Tag Archives: Paper Dress Vintage Bar & Boutique (venue) – Hackney – London

August 2018 – upcoming London pop and rock gigs – The Mantis Opera, Bozo Zoo, The Butterfly Wheel and Imogen Bliss (25th August); Norwood & Brixton Foodbank fundraiser with Treasure Of Woe, Carl White and Apocalypse Jazz Unit (also 25th August)

15 Aug

The Mantis Opera + Bozo Zoo + The Butterfly Wheel + Imogen Bliss, 25th August 2018There are several reasons that I’ve been following the exploits of The Mantis Opera this year. One is the music: an illuminating synth-rock rush through cunningly orchestrated post-classical complexity and brainiac alternative pop, topped with similarly cerebral lyrics which slide fizzing, thinking ribbons through philosophy, logic and linguistic theory before binding them back into more down-to-earth life situations.

If this sounds hideously dry or snooty, it isn’t. This is simply music which is neither ashamed of its own cleverness, nor too self-absorbed or chilly to invite you along for the ride. They’re among an increasing number of newish, bumping-along-in-the-underground acts who share this kind of quirky enthusiasm and possess the requisite smarts and chops to back it up. Tom O.C. Wilson, Prescott, Thumpermonkey and Lost Crowns spring immediately to mind: bands and songwriters who see nothing wrong with turning out songs with the depth and twists of playful short stories, of compressed novels-of-ideas or of meandering Flann O’Brien-esque digressions.

As regards The Mantis Opera, I’ve been chucking around terms like “wide-awake brain music” and “avant-prog keeping watch from under a dream-pop veil” and I’m not going to drop those yet, although I might have to come up with a few more if the band are going to keep up regular performances.



 
The other reason that I’m keeping an eye on The Mantis Opera is that they tend to keep interesting gig company. Whether they’re good at being invited or are inordinately good at charming their way into lineups, the band seem to have a knack for fitting onto a wide variety of different bills, and this end-of-the-month gig at Paper Dress Vintage is no exception.

Two summers old, already pegged as “rust-bucket swing” and compared to “Mark E. Smith manning the Hot Five”, Bozo Zoo play rootsy jazz-folk and rhythm & blues on drums, double bass and comfortably sleazy sax. Hollering, theatrical vocalist and off-the-wall lyricist Mark Warren (who also handles the inevitable, ubiquitous ukulele) ensures that they tilt into a similar realm of bulging-vein vigour and twisted circus berserkery to that of The Tiger Lillies. A few decades ago he was bobbing about in the kind of lucky-dip underground bands that showed up on Org Records compilations: now he’s singing up budding cabaret gallimaufries of music hall songs and ditties about chess grandmasters. On top of all this, Bozo Zoo seem to have fused Spinal Tap with Schrödinger, via recent online mutterings about “a new drummer but we’ve also kept our drummer… but it ain’t a band with two drummers… but we have got two drummers… it’s complicated.”


 

Hailing from east London and extensively festooned with mysticism, The Butterfly Wheel aren’t quite the esoteric revelation that they’d like to make out. Plenty of their surface schtick – the Gothic theatrical trappings, the Early Music dirge-wails, the stripping away of Western pop tropes in favour of frowning middle-continent antiquity – is more than familiar to anyone with a passing knowledge of Dead Can Dance (or of the host of intense, tousled imitators DCD spawned over three decades). What is refreshing is the shifts underneath those surface. A female duo, their songs reshuffle and transform archetypes for an increasingly feminised new time. There’s the sense of old stone patriarchal gods and legends being chipped away at; of more hopeful alternatives being birthed out of the sea; of the stories sitting up and rewriting themselves. We’ll have to see where it leads.



 
From Camberwell and Coldharbour, Imogen Bliss reshuffles Eastern European folk songs and tufty pop covers on voice, mandolin and loop station. The examples below are Armenian and Balkan/Romani, sandwiching a reworked Cure hit: the latter may not sound a great deal different to those pixiedreamgirl uke songs which still bog down every other cinema advert, but Imogen sounds awake and illuminated rather than sun-drenched and casually dreamy. I’m guessing that she’s got other tricks up her sleeve…

 
Paper Dress Presents…
The Mantis Opera + Bozo Zoo + The Butterfly Wheel + Imogen Bliss
Paper Dress Vintage Bar & Boutique,, 352a Mare Street, Hackney, London, E8 1HR, England
Saturday, 25 August 2018, 7.45pm
– information here and here
 

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Norwood & Brixton Foodbank Fundraiser: Treasure Of Woe + Carl White + Apocalypse Jazz Unit, 25th August 2018On the same night, there’s this. Lovers of righteous noise, here’s your chance to sample some noise that’s a bit more righteous…

“London promoters Wrongpop and Chaos Theory have gotten together for a one-off special event to raise money for Norwood & Brixton Foodbank: some of the best new underground bands out there have agreed to bring you their sounds for this excellent cause, so it’ll be a phenomenal evening with extra positive vibes. 100% of ticket sales go to the charity.

“Formed from members of Long Slow Dissolve,The Love Me Tenders and Witchfist, Treasure Of Woe play stoner and psychedelic jams on guitar and drums. We’ve seen this duo doing their thing at The Facemelter last September and they just keep on recording their jams and releasing them online, so have a listen at the link and get down for the full live experience.


 
Carl White are a guitar/drums experimental rock duo, originally formed in Brighton and now based in London. Over the years they’ve shared the stage with acts such as Nitkowski, Alpha Male Tea Party, Flies Are Spies From Hell, Witching Waves and The Mae Shi.They’re currently working on a new EP, from which there will be a single/video released in the next couple of months.


 
Apocalypse Jazz Unit were started in 2013 by Rick Jensen as a recording project, after nearly three years of not making music. After numerous albums, Rick recruited some new and old musician buddies and started playing live. AJU quickly went from a small group to an over-the-top collective of psycho improvisers, with up to seventeen members at any one time. To date, they have released over seventy albums and have played a ton of gigs. AJU harnesses the spiritual fire of free-jazz of the ‘60s, mixed with a bit of disco when the mood takes them. Always high-energy and with a heavy sense of humour, AJU can easily swing from delicate and sombre, to full-blast horn mayhem.”


 
Wrongpop & Chaos Theory Music Promotions present:
Norwood & Brixton Foodbank Fundraiser: Treasure Of Woe + Carl White + Apocalypse Jazz Unit
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Saturday 25th August 2018, 7.00pm
– information here and here
 

August 2018 – upcoming London pop & rock gigs – Loop Pedal Lunacy with Steve Strong, Fetherstone, Alex Taylor, Sam Martin and She, Robot (8th August); plus a rare free Silvery acoustic show (10th August)

3 Aug

An evening of pop-looping at Paper Dress; and the return of some London art-pop rascals…

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First, the loopfest…

Loop Pedal Lunacy, 8th August 2018

Steve Strong is a one man arsenal of beats, tapped guitar and lush textural melodies. His music is as witheld as it is grandiose, as skeletal as it is layered, equal parts shimmering and pulsing. It glimmers, swings and explodes in all the right places, sliding gracefully from one section to another, played as tightly as it is loose and free. Steve’s ability to bridge the gap between technical ability and captivation is completely instinctual, tattoed onto his musical consciousness like the art on his body. His music seems to encompass many different styles without feeling contrived or forced; every strand of inspiration in Steve’s music is carefully placed and melted. This music will not be held down!


 
“As She, Robot, award winning loop artist Suzy Condrad is a seasoned performer and authentic underground artist who has written and self-produced three albums and established herself as a leader in her field, winning the title of Boss Looping UK Champion in 2011. She effortlessly juggles instruments and genres with a dynamic and arresting one-woman show which has amazed and delighted audiences from Shambala to Boomtown Fair, Bearded Theory to Beautiful Days. Dancehall, ska, doo-wop, folk and electro collide with blistering beats and haunting, sublime vocal gymnastics to take you on an ever-looping journey which balances real-time loop juggling against timeless songwriting. Edgy, raw, beatbox and bass driven sensual sounds, layered to perfection, create a mesmerising performance which is powerful yet ethereal. Woman meets machine in a musical maelstrom that will make your head spin, your spirit lift and your feet move.

 
“Already compared by reviewers to the likes of Bill Withers, John Martyn and Jeff Buckley, Bristol-based singer/songwriter and multi-instrumental loop pedal artist Alex Taylor is one of the shining lights of the acoustic scene and a troubadour of world-class standing. Drawing on varied influences from a wide musical spectrum, Alex’s style splices elements of soul, nu-folk and electronica to place his shape-shifting voice and dextrous, original acoustic guitar playing firmly in the spotlight. Touring extensively, Alex has notched up hundreds of gigs, sharing stages with such luminaries as Jack Savoretti, Roachford and Michael Kiwanuka: a festival favourite, he recently headlined the BBC stage at Bristol’s Harbour Festival, and has played many other stages including Cambridge Folk Festival and Cheltenham Jazz Festival. His critically acclaimed debut album features performances from members of The Invisible, Newton Faulkner’s band, Portishead and Massive Attack.


 
“Heavily influenced by her ninety-four-year-old artistic grandmother, Aussie-born Fetherstone brings together the quirky sounds of electronic pop and the swooping melodies of folk, and combines them with her emotive reflective story-telling. Based in London since 2015, 2017’s ‘Debut’ EP was produced and engineered by London native Harry Tarlton (Kobalt, Union J, Stooshe, WarnerUK), with the last single Two Hands On Deck hand-picked by Newton Faulker to feature on the Richer Unsigned record store day Vinyl compilation, April 2018. Fetherstone’s live shows captivate audiences using a loop/effects pedal, percussion and electronic drums. Recent performances include The Camden Assembly (supporting for Frida Sundemo), Richer Unsigned Live at Melomania, TV Nights Upstairs at Ronnie Scott’s, The Servant Jazz Quarters (supporting Ella Janes), Live at The Bedford and The Troubadour (supporting The Modern Strangers).

 
“Since an early age, Sam Martin has written and performed his own music around the UK, both supporting and headlining on nation wide tours. In 2010 he recorded his first independent solo EP and has since recorded three studio EPs which have gained a mass following in the UK and Europe as well as Australia and North America. With a vocal/guitar/loop-pedal musical style incorporating blues, jazz and alternative soul, Sam’s vocal and instrumental ability is testament to both his inspirations and musical evolution.”


 
Loop Pedal Lunacy – A Night of Live Looping (featuring Steve Strong, Fetherstone, Alex Taylor, Sam Martin and She, Robot)
Paper Dress Vintage Bar & Boutique,, 352a Mare Street, Hackney, London, E8 1HR, England
Wednesday 8th August 2018, 8.00pm
– information here, here and here
 

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Meanwhile, the coming week also sees the first gig in a year for London art/glam/pile-on rockers Silvery. Snatching an early night slot before the late-night jazz funk at Jazz After Dark, they’re going for a repeat performance (of sorts) of last year’s free Soho acoustic gig: this time, in order to celebrate the tenth anniversary of their debut album ‘Thunderer & Excelsior’.

Simultaneously effete and rowdy, Silvery are a wonky London pop sense made flesh, sounding as if they’ve sprung from the same zigzagging suburban allotments-of-weird which also brought up The Kinks, The Monochrome Set, Cardiacs and The Stranglers. They’re more urchin-esque than Franz Ferdinand, but less leery than Blur. They’re an erudite and wayward Carnaby Roxy; the Dodgers to Bowie’s Fagin; and as rocking goes, they’re only “garage” if said garage had started life as a spooky Victorian stable block.

In their live heyday, Silvery would dress up as Bow Street Runners and fill the capital’s little venues with sweat and joy; these days, their gigs are few and far between, so make the most of this one. If it’s anything like the last time, it’ll be just the two Silveries – Simon Harris and front guy James Orman – thwacking out the old stuff on 12-string acoustic guitar and piano. Below, to get you in the mood, there’s a couple of full-bore electric ‘Thunderer…’ excerpts plus a teaser for a forthcoming film they’ve been making.




 
Silvery: Live Acoustic
Jazz After Dark, 9 Greek Street, Soho, London, W1D 4DQ, England
Friday 10th August 2018, 8.00pm
– free event – information here
 

July 2018 – upcoming London gigs – Léscines, Oscar Mic, Crooked Weather and Rivers Johansson & The Deemed Unrighteous at Paper Dress Vintage Takeover (26th July); Alexia Chambi, Charlie Draper, Jared Rood, Johnny Crooks, Tom Bright and William. at BOX Live (27th July)

22 Jul

A couple more London gigs in small places…

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Paper Dress Vintage Takeover: Léscines + Oscar Mic + Crooked Weather + Rivers Johansson & The Deemed Unrighteous, 26th July 2018

A distorted rootsy evening, first, at Paper Dress in east London. Léscines have been stirring up and churning out mongrel reggae-rock, cartoon Americana and scrawny blues licks for about five years now, throwing in a touch of psychobilly noir and webbed folk. Jay Fraser’s joyously unhinged songwriting pulls in a palette of people and extra instrumentation from banjo to brass, Wurlitzer organ to djembe, and songs about wolves, crows, border country, assorted dooms. If Ted Hughes and Nick Cave had run away to be cowboys, shared a bottle of toxic mescal together and then co-written a stark children’s book a couple of days later, it might have ended up a little like this. With a new album in the can and expected soon, they’re headlining with gusto.


 
Expansive rock-tinged folk group Crooked Weather hail from east Yorkshire. Their multi-instrumentalism, and their willingness to take a song idea for an introspective yet expansive run, has seen them compared to The Incredible String Band; but perhaps that’s a bit of a stretch in the wrong direction. For better or for worse, Crooked Weather conspicuously lack several of the ISB’s more outrageous qualities, both good and bad (the saucer-eyed eclectic musical grabbing, the eccentric psychedelic perspective, the baffling sectional song-mozaics… the poisonous family antagonism).

Instead, they’re a soberer breed of folk mystics – content not to burn out their inspirations, and to be diverse while being careful with their craft. It’s difficult to imagine them vanishing down the Scientology manhole, or losing shedloads on money on theatre dance projects. Searchers they may be, but they keep their vision handy and controlled; like a lens tucked away into a pocket, always available to focus in on a subject.Though they’re prepared to pursue a history or a batch of intimations to the horizon, Crooked Weather are less inclined to drop over the edge into another country.


 
Crooked Weather’s fellow east Yorkshire band, “deathblues collective” Rivers Johansson & The Deemed Unrighteous (at one time “compiled of a villain, a heathen, and a velvet doll” and apparently still “God-fearin’ nectophiles”), are coming down from Hull, bringing their gutter slide, buzzsaw punk bass and preacher warnings of imminent doom. Also racing into place is Seamus Hayes, a.k.a Oscar Mic dubbed “the freakish love-child of The Beastie Boys and Little Richard, birthed at a grunge orgy” and bringing assorted busker-hip-hop ideas to the stage with his verbal flow, his cartoon-spattered guitar, his pedal-board and his beatboxing.


https://www.youtube.com/channel/UCtNU4ZhhsiunEN711FHY2ow

 
Roundtable Collective presents:
Paper Dress Vintage Takeover: Léscines + Oscar Mic + Crooked Weather + Rivers Johansson & The Deemed Unrighteous
Paper Dress Vintage Bar & Boutique, 352a Mare Street, Hackney, London, E8 1HR, England
Thursday 26th July 2018, 7.45pm
– information here and here

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BOX Live: Alexia Chambi + Charlie Draper + Jared Rood + Johnny Crooks + Tom Bright + William., 27th July 2018About twenty minutes walk from ‘Misfit City’, Crouch End-based recorders and artist developers BOX Recording Studios are coaxing their clients out into the nearby, freshly-refurbished pub for performances this coming Friday.

London-based Danish-Cypriot singer-songwriter Alexia Chambi is just twenty years old, but has already fitted in six years of round-the-world travel, This in turn inspires her footloose songs, with their tussles between fluid freedom and rooting oneself, and her dark-toned jazz guitar. Following previous collaborations with Ralph Taylor and Hotel Avra, Alexia will be releasing her debut solo EP, ‘Bolivia’ in the autumn. Juice You (below) may well be on it. Meanwhile, Tommy Hill (a.k.a. William.) floats in the space between singer-songwriter guitar rock and contemporary R&B, his beat-slink punctuated by bursts of flammable fretboard. He, too, has an EP due for release later this year.



 

Two members of London urban rockers Tom Bright & The Dynamite – lead singer/songwriter Tom Bright and lead guitarist Jared Rood are also playing. It’s unclear whether they’re going to be working separately or whether this is going to be a two-piece Dynamite: meanwhile here’s the parent band playing a couple of their pieces, demonstrating their upfront protest songs and their growling skimming of the edge of folk punk. A grain of Rory McLeod, a dash of Richard Thompson or Tom Robinson; perhaps a twist of Jason Feddy.



 
A key member of Bruce Wooley and Andy Visser’s “modular space-age pop ensemble” Radio Science Orchestra, Charlie Draper is a British specialist in the gestures and techniques needed to control the antique electronic whoops of theremin and ondes Martenot. He’s played with just about every theremin/ondes-requiring orchestra and ensemble in the country. Come and hear him extract various classical and pop tones from each of the instruments. German-based beatmaker Johnny Crooks is also going to be playing a separate set of his own aural confections.

 
BOX Recording Studios presents
BOX Live: Alexia Chambi + Charlie Draper + Jared Rood + Johnny Crooks + Tom Bright + William.
The Harringay Arms, 153 Crouch Hill, Crouch End, London, N8 9QH, England,
Friday 27th July 2018, 7.30pm
– information here and here
 

May/June 2018 – Long Fin Killie man Luke Sutherland’s new band Rev Magnetic on tour in Scotland and England (25th May to 1st June) with (variously) Superchunk, Erin Friel, Foolish Atoms, Helen Mort, Stonethrower, Salome Benidze, Nova Scotia The Truth, ILK, Caitlin Buchanan, The Honeyfarm, Jack Cheshire and winterThieves

22 May

Rev Magnetic on tour, 25th May to 1st June 2018

I’m rushing this one into post, since I’ve only just heard about it. No apologies for the excessive cut-and-paste here, nor for the absence of much personal insight (although I will say that when a shortage of information meant that I had to dig deeper, I found more).

“While touring the world as guest multi-instrumentalist with Mogwai, Luke Sutherland (Long Fin Killie, Bows, Music A.M.) used the downtime to sketch a bunch of songs. Once he got home, he wrote a handful more and recorded them with the help of a few friends at his cottage on the edge of the Scottish Highlands. The result was an album’s worth of material with references ranging from My Bloody Valentine to Teebs, Lemmy-era Hawkwind to ABBA, Vaughan Williams to Boulez.

“Keen to translate the radiant chaos of the recordings into a live setting, Luke put together Rev Magnetic, featuring Audrey Bizouerne (Gift Horse), Sam Leighton (Live w/ Prides, St MARTiiNS) and Gregor Emond who played with Luke in a band called Hynd, way back before the birth of the internet. Combining elements of dream pop, shoegaze, R&B, and post rock, their first single, Like No Girl That Ever Was/Don’t Let Joy Destroy You is the sound of summer at full pelt.”


 
Imminent Scottish and English tour dates are below:

  • Neu! Reekie @ St Andrew’s Church, 410-412 Easter Road, Leith, Edinburgh, EH6 8HT, Scotland, Friday 25th May 2018, 7.15pm (with Salome Benidze + Helen Mort + Erin Friel + The Honey Farm) – information here and here
  • Stereo, 22-28 Renfield Lane, Glasgow, G2 6PH, Scotland, Sunday 27th May 2018, 7.30pm (supporting Superchunk) – information here and here
  • The Hug & Pint, 171 Great Western Road, Glasgow, G4 9AW, Scotland, Tuesday 29th May 2018, 7.30pm (with Nova Scotia The Truth + Caitlin Buchanan) – information here and here
  • Paper Dress Vintage Bar & Boutique, 352a Mare Street, Hackney, London, E8 1HR, England, Wednesday 30th May 2018, 7.30pm (with ILK + Jack Cheshire) – information here, here and here
  • The New Adelphi Club, 89 De Grey Street, Kingston-upon-Hull, East Yorkshire, HU5 2RU, England, Thursday 31st May 2018, 8.00pm (with Foolish Atoms + others t.b.c.) – information here, here and here
  • Conroy’s Basement, 51-53 Meadowside, Dundee, DD1 1EQ, Scotland, Friday 1st June 2018, 8.00pm (with Stonethrower + winterThieves) – information here

It’s probably accidental, but when you take a look at the finer details of the tour, it’s almost like an exploded reflection of Luke’s influences and sympathies; the cultural and artistic breadth he’s shown throughout a career voyaging through books and music. Indie rock and dance chemistry, hip hop and poetry; filtered and transformed Scottish folk; literacy and blasting noise. The balancing of multiple cultures in one evening, or just in one person.


 
Regarding the Glasgow shows… if you’ve been hitting on indie-punk playlists and festival lineups for the past twenty years, you’ll need little introduction to Superchunk. Headlining over Luke and co. at Stereo, they’re early ‘90s favourites who helped define a Carolina DIY punk sound. They were all over the inkies back in the day more or less during the same time that Luke first was; they founded Merge Records, and have kept their place in indie rock affections ever since. On the other hand, the two support acts at the Hug & Pint show are still thrumming – just – under the radar.

Originally from Aberdeen, Caitlin Buchanan is an emerging acoustic singer-songwriter working towards her first EP and taking Angel Olsen, Laura Marling and Kate Bush as influences. Perhaps Angel’s the most obvious one – the slowcore tempos, the collapsing drapes of melody – but Caitlin has little of Angel’s narcotic slur. She also isn’t as propulsive or as easy-to-follow as Laura, and (despite her own musical theatre background) isn’t as brilliantly hammy as Kate.

That’s not actually a string of negatives. Rather, it’s a suggestion that, even at this early stage, Caitlin’s already sloughed off her initial inspirations and found a voice of her own: a folded, cleverly elusive literary one which makes you sit up and take notice, full of double-take lyrical moments. Nestled in strong hammocks of folk guitar, and in gorgeous transplanted curves of Scottish melody, her songcraft is often a series of strange elisions and non-sequiturs somehow coalescing into stories, delivered in a velvety softness which makes it all the more jolting when she drops a perfectly-enunciated precision F-bomb into the crook of a tune – “I fucked up your favourite song, and this is why I don’t do imitations. / Betrayed by the idea of God, we are her most hated creations / Dressed for the office but underqualified, / express my gratitude between her slender thighs…”


 
I suspected that Nova Scotia The Truth might have picked her name as a ScotNat political assertion. It seems that I was half right. A “queen of sample-based electronic music”, active in the Scottish hip hop scene since her teenage years (and now stretching out as a producer-performer), Nova might well be representing a rising strand of modern Scotland, but not necessarily one which will cradle comfortably in the old-school saltire. Her preoccupations are with feminism and of people of colour: a pavement-and-club engagement with embedded and intersectional inequalities, mapped out in whip-crack sonic edits and shifts.

Nova’s recent ‘Al-Haqq’ EP is a determined but bewildering mash of pointers and unrest. Cyber-mimetic R&B, corbies and round-chamberings; blasts of rap and dancehall chat; industrial-grime sound collage; all mixed in with found speech from black culture and protest and faith (some of it tweaked and repurposed, but much of it left free to run). The follow-up, Zoom, is a half-hour of rapid sonic cross-cuts in a similar vein: it’s intended as a backing track for a live rap story of love and talk gone wrong, ultimately, broadening out to a wider exploration about power imbalances in relationships, silencings and language. As with a lot of underground hip hop, there’s plenty packed in there: I’m guessing that onstage, this flies.


 
The Dundee show could have been created as a vast-contrast tribute to Luke’s own willingness to be broad in listening. Rev Magnetic aside, it’s a truly strange, rather brave pairing of opposites. “East coast ecossemo” band Stonethrower bring “monolithic slabs of lead-heavy riffage, angular rage-filled spiky melodies and frantic jazz-core arrangements to blast our faces off”; while Edinburgh/Dundee duo winterThieves are a sacramental ambient act “pool(ing) their varied musical backgrounds to craft a sound that is in equal measures melancholic and euphoric, featuring vast ambient swells, lush guitar and piano melodies, and crashing drums,”, playing wordless slow-reveal post-rock hymnals to an empty sky. The angry hammer and the lonely quilt.



 
South of the border, the London show features Ilk, whose “colourful and dreamy songs unravel against a collision of psych pop influences and scruffy, found sound warmth… the band’s songs and sketches are somehow both grandiose and playful, upbeat and melancholic” plus the “psychedelic jazz-infused” songwriting of rising folk-rock favourite Jack Cheshire in solo mode.

Supporting at Hull, Chris Norrison – a.k.a. Foolish Atoms – is a solo performer who “dreams up droning acoustic swamps in his sleep… creating music so delusional and pain numbing, audiences peacefully drown in the sweet rustic guitar tones and his strained vocals.” Other acts will be added at Hull over the course of the next few days: let’s see what the city’s recent pop-cultural renaissance has produced…

 
However, it’s the Edinburgh show which looks like the pick of the crop. It’s a packed-to-the-gills mass of words, music and beats put together by “Scotland’s favourite avant-garde noisemakers” and high/low art boundary-smashers Neu! Reekie, as a partial benefit for the Save Leith Walk community crowdfunder.

As well as Rev Magnetic, on hand for performance are poets Salome Benidze and Helen Mort and a couple of Scottish hip hop acts. Onetime Deadlife Crew member Erin Friel (part of a wave of Scottish hip hoppers who stick, refreshingly, to their own accents and cadences) recently opened for rapper/activist Loki at his sell out King Tuts event for Poverty Safari. The Honey Farm – Scotland’s only all-female rap crew – are self-confessed East Lothian rap bumpkins who “simultaneously skewer and celebrate rap stereotypes with their unapologetic, take no shit attitude” and whose recent debut release L.A.D.S. is “a dragged-up pussy-grabs-back takedown of laddish, bullshit behaviour.”

It’s not quite the fierce textured outrospection of Nova, and perhaps the Farm sometimes let their drama school backgrounds show a little, but it’s all fine. Wit over pose; and plenty of rap’s supposed to be accessible, youthful and funny, including the bit of cross-cast fun with which the Farm kick off the roll of verbiage below…

 

May 2016 – upcoming London and Brighton gigs – Roar, Steve Strong and Tony協Yap get noisy (May 21st); Prescott and The Evil Usses spiralize our ears (May 24th); M U M M Y curate a free cavalcade of psychedelia/folk/oddpop on the side of the Alternative Escape festival (May 19th)

16 May

Roar + Steve Strong + Tony協Yap, 21st May 2017

Best of Bandcamp, SPREAD and New River Studios present:
Roar + Steve Strong + Tony協Yap
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Sunday 21st May 2017, 6.00pm
information

Yokohama band Roar (dipping into London as part of a British and American tour) are a two-piece of Shusei on guitar and Taketo on drums. Noisy and immediate, their sound’s an immediately accessible, unconstrained rock sound churning together aspects of surf music, Hendrix, Nirvana, Foetus and The Melvins.

Two support acts add to the fray. Steve Strong provides his usual one-man-band post-rock loop act, layering assertive, precise live drumkit work with rattling spidery guitar riffs and surging wads of noise texture. Keyboard player Gman Leong & drummer Alessandro Salzano make up London experimental noise/beat duo Tony協Yap: more live drumkit, this time paired with abrasive synth jabs and snarls. Taunting us with the possibility of dynamics, they usually come at us full-tilt – a jammed rave cannonade with occasional vivid lacunae of downtime and ebbed space, stripped and shaped by small sounds (such as the ring of Alessandro’s singing-bowl).





 

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Prescott + The Evil Usses, 24th May 2017

Prescott presents:
Prescott + The Evil Usses
Paper Dress Vintage Bar & Boutique,, 352a Mare Street, Hackney, London, E8 1HR, England
Wednesday 24th May 2017, 8.00pm
– information here and here

Like Tony協Yap, the dogged, quirky Prescott are a band who know a thing or two about teasing. A vehicle for the cellular, bafflingly elasticated compositions of onetime Stump bassist Kev Hopper, they’re also an excuse for underground art-rock drummer Frank Byng, out-there guitarist Keith Moliné and improbable synth player Rhodri Marsden to unpredictably shunt each other around pitch and beat.

With the various members drawing on stints with projects as diverse/perverse as Pere Ubu, Snorkel, The Keatons, Scritti Politti, The Free French, Ticklish and This Is Not This Heat, there’s plenty of scope and impetus for lateral thinking, coupled with a poker-faced goofy accessibility. Their second album, ‘Thing Or Two’, is another stylish raspberry in the face of sensibility and torpor. Imagine the swoop and ping of Brand X rendered in far too many inappropriate Lego bricks; imagine Weather Report fed on a diet of Dada and No Wave; imagine a fusillade of perky post-punk blips like XTC spending a stint as a Koji Kondo covers band.

In support, there’s Bristol’s The Evil Usses, whom I last encountered in the runup to Bristol’s Wakizashi festival last October, and whom I described back then as “a deconstructive, fiercely humorous No Wave jazz-rock quartet, who share some of Knifeworld’s brassy exuberance but take it over the escarpment and down into a stomping, seven-league-booted Beefheart country.” Come along and have your cortex ruffled.



 
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Two of the Alternative Escape gigs in Brighton, 18-19 May 2017

Before either of these, though, there’s a particular free all-dayer at The Black Dove in Brighton on 19th May – part of the extensive Alternative Escape fringe event that’s coiled around the city’s huge Great Escape festival. Certain bands and projects affiliated to the great swarming ferment of the Cardiacs tradition tend to repeatedly pepper ‘Misfit City’ coverage. This particular gig packs a bunch of these together like a explosion of overnight mushrooms (appropriately, since the tang of a particular kind of psychedelia hangs over it).

Up in the curator role are M U M M Y, the psychogothadelic thrumming of Jo Spratley and ex-Cardiac/Dark Star/Levitation-eer Bic Hayes. Bic’s also part of the motorik lysergic driving-machine ZOFFF (who’ll be playing their own set towards the end of the night, fresh from their recent show backing Damo Suzuki). ZOFFF pull together plenty of people from the Brightonian psychedelic axis – including Chris Anderson, who’s bringing along both his shipwreck-and-dreams songwriter project Crayola Lectern and his spacegazing pop band La Momo.

Friendly one-man personality cult Kavus Torabi will take another bare-bones acoustic tilt at the ornate songs he’s written for Knifeworld and the Monsoon Bassoon, while touching on the inspirations he’s shared in his work with Cardiacs and Gong. Psych-tinged folk baroque is provided by Emily Jones and Arch Garrison (bringing liberal dashes of Cornwall and Wiltshire psychogeography with them) and there’s frowning, shadowy, mordantly hilarious Kinks-Gothic popcraft from Stephen Evens. Also on board are noisy punk-prog/alt.pop trio Ham Legion, and Chloe Herington’s experimental music project V A L V E (who make obliquely thoughtful, oddly accessible music from bassoons, melodicas, tape-loops, concert harps, electronics, doorbells and things found on walks and in skips).

Just about the only band here that’s not a ‘Misfit City’ regular is Hurtling, the alt./dream-rock trio featuring Jen Macro and Jon Clayton (formerly of stuffy/thefuses and Something Beginning With L) with Smallgang/Splintered Man bassist Simon Kobayashi. Boasting sturdy support musician links to My Bloody Valentine, Shonen Knife Graham Coxon, Robyn Hitchcock and Bitch Magnet (and taking inspiration from alt.rock heroes such as The Breeders, Sebadoh and Warpaint), they’re possibly the best connected band on the bill: also one of the most straightforward, and a link to the Great Escape outside.


 
Throughout, you’ve got illuminations from south coast psych-lighters of choice Innerstrings. See below for performance schedule and time; see above for links to the wealth of things I’ve previously written about most of these people; go here for the Facebook event page…

Programme:

2.00pm – doors
3.00pm – Ham Legion
3.40pm – Emily Jones
4.20pm – Crayola Lectern
5.00pm – Hurtling
6.00pm – La Momo
6.40pm – Stephen Evens
7.20pm – M U M M Y
8.00pm – V A L V E
8.40pm – Arch Garrison
9.20pm – Kavus Torabi
10.00pm – ZOFFF
afterwards, until 3.00am – DJ Moke
 

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