Tag Archives: Oxford

August-December 2018 – upcoming British and Irish rock gigs – Kiran Leonard on tour (26th August to 5th December, various)

20 Aug

Between late August and early December, the unsettlingly-talented Kiran Leonard will be making his way through England, Ireland and Scotland on a sporadic but wide-ranging tour; preparing for and celebrating the mid-October release of his new album, ‘Western Culture‘.

The first of Kiran’s albums to be recorded in a professional studio with a full band, ‘Western Culture’ comes at the tail-end of a comet-spray of home-made releases. Over the course of these, he’s leapt stylistically between the vigorous home-made eclectic pop of ‘Grapefruit’ and ‘Bowler Hat Soup’, sundry pop and rock songs (including twenty-plus-minute science fiction doom epics and explosive three-minute celebrations), the yearning piano-strings-and-yelp literary explorations of ‘Derevaun Seraun’ and the lo-fi live-and-bedroom song/improv captures of ‘Monarchs Of The Crescent Pail’ and ‘A Bit of Violence With These Old Engines’ (all of this punctuated, too, by the scrabbling electronica paste he releases as Pend Oreille and the prolonged experimental piano/oddments/electronics pieces he puts out as Akrotiri Poacher).

As much at home with kitchen metals as with a ukelele, a piano, or a fuzzy wasp-toned guitar solo, Kiran’s cut-up titles and his wild and indulgent genre-busting complexities are reminiscent of Zappa or The Mars Volta, while his budget ingenuity and fearless/compulsive pursuit of thoughts and his occasional psychic nakedness recall outsider bard Daniel Johnston. On top of that, he’s got the multi-instrumental verve of Roy Wood, Prince or Todd Rundgren; and his stock of bubbling energy and eccentric pop bliss means you can toss Mike Scott, Fyffe Dangerfield or Trevor Wilson into the basket of comparisons, though you’ll never quite get the recipe right.



 

As before, Kiran’s out with his usual band (Dan Bridgewood-Hill on guitar, violin and keyboards, Andrew Cheetham on drums, Dave Rowe on bass), which propels him into something nominally simpler – a ranting, explosive, incantatory mesh of art punk and garage-guitar rock which might lose many of the timbral trimmings of the records, but which is riddled with plenty of rhythmic and lyrical time bombs to compensate; a kind of punky outreach. Most of the dates appear to be Kiran and band alone, though supports are promised (but not yet confirmed or revealed) for Dublin, Brighton, Birmingham, Newcastle and Norwich; and his festival appearances at This Must Be The Place, End of the Road and Ritual Union will be shared with other acts aplenty. No doubt all details will surface over time.


 
What we do know is that the August date in London will also feature Stef Ketteringham, the former Shield Your Eyes guitarist who now performs splintered experimental blues: previewing his appearance in Margate last month, I described his playing as being “like an instinctive discovery: more punk than professorial, bursting from his gut via his heart to tell its shattered, hollered, mostly wordless stories and personal bulletins without the constraint of manners or moderation. For all that, it’s still got the skeleton of blues rules – the existential moan, the bent pitches and percussive protest that demand attention and serve notice of presence.” Judge for yourselves below.


 

The first Manchester date – in September – will be shared with Cult Party and The Birthmarks. The former’s the brainchild of Leo Robinson: multi-disciplinary artist, Kiran associate and songwriter; a cut-back Cohen or Redbone with a couple of string players to hand, delivering dry understated daydream folk songs (from the Americana mumble of Rabbit Dog to the twenty-minute meander of Hurricane Girl, which goes from afternoon murmur to chopping squall mantra and back again). The latter are long-running Manchester cult indie rock in the classic mold – over the years they seem to have been a clearing house or drop-in band for “people that are or have been involved with Sex Hands, Irma Vep, Klaus Kinski, Aldous RH, Egyptian Hip Hip, Human Hair, Sydney, lovvers, TDA, Wait Loss and many more.”



 
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Dates as follows:

(August 2018)

  • This Must Be The Place @ Belgrave Music Hall & Canteen, 1-1A Cross Belgrave Street, Leeds, Yorkshire, LS2 8JP, England, Sunday 26th August 2018, 1.00 pm (full event start time) – information here and here
  • The Victoria, 451 Queensbridge Road, Hackney, London, E8 3AS, England, Wednesday 29th August 2018, 7.30pm (with Steff Kettering) – information here and here
  • End Of The Road Festival (Tipi Stage) @ Larmer Tree Gardens Tollard Royal, Salisbury, Wiltshire, SP5 5PY, England, Thursday 30th August 2018, 9.45 pm – information here and here

(September 2018)

  • Partisan, 19 Cheetham Hill Road, Strangeways, Manchester, M4 4FY, England, Saturday 8th September 2018, 7.30pm (with Cult Party + The Birthmarks) – information here and here

(October 2018)

  • Ritual Union festival @ The Bullingdon, 162 Cowley Rd, Oxford, OX4 1UE, Saturday 20th October 2018, 11.00am (full event start time) – information here, here and here
  • The Cookie, 68 High Street, Leicester, Leicestershire, LE1 5YP, England, Monday 22nd October 2018, 7.30pm – information here and here
  • The Portland Arms, 129 Chesterton Road, Cambridge, Cambridgeshire, CB4 3BA, England, Tuesday 23rd October 2018, 7.00pm – information here
  • The Boileroom, 13 Stokefields, Guildford, Surrey, GU1 4LS, England, Wednesday 24th October 2018, 7.00pm – information here, here and here
  • The Crescent Working Men’s Club, 8 The Crescent, York, Yorkshire, YO24 1AW, England, Thursday 25th October 2018, 7.30pm – information here and here
  • The Parish, 28 Kirkgate, Huddersfield, Yorkshire, HD1 1QQ, England, Friday 26th October 2018, 7.30pm – information here and here
  • The Green Room, Green Dragon Yard, Stockton-on-Tees, County Durham, TS18 1AT, England, Saturday 27th October 2018, 8.00pm – information here and here

(November 2018)

  • The Roisin Dubh, Dominic Street, Galway, Ireland, Wednesday 21st November 2018, 8.00pm – information here and here
  • Whelan’s, 25 Wexford Street, Dublin 2, Ireland, Thursday 22nd November 2018, 8.00pm (with support t.b.c.) – information here and here
  • Kasbah Social Club, 5 Dock Road, Limerick, Ireland, Friday 23rd November 2018, 9.00pm – information here, here and here
  • Cyprus Avenue, Caroline Street, Cork, T12 PY8A, Ireland, Saturday 24th November 2018, 7.30pm – information here and here
  • The Green Door Store, 2-4 Trafalgar Arches, Lower Goods Yard, Brighton Train Station, Brighton BN1 4FQ, England, Monday 26th November 2018, 7.00pm (+ support t.b.c.) – information here and here
  • Soup Kitchen, 31-33 Spear Street, Northern Quarter, Manchester, M1 1DF, England, Wednesday 28th November 2018, 7.00pm – information here, here and here
  • The Hare & Hounds, 106 High Street, Kings Heath, Birmingham, B14 7JZ, England, Thursday 29th November 2018, 7.30pm (+ support t.b.c.) – information here and here
  • The Hug & Pint, 171 Great Western Road, Glasgow, G4 9AW, Scotland, Friday 30th November 2018, 7.30pm – information here and here

(December 2018)

  • The Cumberland Arms, James Place Street, Byker, Newcastle-upon-Tyne, Tyne & Wear, NE6 1LD, England, Saturday 1st December 2018, 7.30pm (+ support t.b.c.) – information here and here
  • Norwich Arts Centre, St. Benedict’s Street, Norwich, Norfolk, NR2 4PG, England, Monday 3rd December 2018, 8.00pm (+ support t.b.c.) – information here and here
  • Rough Trade, Unit 3 Bridewell Street, Bristol, BS1 2QD, England, Tuesday 4th December 2018, 7.30pm – information here and here
  • Clwb Ifor Bach, 11 Womanby Street, Cardiff, CF10 1BR, Wales, Wednesday 5th December 2018, 7.30pm – information here and here

 

July 2018 – strange folk indeed – Sutari and Dead Rat Orchestra’s joint-headlining English tour through Colchester, Norwich, London, Nottingham, Hull, Leeds and Oxford (10th to 16th July 2018) with The Dyr Sister and Sarsa Awayes

4 Jul

News on an imminent set of alternative folk gigs – eerie, funny, magical and pertinent (aiming as it does at our history of migrations and settlings).

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“Two of the world’s most prominent avant-folk ensembles join forces for a joint headline tour of the UK.

“It’s not often that you can say you met someone over a meat cleaver but in the case of Dead Rat Orchestra and Sutari it’s true. Not that anyone who knows the work of the UK’s DRO – or for that matter, Poland’s Sutari – should be surprised. Kindred spirits not only in their approach to free-folk but in their use of unusual objects – including meat cleavers – in their performances, this tour will see them join forces to explore the cultural impact of Polish and European migration in England. Performing in locations across England that have been centres of Polish immigration, and engaging with British, Polish and European communities, the tour will utilise Sutari and DRO’s unique approaches to performing traditional musics to lead audiences in a performative and timely discussion about the cultural impacts of the UK leaving the European Union.

“Formed by Daniel Merrill, Nathaniel Mann and Robin Alderton – and performing internationally for over a decade – Dead Rat Orchestra have gained a reputation as one of the most innovative ensembles on the UK music scene. Raw, elemental and poignant and with a love of adventure, their performances feature flailing axes, salt and sawdust, throbbing harmonium, grinding fiddle and two thousand shards of micro-tuned steel cast to the floor in cascading, shimmering joy. DRO create works that blur boundaries between installation and performance. Activities have included ‘The Cut’ (2014), a site-specific musical tour undertaken by canal boat along two hundred and seventy-three miles of waterway; and ‘Tyburnia’ (2015/17) exploring seventeenth and eighteenth century gallows ballads and their sociopolitical history.

“Dead Rat Orchestra are adventurers adrift in a sea of sound and possibility, plucking textures and melodies to craft their idiosyncratic vision of what music and performance can be. Most often they have steered their ship through the idioms of folk and improv, to shout, sing and glisten at audiences from the UK to mainland Europe, Scandinavia to Canada. They have created music using the architectural surroundings in which they find themselves; coppice woods, abandoned abattoirs, paper mills, churches. Necessity has sometimes dictated duo performances of any permutation, always imbued with a sense of the missing member. Instruments are constantly swapped. Rarely performing in a conventional manner they often step away from the stage, to sing and holler a cappella amongst the audience. Acutely haunting, occasionally brutal and raucously joyous, their music always attempts to enchant and entrance, be it emotionally or physically.

 

“Sutari are Kasia Kapela, Basia Songin and Zosia Zembrzuska – a trio of young singers, instrumentalists and performers, each from different musical and theatrical backgrounds, who come together to continue the tradition of home-made folk music. The Sutari project is a fusion of diverse music experiences and passions: they use a mixture of traditional instruments (violin, basetla and drum), and also make use of everyday objects, exploring their potential as musical devices – for instance, a hand mixer, grater, bottles and a wrench… kitchen avant-garde!

“They explore deep vocal harmony traditions, searching for the essence and hidden character of traditional songs, whilst exploring themes of femininity in folklore. Their compositions are based on Polish and Lithuanian folk songs; and they are particularly inspired by the sound and character of Lithuanian Sutartines, sung only by women in perfect harmony. An affecting and elegant fusion of traditional folk, theatrical flair and contemporary mood music.”



 

There are a couple of support acts along the way. In Nottingham, the support comes from Sarsa Awayes – a Nottingham-based Polish spoken word artist. In Colchester, it’s Sally Currie – a.k.a. The Dyr Sister (where “dyr” is Old Norse for “deer”). A Hull-born “multi-instrumental cervine beat mistress”, she “conjures up surreal tales with the aid of viola, synth, mandolin her voice and an array of DIY samples. Performing her catalogue of haunting, ethereal, modern day folk songs as a one-woman band, she paints a fascinating canvas of sound.”


 
Dates:

  • Colchester Arts Centre, Church Street, Colchester, Essex, CO1 1NF, England, Tuesday 10th July 2018, 7.30pm – information here and here
  • Norwich Arts Centre, 51 St Benedicts Street, Norwich, Norfolk, NR2 4PG, England, Wednesday 11th July 2018, 8.30pm – information here and here
  • (secret location), Bow, London, England, Thursday 12th July 2018, 7.30pm – information here and here
  • The Maze, 257 Mansfield Road, Nottingham, NG1 3FT, England, Friday 13th July 2018, 8.00pm – information here and here
  • The New Adelphi Club, 89 De Grey Street, Kingston-upon-Hull, Yorkshire, HU5 2RU, England, Saturday 14th July 2018, 8.00pm – information here and here
  • Leeds Polish Centre, Newton Hill Road, Leeds, Yorkshire, LS7 4JE, England, Sunday 15th July 2018, 4.00pm – information here and here
  • Holywell Music Room, Holywell Street, Oxford, OX1 3SD, England, Monday 16th July 2018, 7.30pm – information here and here

 

October 2016 – upcoming gigs – a busy Saturday (29th) – Vels Trio + Adam Betts + Sneaky at Jazz Market (London); Lucid Brain Integrative Project + PREHISTO’ZIK + Georgina Brett at Tuesdays Post (London); The Travelling Band + A. Dyjecinski + Arch Garrison + The Great Western Tears via Tigmus in Oxford

25 Oct

Well… another busy Saturday if you’re in London or the Home Counties. Sorry – despite the past weekend’s splurge on Bristol, I need to pick up on more of my coverage of events outside of the south-east. In the meantime, though, there’s these…

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Jazz Market, 29th October 2016Chaos Theory Promotions presents:
Jazz Market: Vels Trio + Adam Betts + Sneaky
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Saturday 29th October 2016, 7.30pm

“We’ve got some stunning gigs coming up for all tastes, and this one is no exception. The Jazz Market at New River Studios features world-class musicians bringing us their brands of electronica, math rock, jazz, hip hop, fusion and serious grooves.

“After we saw the three young experimental jazz musicians of Vels Trio playing with Mouse On The Keys and Luo for Small Pond, we knew we needed more. Born out of collective obsession, emotion and improvisation, Vels Trio sculpt contagiously frenetic composition, channelling ingrained deep grooves, progressive soundscapes and contemporary hip hop productions. A band to challenge the psyche of jazz lovers and curious, broadminded and savvy music lovers.



 
Adam Betts is the drummer behind phenomenal math rock pioneers, (and Brian Eno’s favourite experimentalists) Three Trapped Tigers. Watch Adam flawlessly play intricate beats to perfection, while triggering his pre-programmed instruments live via Ableton: his appropriately titled album ‘Colossal Squid’, recorded in one live take, is out at the end of November, with a single out in October.

 
Sneaky (an extraordinary upright bassist who plays a gorgeous instrument designed by Mo Clifton, who also designed one for Lamb bassist Jon Thorne), was classically trained on double bass and cello and completed a music degree before getting involved with Manchester’s club scene alongside musicians like James Ford of Simian Mobile Disco, Mr Scruff, Andy Votel and Mark Rae. After moving in with DJ, turntablist and beatsmith Peter Parker, various jam sessions led to them forming the unlikely band Fingathing, playing with beats, basslines and electronics to make ultimately danceable music.

“After seven years of worldwide touring, three albums, several singles and EPs released through Grand Central and Ninja Tune records, Sneaky moved to Berlin in 2007 to further his musical inspiration and has been making his solo mark ever since… ‘Feel Like A King…Pluck A String’ was released in 2009 on the Big Chill Label and follow up ‘Feel Like A Remix’ in 2010. Whether you’re after impeccable playing or a headnoddingly groovy beat, Sneaky and accompanying drummer Gianpaolo Camplese will deliver.”


 

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Tuesdays Post, 29th October 2016

Tuesdays Post present:
Tuesdays Post: Lucid Brain Integrative Project + PREHISTO’ZIK + Georgina Brett
The Muse Gallery, 269 Portobello Rd, Ladbroke Grove, London, W11 1LR, England
Saturday 29th October 2016, 7:30pm
information

“Emmanuel Reveneau is a French artist involved in music, video and theatre, whose work is deeply informed by self-organization theories, situationism and irony. As The Lucid Brain Integrative Project, he currently uses self-designed looping software, Noundo, to improvise wacky atonal groovy soundscapes influenced by free jazz and and the Canterbury scene. Emmanuel headlined at the Y2K International Live Looping Festival (Santa Cruz, California) in 2014 and curates loop festivals in France since 2013, notably the Loop Jubilee series.


 
“Before being a clarinetist, Nelly Meunier was an archaeologist: ever since, she has been searching for links between past and present. She currently plays with the collective Orkestronika and the circus company Tewhoola (amongst others) as well as developing her solo project PREHISTO’ZIK, in which she makes her own instruments (based on actual archaeological and ethnological knowledge) and loops them with a RC505 to create ancestral landscapes. As she puts it: ‘In music sets of PREHISTO’ZIK, I try to create an anachronistic mixture: one side is the looper, modern ethnocentric equipment of occidental culture, and the other side the timeless and universal sounds of materials like clay, wood, stone, bone.’


 
Georgina Brett’s music is created using her voice and effects pedals, creating instant choirs of sound, often in an hypnotic style. Georgina’s music adheres to some avant-garde principles, using harmonious parameters instead of the more dissonant style of its post WWII exponents. Georgina’s music is also gradually becoming a great vehicle for more experimental work, delving into expressive work which plays with the rich world of the media, politics and history using matrices, semiotics and phonetics. Her latest release, ‘The Eclipse Collaborations’, is an album featuring sixteen collaborative pieces: Georgina’s work also features in the recent movie ‘The Killings of Tony Blair’.”


 
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Finally, various Tigmus-affiliated artists (on tour or fancying a one-off) coalesce in Oxford for an evening of latterday folk directions.

Travelling Band @ The Bullingdon, Oxford, 29th October 2016

Tigmus presents:
The Travelling Band + A. Dyjecinski + Arch Garrison + The Great Western Tears
The Bullingdon, 162 Cowley Road, Oxford, OX4 1UE, England
Saturday 29th October 2016, 7.00pm
information

Manchester indie-folkers The Travelling Band are on an eighteen-date tour to celebrate ten years of existence and to map out future directions following the departure of founding guitarist Steve Mullen. The band have spent much of 2016 touring as support act and backing band to American country-rock singer Lissie.


 
The band’s main guest here (as on all current tour dates) is London-based Canadian A. Dyjecinski, frontman for garage-rockers Dracula Legs and current purveyor of gnarly backwoods alt.Americana: his debut solo album ‘The Valley Of Yessiree’ is out on The Travelling Band’s own label Sideways Saloon.


 
A gentler Anglo-psychedelic approach is offered by Arch Garrison, the compact song vehicle of North Sea Radio Orchestra‘s Craig Fortnam, who’s been singing nylon-string guitar songs about lost people, childhood and chalkhill psychogeography for two albums now. Usually accompanied by the knowing baroque-modern keyboard stylings of James Larcombe, on this occasion Craig’s playing solo and acoustic.


 
The opening slot on the show is taken by Oxford acoustic-country duo The Great Western Tears, augmented by pedal steel player Kurt Hamilton and backup harmoniser Fern Thornton. Expect an authentic dip into American roots music and the Ameripolitan ethos (or as authentic as you can get in Oxfordshire), citing Steve Earle, Willie Nelson, old time country tunes and late ’60s West Coast acoustica as its inspiration.


 

April 2016 – upcoming gigs – two types of British folk tour: Michael Chapman and Moulettes, plus a menagerie of support acts (United Sound of Joy, Richard Moss, Marcus Bonfanti, The Brackish, The Horse Loom, Dirty Old Folkers, Colour Trap)

19 Apr

Two British tours start this week, reflecting – in their way – very different aspects of British folk music.

Recently celebrated by ‘Mojo’, Michael Chapman isn’t just one of the sturdiest and most independent of the singer-songwriters coming out of the homegrown British folk revival of the 1960s: he’s also one of the last acoustic guitar masters standing from the generation which included Bert Jansch, Davy Graham and John Renbourne (all of whom are now gone). His playing reveals a fascination with Southern blues, folk, slide and ragtime jazz styles (all of which he’s mastered), while his pursuit of sound and setting has drawn him towards drones, delay, and loop effects (all of which he’s used as an adjunct to his unadorned playing, rather than as a replacement or distraction). As a singer and songwriter, there are parallels with J.J. Cale; and, rightly or wrongly, I can also hear echoes or anticipations of fellow Cale devotee Mark Knopfler in there, in terms of the husk, the fingerpicking clarity and the unprecious observational skills. (For what it’s worth, the two are connected by time in Leeds and both shared, however fleetingly, original Dire Straits drummer Pick Withers, whose jazz-influenced drummer kept the band both grounded and textured in the days before stadiums and weariness).

Here’s the press release for the upcoming tour:

“2016 marks noted guitarist & songwriter Michael Chapman’s 75th birthday and fifty years since he went on the road professionally in 1966. To coincide with the celebrations, Michael’s new instrumental album, ‘Fish’ has just been released on US imprint Tompkins Square & is already gathering much praise. To mark this important milestone in his life and career Michael Chapman tours in the UK as part of a stripped-back trio also featuring two longstanding allies – pedal steel guitarist BJ Cole (whose association with Chapman goes back a long, long way to the early 1970s) and Sarah Smout on cello (Chapman’s favourite musical instrument, which many fans will recall featured strongly on his classic 1970 album ‘Fully Qualified Survivor’.). The trio will be playing material from Michael’s incredible five-decade performing history as well as some new and experimental music.”




 

Dates are as follows:

A diverse set of interesting support acts are showing up at points during the tour, reflecting both the breadth of Michael’s musical references and the way in which venue promoters feel that they can successfully fit others around him on a bill. At Blackburn, the evening will be opened by Richard Moss: Lancashire singer-songwriter, fingerstyle guitarist, mandolin player and member of Anglo-Malaysian guitar duo Squirrels In Space, Irish music band Drop The Floor and the Union Street Country Dance & Ceilidh Band. At the Sinderhope show, support comes from hardcore punk escapee turned folk-baroque guitarist Steve Malley, otherwise known as The Horse Loom.



 

At the first gig of the tour (up in Hull), it’s Bristolian post-punk/psych/jazz band The Brackish who sound like an artfully spilled bookshelf of three decades worth of vinyl. Their muscly, slightly boggled tone mixes in urban blues, Ventures-tinged surf tunes, Frank Zappa air-sculptures and a few of Captain Beefheart’s broader brushstrokes (plus a tooth-in-the wind guitar edge which recalls the rawest work of Adrian Belew, at his analogue-screaming decennial point midway between Zappa and King Crimson).


 

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Although they’re also a product of the British folk tradition, Moulettes come from a different angle – one which is more fanciful and playful, in which authenticity is less the Holy Grail and more of a switchable ingredient. Like Rose Kemp, their take on folk draws on heavier sounds and on nearly fifty years of extraordinary, fanciful rock music. A Moulettes song comes at you like a dose of multi-instrumental chamber prog, adding cello, bassoon and autoharp to the guitars, bass and drums and the triple-decker lead vocals. Their storytelling itch, sense of mischief and enjoyment of each other’s company just glows out of both of these video clips below:



 

Dates are as follows:

  • The Brook, 466 Portswood Rd, Southampton, SO17 3SD, England, Thursday 21st April 2016
  • The Cellar, Frewin Court, Oxford, OX1 3HZ, England, Friday 22nd April 2016
  • Islington Assembly Hall, Upper Street, London, N1 2UD, England, Saturday 23rd April 2016, 7.00pm (with United Sounds Of Joy)
  • Exchange, 72-73 Old Market Street, Bristol, BS2 0EJ, England, Sunday 24th April 2016
  • The Apex, 1 Charter Square, Bury Saint Edmunds, IP33 3FD, England, Tuesday 26th April 2016
  • The Dark Horse, Alcester Road, Moseley, Birmingham, B13 8JP, England, Wednesday 27th April 2016, 7.00pm (with Marcus Bonfanti + The Dirty Old Folkers)more information
  • The Musician, 42 Crafton St West, Leicester, LE1 2DE, England, Thursday 28th April 2016
  • The Mash House, Hastie’s Close, 37 Guthrie Street, Edinburgh, EH1 1JQ, Scotland, Friday 29th April 2016 (with Colour Trap)more information
  • The Duchess, Stonebow House, The Stonebow, York, YO1 7NP, England, Tuesday 3rd May 2016 (support tbc) – more information
  • The Greystones, Greystones Road, Sheffield, S11 7BS, England, Wednesday 4th May 2016
  • Band On The Wall, 25 Swan Street, The Northern Quarter, Manchester, M4 5JZ, England, Thursday 5th May 2016 (support t.b.c.) – more information
  • The Convent, Convent Lane, Stroud, GL5 5HS, England, Friday 6th May 2016more information
  • The Tolmen Centre, Fore Street, Constantine, near Falmouth, TR11 5AA, England, Saturday 7th May 2016, 7.30pmmore information

As with Michael Chapman, the support slot arrangements fan out over a diverse range of styles: in fact, even more diverse than the Chapman tour. The London gig features United Sounds Of Joy, the slow-burn sensual pop-noir duo reuniting Michael J. Sheehy and Alex Vald (who, during the 1990s, alternately spat savage vindictive rock filth or crooned a creased and seedy London romanticism with Dream City Film Club).



 

At Birmingham, support comes from straightahead London blues guitarist Marcus Bonfanti and from wisecracking locals The Dirty Old Folkers (who describe themselves as “a Viz comic, being narrated by the Pogues” and deliver a raucous, sometimes smutty set which might be good-time but which still draws heavily on bad times and working-class resilience).



 

In Edinburgh, Moulettes are joined by local trad-indie rockers Colour Trap, who look back to golden-age British rock and Britpop scenes of the ‘60s and ‘90s.

 

March 2016 – upcoming gigs – Kiran Leonard tours Britain again (March into April) and reveals new single; London gigs from Whispers & Hurricanes (with Madam, Kat May and RobinPlaysChords) and a guitar double from Dean McPhee and Seabuckthorn

23 Mar

Details on two London shows from a packed upcoming weekend: but first, an extended British tour from a major talent…

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Tomorrow, explosively gifted singer-songwriter Kiran Leonard charges off on another British tour with his all-star quartet of Manchester art rock luminaries (completed by Dan Bridgwood Hill, Dave Rowe, and Andrew Cheetham – see the note on his previous tour for their credentials). Support on most of the tour comes from dark-glam Manchester pop act Irma Vep, although some dates feature folk musicians Richard Dawson and Salvation Bill (in Newcastle and Oxford respectively) and Bristolian “jazz/rock/post-op pop” quartet The Evil Usses (who fill the bill in Bath), with other acts to be confirmed (though they might have been added to the individual gig pages by now…)





Meanwhile, here’s Kiran’s brand-new nine-and-a-half-minute single – a terrific and spontaneous-sounding interweaving of otherworldly folk baroque, chamber prog, post-hardcore racket and kitchen-warrior percussion. The parent album, ‘Grapefruit’, is out on Moshi Moshi on Friday.


 

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In London, at the weekend, there’s a third-outing triple bill for Whispers & Hurricanes (the quieter wing of Chaos Theory Promotions, for when they fancy putting on an act that doesn’t sound like a giant metallic jazz centipede in manga boots)…

Whispers & Hurricanes, 26th March 2016

Chaos Theory presents:
Whispers & Hurricanes: Madam + Kat May + RobinPlaysChords
The Sebright Arms, 33-35 Coate Street, Bethnal Green, London, E2 9AG, England
Saturday 26th March 2016, 7.30pm
more information

“A five-piece London based band, fronted by charismatic singer-songwriter and composer Sukie Smith, Madam create nocturnal, intricate-yet-cinematic soundscapes showcasing songs that are at once confessional and a call to arms, and have been compared to both Mazzy Star and Cat Power. The band has amassed a loyal legion of fans at home and abroad, showcasing their smoky sound at intimate gigs and packed venues across Europe. Tonight they will launch their haunting single When I Met You, taken from their upcoming album ‘Back To The Sea’.” (Meanwhile, here’s an earlier track from their previous album, ‘Gone Before Morning’; plus their darned slinky cover of Oscar Brown’s tale of treachery, ‘The Snake’ – a welcome antidote to the song’s recent co-opting by Donald Trump.)



 

Whispers & Hurricanes, 26th March 2016“After many years we are reunited with the extraordinary singer-songwriter Kat May, who is inspired by the melancholy of Scandinavia, the urban textures of her base in London and the literary song-writing of her native France. Her atmospheric indie folk-pop has been hailed by France’s biggest music magazine, ‘Les InRocks’, as “cathartic and elegant”, and by ‘Lomography’ as “visually dreamy, melancholic and emotionally arresting all at the same time.” We caught the launch of her debut album ‘Beyond The North Wind’ at St Pancras Old Church back in 2014, and it’s still a regular feature on our playlists. Tonight she will perform her music on piano and voice, with violin and cello accompaniments.


 

Robin Jax’s exploits as RobinPlaysChords have been built on a slow but steady sonic development. Hailing from his remote country abode near Leamington Spa, the solitary songwriter uses his guitar and loopstation to create percussion, shimmering ambience and distorted hooks for him to place his honest lyrics over. Garnering comparisons to David Bowie and Patrick Wolf, RobinPlaysChords has previously won over audiences when opening for The Irrepressibles, Larsen, Thomas Truax and others, as well as undertaking his first shows in continental Europe in 2015.”


 

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Finally for now, a doubled gig of textured, looped and echoed guitar, but with a pastoral edge…

Dean McPhee + Seabuckthorn
The Slaughtered Lamb, 34-35 Great Sutton Street, Clerkenwell, London, EC1V 0DX, England
Saturday 26th March 2016, 8.30pm
more information

“West Yorkshire based solo electric guitarist Dean McPhee plays a Fender Telecaster through a valve amp and effects pedals, combining clean, chiming melodic lines with deep layers of decaying delay and cavernous echo. Over years of improvisation and experimentation he has developed a unique style of playing which draws together influences from British folk, dub, kosmische, post-rock, Mali blues and modal jazz. His releases on the Blast First Petite, Hood Faire and World in Winter labels have been critically acclaimed by ‘The Wire’, ‘Uncut’, ‘Record Collector’, ‘Music OMH’, ‘Dusted’, ‘Brainwashed’, ‘The Out Door’, ‘Drowned in Sound’ and ‘The Quietus’ amongst others. He has supported artists/bands including Thurston Moore (as UK tour support), Acid Mothers Temple, Wolf People, James Blackshaw, Emeralds, Josh T Pearson, The Magic Band, Sharon Van Etten, Michael Hurley, Josephine Foster, Meg Baird, Bohren and der Club of Gore and Charalambides. Dean is currently working on a new album which uses a kick drum pedal to introduce a pulsing, percussive undercurrent to his most recent compositions,


 

Seabuckthorn is the solo project of UK acoustic guitarist Andy Cartwright. Releasing 6 albums since 2008 he explores alternative terrains on six to twelve strings, often with minimal layered accompaniments to form musical landscapes. Cartwright uses the techniques of finger picking & bowing combined with various open tunings to create a well curated mixture of approaches. Falling into the cinematic and soundtrack genres, his music is evident of influences ranging from the traditional styles of Robbie Basho and Jack Rose, to more modern players like Ben Chasny, Zak Riles, and Gustavo Santaolalla with whom Cartwright shares an emphasis on atmospheric and multi-instrumental compositions. Sometimes quietly ambient, often powerfully expressive. As well as live performances around the UK, Cartwright has performed in numerous shows & festivals all over France & the southern deserts of Tunisia.


 

Dean McPhee and Seabuckthorn are recording a split 7″ single to be released later this year.”

* * * * * * * *

News on more London weekend shows are coming up next time…
 

February 2016 – upcoming gigs – interlocking British tours by Yorkston Thorne Khan, Toby Hay/Jim Ghedi and Laura Moody offer Anglo-Indian crossover folk, fingerstyle guitar, folk baroque and cello bewitchment.

10 Feb

I didn’t catch up with this next tour until a couple of its January dates had gone by, but it’s still worth catching up with the rest of it:

Yorkston Thorne Khan, 2015

Yorkston/Thorne/Khan are an experimental group that includes James Yorkston (hailed as one of the most “influential singer/songwriters on the Scottish folk scene”), Suhail Yusuf Khan (award winning sarangi player and classical singer from New Delhi) and Jon Thorne (best known as jazz double bass player with electro outfit Lamb). The trio are currently touring to support their collaborative debut album ‘Everything Sacred’, which was released in mid-January 2016.

This is Scottish-Irish-Indian-English music in the raw – Yorkston’s familiar steel guitar strings pulled, pushed and bent into more unfamiliar acoustic drones, the bass dropping anchors through the floor. Rather than world music per se, this sounds more idiosyncratic, a temporary structure bivouacking by the side of the indie-folk, art music tradition, while its widening horizons extend back to the Sixties heyday of the Incredible String Band, and forward to this singular album’s satellite orbit over the folk music, Indian classical and indie music of today – all these musical ley lines threaded into a new kind of eclectic, domestic setting.

James: “Playing together as Yorkston/Thorne/Khan, we tackle a wide array of different sounds and songs. Alongside pieces of our own, there’s a fair chunk of improvisation, plus covers of Ivor Cutler’s Little Black Buzzer and Lal Waterson’s Song For Thirza. Jon’s jazz background definitely comes to the fore, as does Suhail’s devotional singing and outstanding sarangi playing. I just do my best to keep up…”


 

Dates:

  • The Bicycle Shop, 17 St Benedicts Street, Norwich, NR2 4PE, England, Tuesday 16th February 2016more information
  • The Junction 2, Clifton Way, Cambridge CB1 7GX, England, Wednesday 17th February 2016 (with Laura Moody)more information
  • Eat your Own Ears @ Warwick Arts Centre (Studio), University of Warwick, Gibbet Hill Road, Coventry, CV4 7AL, England, Thursday 18th February 2016 (with Laura Moody)more information
  • Irregular Folk @ St Barnabas Church, 15 St Barnabas Street, Oxford, OX2 6BG, England, Friday 19th February 2016 (with Laura Moody)more information
  • Fruit, 62-63 Humber Street, Hull, HU1 1TU, England, Saturday 20th February 2016 (with Laura Moody)more information
  • Opus presents Gadabout @ Yellow Arch Studios, 30-26 Burton Road, Sheffield, S3 8BX, England, Sunday 21st February 2016 (with Laura Moody + Toby Hay/Jim Ghedi)more information
  • Belgrave Music Hall, 1A Cross Belgrave Street, Leeds, LS2 8JP, England, Tuesday 23rd February 2016 (with Laura Moody)more information
  • The Deaf Institute, 135 Grosvenor Street, Manchester, M1 7HE, England, Wednesday 24th February 2016 (with Laura Moody)more information
  • The Old Queen’s Head, 44 Essex Road, Islington, London, N1 8LN, England, Thursday 25th February 2016 (with Laura Moody)more information
  • Canton St John Music @ St John the Evangelist Church, St John’s Crescent, Canton, Cardiff, CF5 1NX, Wales, Saturday 27th February 2016 (with Laura Moody + Toby Hay/Jim Ghedi)more information
  • Komedia, 22-23 Westgate Street, Bath, BA1 1EP, England, Saturday 28th February 2016 (with Laura Moody)more information
  • Exeter Phoenix, Bradninch Place, Gandy Street, Exeter, EX4 3LS, England, Sunday 29th February 2016 (with Laura Moody)more information
  •  

    Playing support on all of the dates apart from Norwich (and joining in for a few songs in the headlining set) is singer-songwriter and cellist extraordinaire Laura Moody, whose songs sometimes touch on the same areas of kinetic fantasy as Kate Bush, Tori Amos or Joanna Newsom, sometimes dip into the cool small details of a Julia Holter or Anja Garbarek, and sometimes summon up the haunting folk-contralto reveries of Kathleen Ferrier. Just before the tour starts, Laura will be playing her own London solo show, as follows:

    Tina Edwards presents:
    Laura Moody
    Pizza Express Jazz Club, 10 Dean Street, Soho, London, W1D 3RW, England
    Tuesday 16th February 2016
    more information

    Laura: “I’ve seen so many amazing performers at Pizza Express Jazz over the years – Kurt Elling, Ian Shaw, Gwyneth Herbert (and just one jazz/rock gig that I went to in terrible error and possibly may have feigned illness at so I could leave) – so I’m both excited and honoured to have been invited by music journalist and broadcaster Tina Edwards to play my music on that stage. It’s my first truly central London gig for a little while and as well as playing a load of tunes I will also be having an onstage chat with Tina, so you can get to hear some hilarious anecdotes about how some of these songs came about. But most importantly you can listen to a woman hitting herself with her own cello bow while you eat an American Romana with extra mozzarella.”


     

    * * * * * * * *

    In addition, the Sheffield and Cardiff gigs on the Yorkston Thorne Khan tour (21st and 27th February respectively) features extra support by Toby Hay and Jim Ghedi, following their appearance at Daylight Music earlier in the month. These shows, and more, dovetail into a Hay and Ghedi tour over the whole of February and the beginning of March.

    From Sheffield and Rhayader respectively, Jim and Toby are young (yet assured and accomplished) masters of both fingerstyle acoustic guitar and the resurgent, omnivorous stylings of folk baroque. Both are seasoned performers and collaborators. During years of travelling, Jim has appeared on bills or in ensembles with James Blackshaw, Richard Dawson, Dead Rat Orchestra, Cam Deas, C Joynes, Stephanie Hladowski, Alasdair Roberts, Alex Nelson’s Death Shanties, The Big Eyes Family Players and Trembling Bells. While less widely travelled than Jim, Toby is rapidly becoming a British folk festival veteran and has taken support slots to Ryley Walker, Songhoy Blues and Marika Hackman.

    Playing as a duo, they collectively draw sonic and compositional inspiration from African music (particularly kora music), Bert Jansch, jazz, Indian ragas, ancient Welsh harp music, Eastern European folklore, the Beat writers and John Fahey’s American Primitivism. For more details on how some of this turns out, there’s a ‘Misfit City’ review of Toby’s first EP here, plus a couple of videos below.


    One of the main follows up to that Daylight Music appearance is a west Yorkshire show alongside two other formidable local talents:

    Toby Hay/Jim Ghedi Duo + Dean McPhee + Saif Mode @ Fuse Arts Space, Bradford, 17th February 2016

    Toby Hay/Jim Ghedi Duo + Dean McPhee + Saif Mode
    Fuse Art Space, 5-7 Rawson Place, Bradford, BD1 3QQ, England
    Wednesday 17th February 2016
    more information

    You’ve already read about Jim and Toby, so here’s the information on the other two performers:

    Dean McPhee is a West Yorkshire-based solo electric guitarist who plays a Fender Telecaster through a valve amp and effects pedals. Dean is a self-taught guitarist and has developed a unique style of playing over years of improvisation and experimentation. His influences include British folk, dub, Krautrock, post-rock, Moroccan trance and modal jazz. “The hallmark of McPhee’s style is a picked bassline and free-ranging variations on melodic ideas via a mesmerising progression of harmonics, cleanly picked notes, full chords and string-bending arabesques.” (‘The Wire’)

    Saif Mode is the moniker of Ben Hunter. He improvises with modular synths to create dense sonic landscapes that are unique to each performance “marry(ing) meditative drones and techno improvisations, recalling the utopian dreams of the Atomic Age and the simple piety of the early church… equally at home on bills with improvised analogue electronica and raw black metal…” (Sheffield Anti Fascist Network).


     

    The remaining dates of the Hay & Ghedi tour (including the Daylight Music appearance and their Yorkston Thorn Khan support slots) are below:

     
    Toby and Jim will also be joining forces in Sheffield during late February for this theatre show:

    The Death Curiosities

    The Travelling Shadow Theatre presents:
    “The Death Curiosities”
    Moor Theatre Delicatessen, 17 The Moor, Sheffield, S1 4PF, England
    Thursday 25th & Friday 26th February 2016
    more information

    “Come on a journey inside an old cabinet to discover what forgotten objects remain….Stories unravel to reveal a beautifully vulgar and woeful celebration of the macabre…. Told through live shadow puppetry and music, ‘The Death Curiosities’ is a beautiful and mesmerising story exploring the unquestionable trimmings of death. Live musical accompaniment by Jim Ghedi, Toby Hay and Josh Kelson.”

     

    Still from 'The Death Curiosities'
     

    More gig news shortly, including William D. Drake in Italy and a look at various upcoming classical music events…
     

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