Tag Archives: New River Studios (venue) – Manor House – London – England

May 2016 – upcoming London and Brighton gigs – Roar, Steve Strong and Tony協Yap get noisy (May 21st); Prescott and The Evil Usses spiralize our ears (May 24th); M U M M Y curate a free cavalcade of psychedelia/folk/oddpop on the side of the Alternative Escape festival (May 19th)

16 May

Roar + Steve Strong + Tony協Yap, 21st May 2017

Best of Bandcamp, SPREAD and New River Studios present:
Roar + Steve Strong + Tony協Yap
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Sunday 21st May 2017, 6.00pm
information

Yokohama band Roar (dipping into London as part of a British and American tour) are a two-piece of Shusei on guitar and Taketo on drums. Noisy and immediate, their sound’s an immediately accessible, unconstrained rock sound churning together aspects of surf music, Hendrix, Nirvana, Foetus and The Melvins.

Two support acts add to the fray. Steve Strong provides his usual one-man-band post-rock loop act, layering assertive, precise live drumkit work with rattling spidery guitar riffs and surging wads of noise texture. Keyboard player Gman Leong & drummer Alessandro Salzano make up London experimental noise/beat duo Tony協Yap: more live drumkit, this time paired with abrasive synth jabs and snarls. Taunting us with the possibility of dynamics, they usually come at us full-tilt – a jammed rave cannonade with occasional vivid lacunae of downtime and ebbed space, stripped and shaped by small sounds (such as the ring of Alessandro’s singing-bowl).





 

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Prescott + The Evil Usses, 24th May 2017

Prescott presents:
Prescott + The Evil Usses
Paper Dress Vintage Bar & Boutique,, 352a Mare Street, Hackney, London, E8 1HR, England
Wednesday 24th May 2017, 8.00pm
– information here and here

Like Tony協Yap, the dogged, quirky Prescott are a band who know a thing or two about teasing. A vehicle for the cellular, bafflingly elasticated compositions of onetime Stump bassist Kev Hopper, they’re also an excuse for underground art-rock drummer Frank Byng, out-there guitarist Keith Moliné and improbable synth player Rhodri Marsden to unpredictably shunt each other around pitch and beat.

With the various members drawing on stints with projects as diverse/perverse as Pere Ubu, Snorkel, The Keatons, Scritti Politti, The Free French, Ticklish and This Is Not This Heat, there’s plenty of scope and impetus for lateral thinking, coupled with a poker-faced goofy accessibility. Their second album, ‘Thing Or Two’, is another stylish raspberry in the face of sensibility and torpor. Imagine the swoop and ping of Brand X rendered in far too many inappropriate Lego bricks; imagine Weather Report fed on a diet of Dada and No Wave; imagine a fusillade of perky post-punk blips like XTC spending a stint as a Koji Kondo covers band.

In support, there’s Bristol’s The Evil Usses, whom I last encountered in the runup to Bristol’s Wakizashi festival last October, and whom I described back then as “a deconstructive, fiercely humorous No Wave jazz-rock quartet, who share some of Knifeworld’s brassy exuberance but take it over the escarpment and down into a stomping, seven-league-booted Beefheart country.” Come along and have your cortex ruffled.



 
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Two of the Alternative Escape gigs in Brighton, 18-19 May 2017

Before either of these, though, there’s a particular free all-dayer at The Black Dove in Brighton on 19th May – part of the extensive Alternative Escape fringe event that’s coiled around the city’s huge Great Escape festival. Certain bands and projects affiliated to the great swarming ferment of the Cardiacs tradition tend to repeatedly pepper ‘Misfit City’ coverage. This particular gig packs a bunch of these together like a explosion of overnight mushrooms (appropriately, since the tang of a particular kind of psychedelia hangs over it).

Up in the curator role are M U M M Y, the psychogothadelic thrumming of Jo Spratley and ex-Cardiac/Dark Star/Levitation-eer Bic Hayes. Bic’s also part of the motorik lysergic driving-machine ZOFFF (who’ll be playing their own set towards the end of the night, fresh from their recent show backing Damo Suzuki). ZOFFF pull together plenty of people from the Brightonian psychedelic axis – including Chris Anderson, who’s bringing along both his shipwreck-and-dreams songwriter project Crayola Lectern and his spacegazing pop band La Momo.

Friendly one-man personality cult Kavus Torabi will take another bare-bones acoustic tilt at the ornate songs he’s written for Knifeworld and the Monsoon Bassoon, while touching on the inspirations he’s shared in his work with Cardiacs and Gong. Psych-tinged folk baroque is provided by Emily Jones and Arch Garrison (bringing liberal dashes of Cornwall and Wiltshire psychogeography with them) and there’s frowning, shadowy, mordantly hilarious Kinks-Gothic popcraft from Stephen Evens. Also on board are noisy punk-prog/alt.pop trio Ham Legion, and Chloe Herington’s experimental music project V A L V E (who make obliquely thoughtful, oddly accessible music from bassoons, melodicas, tape-loops, concert harps, electronics, doorbells and things found on walks and in skips).

Just about the only band here that’s not a ‘Misfit City’ regular is Hurtling, the alt./dream-rock trio featuring Jen Macro and Jon Clayton (formerly of stuffy/thefuses and Something Beginning With L) with Smallgang/Splintered Man bassist Simon Kobayashi. Boasting sturdy support musician links to My Bloody Valentine, Shonen Knife Graham Coxon, Robyn Hitchcock and Bitch Magnet (and taking inspiration from alt.rock heroes such as The Breeders, Sebadoh and Warpaint), they’re possibly the best connected band on the bill: also one of the most straightforward, and a link to the Great Escape outside.


 
Throughout, you’ve got illuminations from south coast psych-lighters of choice Innerstrings. See below for performance schedule and time; see above for links to the wealth of things I’ve previously written about most of these people; go here for the Facebook event page…

Programme:

2.00pm – doors
3.00pm – Ham Legion
3.40pm – Emily Jones
4.20pm – Crayola Lectern
5.00pm – Hurtling
6.00pm – La Momo
6.40pm – Stephen Evens
7.20pm – M U M M Y
8.00pm – V A L V E
8.40pm – Arch Garrison
9.20pm – Kavus Torabi
10.00pm – ZOFFF
afterwards, until 3.00am – DJ Moke
 

March 2017 – upcoming London experimental music gigs – Pefkin, Bell Lungs, Russell Walker and David CW Briggs on the 12th; Yoni Silver, Eden Grey and |V|I|O|L|E|N|C|E| at openJack on the 15th; Magnus Loom, Alex Douglas, Zoey Gunshot and Flying Saucer on the 16th

5 Mar

Sundry experimental music shows in London during mid-March:

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Pefkin + Bell Lungs + Russell Walker + David CW Briggs, 12th March 2017Pefkin + Bell Lungs + Russell Walker + David CW Briggs
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Sunday 12th March 2017, 7.00pm
information

Words from the organiser:

“Scotland comes to New River and it’s going to be a spooky psychedelic affair.

Pefkin is the alter ego of Gayle Brogan, one half of Glaswegian vintage synth duo Electroscope and ex-proprietor of the Boa Melody Bar mail order. She has been recording as Pefkin since 1999 and released albums on Morc, Wild Silence, Reverb Worship, Pseudoarcana etc. More recently she has been recording with the Kitchen Cynics‘ Alan Davidson, creating psych-folk hymnals inspired by a mutual love of folk songs and nature, and has been recording with United Bible Studies. On her own Gayle creates a dreamy rural psychedelia from looped vocals, guitar, analogue synth and violin. She is currently recording an album inspired by the recumbent stone circles of Aberdeenshire.


 
Bell Lungs (vocals/electric guitar/electric violin) is from Scotland and has previously performed in the USA, Germany, Italy, Spain and the UK, in curious locations such as an abandoned grain silo, a hydro-electric power station inside a mountain, the top deck of a double-decker bus and amidst the eerie, moving sculptures of Sharmanka Kinetic Theatre. She will be playing an immersive continuously-morphing set that will carry you from the Western Isles of Scotland to the rainforest and outer space.


 
“Support from Russell Walker of Pheromoans fame and Bomber Jackets infamy. He has also written a book. The book is great, very funny. I saw Russell play at Tatty Seaside Towns‘ most recent event in the famed ‘Naughty Corner’. Me and Barney Wakefield were trying to have a serious conversation but it was IMPOSSIBLE because of this set. He was reading some very funny, misanthropic, storioes/poetry about some ‘people’ either real or unreal. Scathing and mundane in equal measure which is the sign of a good cook. Great with kids. (His son is the spitting image of my nephew… I didn’t want to mention it at the time, ‘cuz that’s probably a strange thing for stranger to bring up on first meeting).


 
David CW Briggs will open the proceedings! Dave used to play in Unlabel band Cove and was playing solo under the moniker Hills Have Riffs for a while. He drinks a lot of tea and is great with kids.”


 
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openJack, 12th March 2017

Ellis Gardiner presents:
openJack – Yoni Silver + Eden Grey + |V|I|O|L|E|N|C|E| + guests
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Wednesday 15th March 2017, 7.30pm
information

Yoni Silver is a multi-instrumentalist (specialising in bass clarinet and electronics), composer, improvisor and performer. He plays in a number of projects, including the Hyperion Ensemble. This is Yoni’s first openJack appearance, but he’s back a few weeks later with his trio, Denis D’or.


 
Eden Grey‘s music is an experimental mix influenced by electro, dub, d’n’b, techno, drone, ambient and hip-hop. Her music took a major shift towards the collage-based methods of the historical avant-garde while earning her Masters’ degree in music technology and after she began building her modular synthesizer in 2013. Eden also hosts the CV FREQS meetups for the London Modular Synthesis Group.


 
|V|I|O|L|E|N|C|E| is a solo electronics project by Tim Cowlishaw, one of the people behind Walthamstow’s avant-music evening More News From Nowhere.”


 
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Magnus Loom, 16th March 2017Chlöe Herington presents:
Magnus Loom + Zoey Gunshot + Flying Saucer
The Harrison, 28 Harrison Street, Kings Cross, London, WC1H 8JF, England
Thursday 16th March 2017, 7.00pm
information

This is another of the leftfield gigs organised by reedswoman/noise-fiddler and curator Chlöe Herington (Chrome Hoof, Knifeworld, V A L V E, Half The Sky), and here’s what she has to say about it:

Magnus Loom wildly turns and tumbles through a cornucopia of brightly burning pitches and rhythms, howling and whispering, in his own world of avant-punk cabaret. According to his Facebook page, “Magnus Loom makes a noise, and lives in hope that one day others might enjoy it as much as he does.” It’s really good noise. I reckon you’ll enjoy his noise.



 
“The two support acts are both performing debut gigs. Zoey Gunshot is political noises and anti-folk; Flying Saucer is experimental noises, a bit Jonathan Richmond tinged with Bob Drake.“

 

February 2017 – upcoming London gigs – sound rummagings at New River Studios with Cos Chapman’s Open Jack Takeover 5 (1st)

30 Jan

Cos Chapman's Open Jack Takeover 5, 1st February 2017Cos Chapman presents:
Cos Chapman’s Open Jack Takeover 5: Cos Chapman + Mowgli & The Slate Pipe Banjo Draggers + Jowe Head + Electric Elizabeth + The Moon and Madness
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Wednesday 1st February 2017, 6.00pm
– free event (suggested donation: £5.00) – information

Experimental guitarist Cos Chapman is leading another of his experimental music evenings at New River at the start of February. Here’s a quick summary of Cos’ work, assembled from various web-flotsam press spurts and publicity bios, including a summary by experimental flautist Isnaj Dui:

“Cos Chapman observes his guitar as if unconscious, under anaesthetic. Laid down and barely touched, distress signals and drones emit from its innards. In live improvisation, Chapman utilises a series of drill bits, pendulums and homemade mechanisms to lay siege to the seemingly lifeless instrument. Playful and cerebral, Chapman’s work recalls early Kraftwerk as he creates a sonic heart and soul from basic electronics that are expertly manipulated. Interested in cross art-form collaborations and soundtracks, Cos began his working life as an oceanographer: throughout this time he experimented extensively with sound, using modified reel-to-reel and self-built devices; after twelve years he went to Lancaster University to study Music, Technology and Theatre, then did a PhD at Anglia Ruskin in Cambridge. His portfolio of compositions includes work for piano and “tape”, live processing of soprano saxophone, video and installations: His soundtracks have been heard on Resonance FM and at national events including the Manchester Short Film Festival, Newcastle Vain Festival, Sonic Arts Network Expo! in Manchester, Thames Tideway Project and Anna Chen’s Taikonaut.”

Also on the bill are the working duo of Mowgli (cross-tech multi-media artist and player of the Zenoid audiovisual synth) and The Slate Pipe Banjo Draggers (aka field-recordings juggler and one-string MIDI bass player Andy Rowe). A regularly teamed item for five years, they’ve been playing their mashes of translated light patterns, invented instrumentation and improvised electronica around various European festivals and events for five years. While the Slate Pipe work is centred on a strangely comforting version of factory-noise dub, the Mowgli collaboration (on the evidence of the Mariscao live video below) is more along the lines of pattering analogue ambient techno with a off-kilter industrial edge, accompanied by swirling mathematical visuals.

 
The loop’n’patch alter ego of Zoe Um, Electric Elizabeth came into being two Novembers ago when Zoe decided to create a performance persona for the Noisevember project. Based around on Audacity software and various glitching, friable, fry-able devices, her work picks up the mundane and weaves it through concealed processes, structures and rhythms to render something both everyday and beautiful.


 
Two of Cos’ companions from the “post-punk/art rock/dark cabaret” band Rude Mechanicals are also joining the evening. Cos will be teaming up with Rude Mechanicals frontwoman Miss Jo Roberts in spin-off duo The Moon And Madness (which played the previous Open Jack, and which they describe as being “more experimental” than the Weimar sprach-funk tendencies of the parent band) while bass player jowehead.com Jowe Head (originally from Swell Maps and Television Personalities, now a journeying mult-instrumental punky experimentalist) will be performing an undefined solo set of his own.

DJ sets for the evening come from Steve New Wave – “the clue is in the name.”
 

October 2016 – upcoming gigs – a busy Saturday (29th) – Vels Trio + Adam Betts + Sneaky at Jazz Market (London); Lucid Brain Integrative Project + PREHISTO’ZIK + Georgina Brett at Tuesdays Post (London); The Travelling Band + A. Dyjecinski + Arch Garrison + The Great Western Tears via Tigmus in Oxford

25 Oct

Well… another busy Saturday if you’re in London or the Home Counties. Sorry – despite the past weekend’s splurge on Bristol, I need to pick up on more of my coverage of events outside of the south-east. In the meantime, though, there’s these…

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Jazz Market, 29th October 2016Chaos Theory Promotions presents:
Jazz Market: Vels Trio + Adam Betts + Sneaky
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Saturday 29th October 2016, 7.30pm

“We’ve got some stunning gigs coming up for all tastes, and this one is no exception. The Jazz Market at New River Studios features world-class musicians bringing us their brands of electronica, math rock, jazz, hip hop, fusion and serious grooves.

“After we saw the three young experimental jazz musicians of Vels Trio playing with Mouse On The Keys and Luo for Small Pond, we knew we needed more. Born out of collective obsession, emotion and improvisation, Vels Trio sculpt contagiously frenetic composition, channelling ingrained deep grooves, progressive soundscapes and contemporary hip hop productions. A band to challenge the psyche of jazz lovers and curious, broadminded and savvy music lovers.



 
Adam Betts is the drummer behind phenomenal math rock pioneers, (and Brian Eno’s favourite experimentalists) Three Trapped Tigers. Watch Adam flawlessly play intricate beats to perfection, while triggering his pre-programmed instruments live via Ableton: his appropriately titled album ‘Colossal Squid’, recorded in one live take, is out at the end of November, with a single out in October.

 
Sneaky (an extraordinary upright bassist who plays a gorgeous instrument designed by Mo Clifton, who also designed one for Lamb bassist Jon Thorne), was classically trained on double bass and cello and completed a music degree before getting involved with Manchester’s club scene alongside musicians like James Ford of Simian Mobile Disco, Mr Scruff, Andy Votel and Mark Rae. After moving in with DJ, turntablist and beatsmith Peter Parker, various jam sessions led to them forming the unlikely band Fingathing, playing with beats, basslines and electronics to make ultimately danceable music.

“After seven years of worldwide touring, three albums, several singles and EPs released through Grand Central and Ninja Tune records, Sneaky moved to Berlin in 2007 to further his musical inspiration and has been making his solo mark ever since… ‘Feel Like A King…Pluck A String’ was released in 2009 on the Big Chill Label and follow up ‘Feel Like A Remix’ in 2010. Whether you’re after impeccable playing or a headnoddingly groovy beat, Sneaky and accompanying drummer Gianpaolo Camplese will deliver.”


 

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Tuesdays Post, 29th October 2016

Tuesdays Post present:
Tuesdays Post: Lucid Brain Integrative Project + PREHISTO’ZIK + Georgina Brett
The Muse Gallery, 269 Portobello Rd, Ladbroke Grove, London, W11 1LR, England
Saturday 29th October 2016, 7:30pm
information

“Emmanuel Reveneau is a French artist involved in music, video and theatre, whose work is deeply informed by self-organization theories, situationism and irony. As The Lucid Brain Integrative Project, he currently uses self-designed looping software, Noundo, to improvise wacky atonal groovy soundscapes influenced by free jazz and and the Canterbury scene. Emmanuel headlined at the Y2K International Live Looping Festival (Santa Cruz, California) in 2014 and curates loop festivals in France since 2013, notably the Loop Jubilee series.


 
“Before being a clarinetist, Nelly Meunier was an archaeologist: ever since, she has been searching for links between past and present. She currently plays with the collective Orkestronika and the circus company Tewhoola (amongst others) as well as developing her solo project PREHISTO’ZIK, in which she makes her own instruments (based on actual archaeological and ethnological knowledge) and loops them with a RC505 to create ancestral landscapes. As she puts it: ‘In music sets of PREHISTO’ZIK, I try to create an anachronistic mixture: one side is the looper, modern ethnocentric equipment of occidental culture, and the other side the timeless and universal sounds of materials like clay, wood, stone, bone.’


 
Georgina Brett’s music is created using her voice and effects pedals, creating instant choirs of sound, often in an hypnotic style. Georgina’s music adheres to some avant-garde principles, using harmonious parameters instead of the more dissonant style of its post WWII exponents. Georgina’s music is also gradually becoming a great vehicle for more experimental work, delving into expressive work which plays with the rich world of the media, politics and history using matrices, semiotics and phonetics. Her latest release, ‘The Eclipse Collaborations’, is an album featuring sixteen collaborative pieces: Georgina’s work also features in the recent movie ‘The Killings of Tony Blair’.”


 
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Finally, various Tigmus-affiliated artists (on tour or fancying a one-off) coalesce in Oxford for an evening of latterday folk directions.

Travelling Band @ The Bullingdon, Oxford, 29th October 2016

Tigmus presents:
The Travelling Band + A. Dyjecinski + Arch Garrison + The Great Western Tears
The Bullingdon, 162 Cowley Road, Oxford, OX4 1UE, England
Saturday 29th October 2016, 7.00pm
information

Manchester indie-folkers The Travelling Band are on an eighteen-date tour to celebrate ten years of existence and to map out future directions following the departure of founding guitarist Steve Mullen. The band have spent much of 2016 touring as support act and backing band to American country-rock singer Lissie.


 
The band’s main guest here (as on all current tour dates) is London-based Canadian A. Dyjecinski, frontman for garage-rockers Dracula Legs and current purveyor of gnarly backwoods alt.Americana: his debut solo album ‘The Valley Of Yessiree’ is out on The Travelling Band’s own label Sideways Saloon.


 
A gentler Anglo-psychedelic approach is offered by Arch Garrison, the compact song vehicle of North Sea Radio Orchestra‘s Craig Fortnam, who’s been singing nylon-string guitar songs about lost people, childhood and chalkhill psychogeography for two albums now. Usually accompanied by the knowing baroque-modern keyboard stylings of James Larcombe, on this occasion Craig’s playing solo and acoustic.


 
The opening slot on the show is taken by Oxford acoustic-country duo The Great Western Tears, augmented by pedal steel player Kurt Hamilton and backup harmoniser Fern Thornton. Expect an authentic dip into American roots music and the Ameripolitan ethos (or as authentic as you can get in Oxfordshire), citing Steve Earle, Willie Nelson, old time country tunes and late ’60s West Coast acoustica as its inspiration.


 

October 2016 – upcoming London gigs – Her Name Is Calla’s T.E. Morris and Weikie (plus Raf & O) play solo sets at Whispers & Hurricanes (22nd)

18 Oct

Whispers & Hurricanes, 22nd October 2016There’s a little time to mention this weekend’s Whispers & Hurricane’s neo-folk/experimental pop gig in north London. Straight cut’n’paste from Chaos Theory below, plus the usual clips and videos.

Chaos Theory Promotions presents:
Whispers & Hurricanes: T E Morris (final ever UK show) + Raf & O + Weikie
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Saturday 22nd October 2016, 7.30pm
information

“This edition of Whispers & Hurricanes is a very special one indeed, as T.E. Morris joins us at for his last ever UK solo show, and simultaneously/belatedly launches his fourth and final full-length solo album ‘Newfoundland’. As the multi-instrumentalist, vocalist and songwriter behind critically acclaimed cult post-rock band Her Name Is Calla (with a career spanning well over a decade, extensive tours across Europe alongside such renowned acts as R.M. Hubbert and Willy Mason) he has more than twenty releases to his name, including soundtracks for film and novel, and television credits with Warp Films. Following ‘Newfoundland’ (out via Robot Needs Home Recordings) he’ll be turning his focus to new creative endeavours and future commitments with Her Name Is Calla.


 
“‘Newfoundland’ is a truly fitting release to mark this momentous juncture in T.E. Morris’ musical journey. Recorded at home in Leeds, and in Brno in the Czech Republic, Tom has enlisted the talents of several world class musicians to record this astoundingly beautiful album. A poignant, elegant, yet dark composer, it will be an honour to finally work with T.E. Morris and have him join us to celebrate his ultimate work.

 
Raf & O, a duo from south east London, have created a buzz with exciting performances of their unique detailed avant-pop, fusing electro/acoustic drums, vocals, synths and acoustic FX guitar. We’ve previously heard them perform music from their second album ‘Time Machine’ (which was in FACT Magazine’s top 10 albums of 2014), but now Raf & O are back after the release of split EP ‘Sonnet 62/ Ink’ with Grace Jones collaborator Robert Logan, and their third album ‘Portal’.

“Receiving wide critical acclaim (including praise by David Bowieʼs pianist Mike Garson for their unique interpretation of Bowie’s song Lady Grinning Soul and having performed at some grandiose venues including the Queen Elizabeth Hall, this is a chance to catch the duo in a more intimate setting.


 
“A colleague of T.E. Morris’ in Her Name Is Calla, Adam Weikert (a.k.a.Weikie) also performs powerful solo acoustic music, laden with foot stomping and heart tugging originals. Switching back and forth between banjo, piano and guitar the pace never slows, as he performs a comprehensive overview of the many facets of folk and its modern connotations. His poetry is steeped in Americana, but with an ear for modern songwriting and production techniques.

“We love his album ‘Murder Came Before The Word’, so are keen to see his live performance of his wonderful sounds.”


 

September 2016 – upcoming gigs, Aldershot and London – Knifeworld’s “prog all-dayer” with William D. Drake, Prescott, Eschar, Barringtone and others; Laura J. Martin, Oly Ralfe and Duotone at Daylight Music; Muscle and Marrow, Father Murphy and Tolerance Manoeuvre at New River Studios (all 24th)

20 Sep

A nicely-filled Saturday coming up…

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Knifeworld all-dayer, Aldershot, 24th September 2016
Knifeworld + William D. Drake + Prescott + Eschar + Barringtone + others tbc
West End Centre, Queens Road, Aldershot, GU11 3JD, England
Saturday 24th September 2016, 2.00pm
information

Fresh off his solo show in Glasgow on Thursday (and the band’s appearance at ArcTangent in August), Kavus Torabi leads his Knifeworld octet over to Aldershot, curating and headlining what the venue’s calling a “prog all-dayer”. In a pleasing echo of Kavus’ Roastfest mini-festival from a few years ago (with which this particular show shares a few acts and sensibilities), the remit actually stretches out a good deal further than that. I’m not sure whether this is slightly sloppy marketing on the part of the West End Centre, or whether it’s a further sign that prog’s finally slipped out of its straitjacketing… at any rate, the day also features revitalized elements of latterday psychedelic rock, motorik pop, alt.jazz fusion and art punk cheek and coffee house tunes (old Regency coffee houses from a couple of centuries ago, that is; not latterday beard-and-espresso joints) as well as record stalls and “questionable company.”


 
It seems almost redundant summing Knifeworld up here, since I’ve covered them so often in previous posts; and more so in that their dazzling, goofy-but-serious voyages of complex guitar, voice and brass interplay are making increasing inroads into a bigger potential audience. The same goes for the second act on the bill, William D. Drake, who continues to carve out a subgenre of his own. There’s not yet a word for music which combines acoustic psychedelia and friendly, frowsty pop with echoes of Georgian parlours, sixteenth-century catches and never-were folk tunes. I keep trying to think of one that doesn’t sound twee, rather than encompassing the beaming English warmth which Bill’s music embodies. While I continue to fail to do that, here are a couple more of his tunes from recent live shows – one jaunty bounce, one unrolling magic-carpet reverie.



 
Prescott aren’t strangers to this blog either – a hiccuping, percolating instrumental team of four smart, oblique talents who’ve all been round the block more than a few times (lending their individual skills to a bagful of other artists and bands including Pere Ubu, Stump, Snorkel, Scritti Politti, The Keatons and Frank Sidebottom). Kev Hopper, Rhodri Marsden, Frank Byng and Keith Moliné are all far too grounded to do anything other than laugh off the idea of being a supergroup, yet they do form something considerably more powerful when they come together: rubbery, convoluted groove-rock improvisations which come across as part particle accelerator, part mutant squash court, and part horse-laugh. From another angle, they’re a post-punk upending of 1980s jazz-fusion powered by a wry/awry sensibility, creating something pretty serious out of a very English irreverence and inquisitiveness. They’re what you’d expect to get if those smart skeptical bastards raising eyebrows at the backs of every other arty gig were challenged to get together and do better, and actually did.



 
New to both ‘Misfit City’ and to general Knifeworld entanglements are Woking instrumental rockers Eschar, who play an exuberantly tuneful and metallic take on psychedelic post-rock. Filtering sunny melodies and joyous little tempo curlicues through a jackhammering heavy attack, they sound like a grinning, breakdancing road-mender. A little more familiar is Barringtone, sequel to briefly-glowing mid-Noughties electro/oddpop stars Clor. Pumping out a motoric yet shapeshifting art-pop somewhere between Neu! and XTC (and compared, in their peripatetic shifting of tone, structure and subject matter to Todd Rundgren’s Utopia), they’ve been at it for eight years now but are yet to drop a full album. Instead they’ve fired off an intermittent series of quick releases on a succession of labels, popping briefly in and out of view like a stealth submarine to flash a bit of technique and invention before slipping under again.



 

More bands are being added to this bill in a last-week squeak of hope and enthusiasm. I’ve no idea of who these are likely to be (keep checking on the Facebook event page for periodic news shouts) but it’s reasonable to expect that a complicated ArcTangent ethos/Torabi-esque “funny music” atmosphere is going to prevail.

If the above doesn’t do it for you, you could stay in London for another free/donation-only folk-and-songwriter-filled noontime gig by Daylight Music, plus an evening gig from Chaos Theory which addresses the more expansive and heterogenous side of post-rock. As usual, both have provided their own press releases, so I’ll use those (only working in extra information where it might be necessary…)

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Daylight Music 233

Arctic Circle presents:
Daylight Music 233: Laura J Martin + Oly Ralfe + Duotone
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 24th September 2016, 12.00pm
– free event (suggested donation: £5.00) – information

“Liverpudlian singer-songwriter Laura J. Martin is a “musician of startling originality”, according to The Sunday Times. Her extraordinary, eclectic music speaks of disconnection and England’s blandification: some of the tracks on her third studio album, ‘On The Never Never’, tell of her feelings when returning home to Liverpool to find that all of the town’s individuality seemed to have been erased and replaced by gleaming empty flats.

“Shot through with wit and humour alongside the sociopolitical themes (one of the characters talks of bleaching toilets and taking trips to Lanzarote) ‘On The Never Never’ skips through waltz timings, bears influences from Scott Walker to the Compass Point Allstars and picks up a guest vocal from Benjamin Zephaniah along the way. The album itself was recorded in Nashville with renowned Lambchop/Bonnie Prince Billy producer Mark Nevers and features members of Lambchop, Silver Jews and The Jesus Lizard. Laura has produced a hopeful record, full of joy, beauty and tongue-in-cheek looks at those in charge.


 
Duotone is the alias of songwriter Barney Morse-Brown, cellist with multi-platinum artist Birdy, Chris Wood, Eliza Carthy, Jackie Oates and BBC Folk Award winners the Imagined Village, His mesmerising solo performances move seamlessly between riotous energy and heartfelt intimacy: his debut album ‘Work Harder & One Day You’ll Find Her’ and the critically acclaimed second LP ‘Ropes’ saw him navigating his way through a personal loss.

“Barney’s new album ‘Let’s Get Low’, is an intelligent and thoroughly modern record, infused with the melodic structures of ’80s pop and the emotional honesty of the best of the classic singer-songwriter era; a remarkably optimistic collection of songs, it presents a new perspective on his experiences and explores the meaning of home and his sense of place. Written at home on his narrowboat over a period of two years, it further reveals a songwriter who is unafraid to explore real-life experiences that are often hidden from view.


 
“This is a particularly special Daylight Music as it features the London premiere of Oly Ralfe’s new instrumental piano project, accompanied by Barney on cello. A musician, artists and filmmaker, Oly made significant contributions to the work of The Mighty Boosh both onscreen and in print (including songs, poem cameos and direction) as well as creating the Dylanologist documentary ‘The Ballad Of AJ Weberman’.

“For a decade or so, he’s led his own pop-folk ensemble The Ralfe Band, whose three albums and soundtrack for the film ‘Bunny & The Bull’ have been variously described as “moon-eyed beauty”, “regally drunk” and “alternately sweetly hushed, spooky and sad.” Mark Radcliffe of BBC 6 Music has been a long-time champion of Oly’s music, saying “there is something of the strange and beautiful in everything he does, like the mood created by the darkest of fairy tales. I’m a big fan…””.


 
* * * * * * * *

Father Murphy, 24th September 2016

Chaos Theory Promotions presents:
Father Murphy + Muscle And Marrow + Tolerance Manoeuvre
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Saturday 24th September 2016, 7.30pm
– information here and here

“A special event at the amazing artist community venue that is New River Studios in north London, in which two wildly exciting duos from dark experimental label The Flenser will join us from the USA and Italy to present us with their latest terrifying works. This will be a stimulating experience.

“After Father Murphy captivated us with their EP ‘Pain Is On Our Side Now’ (and terrified us all at the launch of their phenomenal and stimulating album ‘Croce’ last year), the hairs are already standing up on the backs of our necks in anticipation of working with the Stephen O’Malley, Jarboe and Michael Gira-endorsed visionaries once more.

One of the most mysterious and enigmatic musical entities to come out of Italy in recent years, Father Murphy are known for their collection of dark psychedelic/industrial cabaret, written as a response to living in a deeply Catholic environment. Merging shadowy, muddy and murky atmospheres with unexpected blurts of impossibly catchy noise pop, their sound is both textural and nuanced but also noisy and chaotic. Identified by Simon Reynolds and Julian Cope as part of the “new Italian Occult psychedelia”, Father Murphy are the sound of the Catholic sense of guilt – a downward spiral aiming at the bottom of the hollow, and then digging even deeper.


 
Muscle And Marrow – a duo from Portland, Oregon – write music that is intense and vaporous. Formed in 2013 by Kira Clark (voice, guitar) and Keith McGraw (drums, sounds), Muscle And Marrow quickly discovered their distinctive sound. Taking inspiration from visual and feminist art, as well as contemporary poetry and literature, they are an entity that is as thoughtful as it is fervent and as experimental as it is immediate.

“In April 2016 the band released their new album ‘Love’: a more powerful record than their previous release, with elements of joy, strength and anger present. During the album’s writing process Kira lost a family member, and much of the lyrical content focuses on loss, but also on love in general: how to love better, more and at all, and what happens when someone else loves you — the trap of that love but also the freedom it affords. Additionally, ‘Love’ touches on feminism and female archetypes, a topic that Kira is very interested in. These new songs are just as beautiful and complex as those on the band’s debut, but on ‘Love’, Muscle And Marrow push their craft further, bringing them to the frontier of avant-garde dark music.


 
“Having heard murmurings about Tolerance Manoeuvre for some time, we stood up and paid attention when they performed a brilliant live set on deXter Bentley’s Hello Goodbye Show on Resonance 104.4fm. With a unique combination of guitar, cello, trumpet and vocals, Tolerance Manoeuvre furrow a particularly British seam of post-rock previously mapped by the likes of Talk Talk and Bark Psychosis, but with their own, highly-personalised take. Managing to fuse stark yet luscious melody with ornate orchestration, the trio meticulously unfold and reconfigure space and structure to create a beguiling tapestry that is simultaneously dense and delicate.

“A mainstay on the London underground music scene since 2011, Tolerance Manoeuvre have played at venues as diverse as The Hundred Years Gallery, the Servant Jazz Quarters and the Macbeth, have appeared on MTV Greece, have shared the stage with acts such as The Wytches, Seward, Cara Sebastian, O-Arc and Fear Of The Forest, and have a vinyl LP available at all good record shops courtesy of Flashback Records.”


 

July 2016 – upcoming London experimental gigs – Horse Improvised Music Club improvisations from small groups including Adam Bohman Text Quartet (5th); Hominid Sounds electronic night with Mark Dicker, Guncleaner, Johnny Broke and others (7th)

2 Jul

A couple of London experimental gigs for the coming week, briefly explored:

* * * * * * * *

Horse Improvised Music Club, 5th July 2016

The Horse Improvised Music Club presents:
Noel Taylor/Asaf Fleischmann/Ulf Mengersten + Adam Bohman Text Quartet + Antonio Cunzo/Joe Wright/David Stockard/Tony Hardie-Bick
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Tuesday 5th July 2016, 8.00 pm
information

Three small-group performances from the South Bank London improvisers’ hub; following, in part, their tradition of putting well-known improvisers together with lesser-known ones.

The opening act is a scratch quartet of rising Aberdonian jazz saxophonist Joe Wright and Carrickfergus-based percussionist David Stockard with pianist Antonio Cunzo and Chapman Stick player Tony Hardie-Bick. (While it always gives me a lift to see a Stick pop up anywhere in music, since I’ve always loved its clipped-but-singing polyphonic tones, Tony also seems to have the most interesting backstory within the quartet. From being Sham 69’s keyboard player during the late ‘80s, he’s moved from backing up other people’s punk polemics to spending most of his time as a software instrument developer, coaxing new levels of performance interaction out of touchscreens and wearable tech. As a performer, he’s been known to drag his protesting Stick flex-first across gallery floors, an art-punk flourish which I guess is a change from the cloud of warm jazzy reverence which usually surrounds the instrument.)

 
Veteran London acoustic-noise’n’objects performer Adam Bohman takes the middle slot with his Adam Bohman Text Quartet, completed by Adrian Northover, Sue Lynch and Hutch Demouilpied. While Adrian and Sue are usually saxophonists (working together in David Petts’ Remote Viewers and Hogcallin’) and Hutch is a trumpeter and sound designer, it looks as if everyone’s working with voice this time.

There’s not much information on this other than that it’s a text piece, but some guidelines might come from Adam’s work on “talking tapes” during the late ‘70s and early ‘80s – lo-fi audio collages which ranged from spontaneous dictaphone observations (Adam discovering and illustrating the ordinary and mundane anew, in slurred Dada-esque tones) to ludicrous cartoon vocal pieces. The ‘Music and Words’ collation of these odds-and-sodes was described as a laugh-out-loud avant garde album and later releases were even funnier, pushing into prank-and-sketch territories like a splicing of Bob Cobbing with a one-man Pete’n’Dud. Have a listen to When A Man (in which a trio of growling Adams parody both bozo masculinity and thunder-throat action-film trailers, like a squad of querulous Daleks bloated on bright orange corn snacks), or White Sauce Without For Those Who Don’t (Adam’s cutup account of a single Christmas, chopped across with assorted literary, musical and familial distractions).


It is, of course, thirty years on from all of this, so you might get something far more sombre. Since the Quartet are performing something called “the Robin’s Nest Revisited Vocal Quartet”, I wouldn’t bet on it..

The last act of the evening are a trio connected to large-scale improvising institutions in two European capitals. Longstanding improv clarinettist Noel Taylor (Splatter, London Improvisers Orchestra, plenty more) will be playing with Ulf Mengersten (a double bass mainstay of Berlin Improvisers Orchestra) and pianist Asaf Fleischmann.

* * * * * * * *

Hominid Sounds evening, 7th July 2016

Hominid Sounds presents:
Mark Dicker + Guncleaner + Johnny Broke + tbc
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Thursday 7th July 2016, 8:00 pm
– information here and here

To celebrate the release of Mark Dicker‘s new tape ‘Frog Eggs’, London experimental label Hominid Sounds are putting on “a night of clangs and bangs.” There’s a gradually expanding bill for this, featuring various electronic noisemakers and beat-glowerers from the more unruly edge of London electronica. Mark himself (the man “responsible for the noise behind (the recently deceased) Palehorse is headlining, bringing “supersonic modular-synth slow jams” (for a little more on Mark and how he thinks, there’s a ‘Quietus’ interview here). So far, he’s being supported by “clanging, banging techno noise project” Guncleaner (featuring two members of secretive, elusive London heavy math-rockers Nitkowski) and by “improvised, analogue-synth acid techno” act Johnny Broke (initially a solo project by Shitwife‘s Wayne Adams, which now seems to have expanded and welcomed one half of north London noiseniks Death Pedals). More performers to be confirmed…

I’ve not got much information or workable noises for this concert. For starters, I only bounce around on the outside of this particular musical scene (like a stray static spit in the mix); It also seems clear that it’s a lineup of sound-artists in deliberate flux and change, demonstrating very different faces to their usual output; and even by noise music’s usual enclosed standards, information on this show seems to be insiders-only. So you’ll need to just attend and take a chance on what it might be like.

I did succeed, however, in pulling up a little recent Johnny Broke-ism and a Dicker track from early last year, so here they are:



 

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