirit of everything we look for in people we work with.

“Also on the bill are newcomers from Bristol, Zeitgeist, laying down heavy prog funk. A trio of musicians “fusing together the harmony and improvisation of jazz, the robust and hypnotic rhythm of hip-hop and the rhythmic complexity and unusual structure of progressive rock” (according to ‘Leeds Music Scene’), their unique brand of jazz with metal undertones has captured the attention and praise of musicians such as John Gomm and Alpha Male Tea Party. Since their inception in 2011, they’ve amassed a loyal following and are now ready to take on London.”


 
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To the Pyramids: A Journey Through Spiritual Jazz - 15th April 2017

To the Pyramids: A Journey Through Spiritual Jazz (featuring Collocutor + Ill Considered + The Ashley Henry Trio + DJ Pete (On The Corner Records)
The Jazz Café, 5 Parkway, Camden Town, London, NW1 7PG, England
Saturday 15th April 2017, 7.00pm
– information here and here

“Spearheaded by the great John Coltrane, the spiritual jazz movement saw a handful of artists striving towards spirituality and transcendence through their music. Players like Coltrane, his wife Alice Coltrane, Sun Ra, Lonnie Liston Smith, Miles Davis and Pharoah Sanders began taking their music on wild, otherworldly excursions with track recordings often reaching half an hour or more. It’s a sound that has recently come back to the fore thanks to the horn work of Kamasi Washington as well as in the electronic productions of artists like Four Tet and Caribou.

“Off the back of their recent album launch, we’re inviting Tamar Osborn‘s seven-piece group Collocutor to take us on a transportive journey into supreme sound and spirituality – combining jazz with aspects of Afrobeat, Indian classical, Ethiopian roots and minimalism.”


 
It’s a little unclear as to exactly how many other acts are on the bill, but current evidence suggests there’ll be a set by cosmic/ambient/Afrobeat quartet Ill Considered, a new project headed by former Ibibio Sound Machine and current Fontanelles bassist Leon Brichard (accompanied by saxophonist Idris Rahman, drummer Emre Ramazanoglu and percussionist Yahael Camara-Onono). There might also be one from The Ashley Henry Trio (with the leader’s piano and compositions supported by Sam Gardner on drums and Sam Vicary on bass). There’ll certainly be a DJ set from Pete of the house-to-jazz On The Corner record label.



 

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Also note that on 19th April, Leeds electro-digital splatterjazz exponent Craig Scott will be playing his LUME Lab event at IKLECTIK – more news on that is back on this older post.

Craig Scott (photo © Josh Crocker)LUME presents:
LUME Lab: Craig Scott
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Wednesday 19th April 2017, 8.00pm
information


 

March 2017 – upcoming gigs – Ramp Local show in New York on the 8th (Lily & Horn Horse, Macula Dog, Gavin Riley Smoke Machine, The Cradle); Whispers & Hurricanes show in London on the 9th (Danielle de Picciotto, Alexander Hacke, Jo Quail)

2 Mar

A little convocation of bands associated with Philadelphia’s Ramp Local label are playing at the Glove, an out-of-the-way Brooklyn performance theater and art shrine. (Apparently the Glove’s been set up by the same people responsible for the Grove performance space, and seems to be so in-the-moment that it’s impossible to find a formal address for it – you’ll either have to private-message their Facebook page, ask the right kind of friend, or get off at the MTA stop by Flushing Avenue and Broadway and take the chance that you’ll spot it.)

Lily and Horn Horse + Macula Dog + Gavin Reilly Smoke Machine + The Cradle, 8th March 2017

Ramp Local presents:
Lily & Horn Horse + Macula Dog + Gavin Reilly Smoke Machine + The Cradle
The Glove, (somewhere in) Bushwick, Brooklyn, New York City, NY 11221, USA
Wednesday 8th March 2017, 8.00pm
information

The gig’s a launch event for the debut album by Lily & Horn Horse, more on which below:

”Lily Konigsberg is a member of the experimental punk band Palberta, hailed by ‘Pitchfork’ for their “mercurial gestures, barking acidity, and off-the-cuff creativity” as well as for their taste for swapping or abandoning instruments midflow. Fellow multi-instrumentalist Matt Norman performs as Horn Horse. Together they formed a group called Lily & Horn Horse, who will release a collaborative cassette album – ‘Lily On Horn Horse’ – on March 3rd 2017 (on the heels of Palberta’s most recent album ‘Bye Bye Berta’), by way of Philly’s Ramp Local Records.

“With ‘Lily On Horn Horse’, Lily and Matt deliver a twenty-eight-track collaboration that synthesizes the eclectic musical talents of both multi-instrumentalists. Originally presented as a CD, the compilation was sold and packaged in origami during an August 2016 tour of the north-east USA. The album is more a snapshot of a creative time and place than concept-album. As Lily and Matt say “The release of Matt’s ‘Horn Horse‘ album featured Lily on most songs, most of which are included in y’own tape. Around the same time Lily was developing a mega set of karaoke music and instructed Matt to blow down some car horn charts which were eventually replaced by baritone horn parts and inserted into the recordings gently sleeping inside thine tape.”


 
“The record ends up a coherent pastiche of diverse tracks full of free jazz-inspired brass freak-outs, ethereal piano ballads, and synth arrangements skewed toward electronic composition. Lily’s siren-like voice calls from a perfume-cloud of disco-inspired grooves while Horn Horse’s vocals hit robotic and angular production. Tracks like Today and She Doesn’t Have A Good Brain bring to mind an Arthur Russell-like elevation of pop-music experimentation. In short, the record is a curated-tour through the frontiers of Lilly and Horn Horse’s creative landscape.”


 
The gig also offers three other acts. There’s discombobulated glitch-funk played with “inebriated, mule-like precision” from Macula Dog. There’s Big Neck Police‘s Paco Cathcart, performing with Palberta’s Ani Ivry-Block and The Gradients‘ Sammy Weissberg as The Cradle – woozy tenement indie-folk songs, a little like an accordion-and-double-bass equipped Mazzy Star at war with drum machines and bad aircon. Finally, there’s the goofy multi-media work of Gavin Riley Smoke Machine.



 
For me the most satisfying of the support acts is Gavin, who creates his own live-music take on a Choose Your Own Adventure paperback. He does this by gumming together a spitball of nerdy white-boy hip hop, blow-by-blow audience interaction and goofy pulp fiction/afternoon TV storytelling (a schoolkid caught up in a whirl of mutants, drug gangs, sinister teachers, the FBI and parents with mysterious pasts), topped off with some endearing homemade animation. In theory, it should fall flat on its face: instead, it can turn an audience of jaded hipsters back into eager, happy children.


 
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Back in London, Chaos Theory’s airier spin-off Whispers & Hurricanes is back in business with a few old friends:

Hacke & De Picciotto + Jo Quail, 9th March 2017

Chaos Theory presents:
Whispers & Hurricanes: Hacke & De Picciotto, Jo Quail
Strongroom Bar, 120-124 Curtain Road, Shoreditch, London, EC2A 3SQ, England
Thursday 9th March 2017, 7.30pm
information

“The first Whispers & Hurricanes of the year sees the return of two legendary multimedia performers (whose entire life together is an ongoing work of art), as well as a prolific contemporary cellist and loop artist.

“German-American artist couple Danielle de Picciotto and Alexander Hacke are internationally known – she as the co-founder of the Love Parade, he a founding member of the band Einstürzende Neubauten – and both of them together members of Crime & The City Solution. Since 2010 they have been leading a nomadic life, touring the world with music and theatre projects, never staying still for too long. After two breathtaking shows for us at Cafe Oto and at Hackney Attic, this unconventional and versatile duo return to the UK with new additions to their show.

“Tonight they will perform music from their recently released and widely acclaimed album ‘Perseverantia’ – made up of instrumental sounds, a few spoken words by Danielle, throat singing by Alexander, purrs and squeaks of the hurdy-gurdy and autoharp, melancholic melodies of the violin, and bass and guitar hums.

“We will also have a first chance to hear new pieces that they are working on for their next album, comprised of recordings made in a huge cathedral in Austria, mixed with Mexican found sounds and desert drones. It will be intense.

 
Jo Quail is a visionary cellist who never ceases to push boundaries and her own limitations, with equally dramatic and contemplative compositions as well as with her use of loops and effects. Over the last seven years, her career has seen her release three full albums, a live DVD, several collaborative works, and many international tours, most recently with post-rock giants Caspian.

“Her music has captured the hearts of rock, classical, experimental, metal, post-rock, gothic and folk fans alike, and she is known for creating a unique experience with each performance.”


 

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