Tag Archives: music for viola

November 2016 – upcoming London classical gigs – The Riot Ensemble play Mark Simpson/Jack Sheen/Tigran Mansurian premieres plus Morton Feldman, Mark Bowden and Anna Meredith for ‘The Viola in my Life’ (21st); Clara Rodríguez & TangOpera Duo’s ‘Great Latin American Composers’ featuring Antonio Estévez and Alberto Ginastera, plus Villa-Lobos, Cervantes and Ruiz (24th)

20 Nov

A very quick note on two upcoming shows:

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The Riot Ensemble presents:
The Riot Ensemble: ‘The Viola in my Life’
The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England
Monday 21st November 2016, 7.00pm
information

The Riot Ensemble's 'The Viola In My Life', 21st November 2016“Led by a core group of seven musicians, The Riot Ensemble programme a wide array of the new music from across the globe, connecting people to great contemporary music and collaborating with a prestigious roster of guest artists in musician-led and organised performances. One of the few emerging ensembles in the UK to regularly commission and perform music by international emerging composers, they present the young composers they commission alongside exciting and established music from Bach to Birtwistle.

“This performance – The Viola in my Life’ – features Riot’s new Artistic Board Member Stephen Upshaw, who programmed this concert alongside fellow rioters Sarah Mason & Claudia Maria Racovicean.”

Programme:

Mark Simpson – New Work for Solo Viola (world premiere)
Morton Feldman – The Viola in My Life 3 (for viola and piano)
Mark Bowden – Hoist (for solo percussion)
Jack Sheen – Each One Cancels Out the Last (for viola, piano and tape) (world premiere)
Anna Meredith – Flex (for solo percussion)
Tigran Mansurian – Duet (for viola and percussion) (UK premiere)

Performers:

Stephen Upshaw – viola
Sarah Mason – percussion
Claudia Maria Racovicean – piano

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Clara Rodriguez' 'Great Latin American Composers', 24th November 2016Iberian & Latin American Music Society presents:
Echoes Festival: Clara Rodríguez & Friends – ‘Great Latin American Composers’
Bolívar Hall, 54 Grafton Way, Fitzrovia, London, W1T 5DL, England
Thursday 24th November 2016, 7.30pm
information

“Venezuelan virtuoso pianist Clara Rodríguez joins forces with TangOpera Duo to mark the centenary of her compatriot, composer Antonio Estévez (1916-1988) with a concert showcasing his works for piano and voice as part of a vibrant programme of piano pieces by some of the giants of Latin American classical music, including the seminal Argentine composer Alberto Ginastera (Argentina) (1916-1983), who also celebrates his centenary this year.

“Antonio Estévez is one of the most important Venezuelan composers of the 20th century, known especially for his ‘Cantata criolla’ and ‘Mediodía en el llan’o, recorded by the Simón Bolívar Youth Orchestra in 2008. A leading light of the Parisian-Venezuelan avant garde, Estévez’s music stands out for its rare beauty and profound originality. In Clara Rodríguez, Estévez has a longstanding ambassador for his legacy – her successful campaign to establish his output on the ABRSM 2015-2016 exam syllabus saw his music performed by thousands of pianists in the UK.

Heard here alongside some of Latin America’s most famous composers, such as Villa-Lobos (Brazil) and Cervantes (Cuba), this event places Estévez firmly amongst the panoply of Latin America’s ‘great’ composers. If you are unfamiliar with his music, this programme will be a revelation.”

Programme:

Antonio Estévez – 17 Piezas infantiles
Antonio Estévez – Songs (Selection)
Heitor Villa-Lobos – Bachianas brasileiras No. 4 (Selection)
Heitor Villa-Lobos – Ciclo brasileiro (Selection)
Alberto Ginastera – Three Argentinean Dances
Alberto Ginastera – Dos canciones Op. 3
Ignacio Cervantes – Three Cuban Dances
Federico Ruiz – Encuentro de Antonio y Florentino

Performers:

Clara Rodríguez – piano
TangOpera Duo – soprano & piano
William Roberts – actor
Timothy Adès – translator-poet
 

February 2016 – upcoming gigs – a classical sweep: Britten Sinfonia tour Debussy, Donatoni, Takemitsu, Jolivet and a Daníel Bjarnason premiere; the Hermes Experiment go audio-visual with Bennett, Kate Whitley, Soosan Lolavar, Ed Scolding and Giles Swayne; Busch Piano Trio play Brahms, Schubert and Loevendie; the latest of Susanne Kessel’s ‘250 Piano Pieces For Beethoven’ project brings premieres by Mike Garson, Ivo van Emmerik, Robert HP Platz, Claudio Puntin, Markus Reuter, Klaus Runze, Mateo Soto and Knut Vaage.

11 Feb

Some news on upcoming classical-and-related gigs spanning from Southampton to London to Cambridge to Norwich, and over to Bonn in Germany…

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The Hermes Experiment - 'Sonic Visions' @ The Forge, 16th February 2016

The Hermes Experiment presents: Sonic Visions
The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England
Tuesday 16th February 2016, 8:00 pm
more information

“Described as “barmy but brilliant” by ‘Classical Music Magazine’ (and winners of both Park Lane Group Young Artists 2015/16 and of Nonclassical’s Battle of the Bands 2014), The Hermes Experiment is an ensemble of four young professional musicians who are passionate about contemporary and experimental music, and thus inspired to create something innovative and unique. Capitalising on their deliberately idiosyncratic combination of instruments, the ensemble regularly commissions new works, as well as creating their own innovative arrangements and venturing into live free improvisation.

The ensemble has established itself on the London contemporary classical scene with regular performances across the city for organisations including Nonclassical, Kammerklang, Listenpony and Bastard Assignments. Other highlights have included being selected to perform at the 2014 UK Young Artists Festival in Leicester, and giving a concert at Aubazine Abbey in France as part of the L’Aura des Arts festival. The Hermes Experiment is also dedicated to the value of contemporary music in education and community contexts, having taken part in the Wigmore Hall Learning’s ‘Chamber Tots’ and ‘For Crying Out Loud’ 2014/15 schemes.

So far, The Hermes Experiment has commissioned new work from thirty-one composers at various stages of their careers (including Giles Swayne, Stevie Wishart and Misha Mullov-Abbado). The ensemble also strives to create a platform for cross-disciplinary collaboration and has recently created a ‘musical exhibition’ with photographer Thurstan Redding.

The Sonic Visions show will explore ways in which aural experiences have been influenced by visual stimuli. The programme is led by new commissions that respond to a visual element, as interpreted by composers Kate Whitley and Soosan Lolavar; plus a new piece devised in collaboration with Giles Swayne based on a graphic score, and the premiere of an animation by Izabela Barszcz based on Ed Scolding‘s ‘Black Sea’. The Hermes Experiment will also be interpreting three other new graphic scores, devised by Deborah Pritchard, Andy Ingamells and Eloise Gynn as part of a competition linked to the event. The programme will be completed by arrangements that explore three very varied composers/songwriters that have been inspired by the world of visual art: Claude Debussy, Richard Rodney Bennett and Don McLean. This concert is supported by the Britten-Pears Foundation and the Hinrichsen Foundation.

Programme:

Kate Whitley – My Hands (setting of a poem by Nadine Tunasi – world premiere)
Soosan Lolavar – Mah Didam (world premiere)
Ed Scolding – Black Sea (with new animation by Izabela Barszcz)
Claude Debussy – Mandoline and Fantoche
Richard Rodney Bennett – Slow Foxtrot (from ‘A History of Thé Dansant’)
Don McLean – Vincent (new arrangement by The Hermes Experiment)
New semi-improvised piece by Giles Swayne & The Hermes Experiment
New graphic scores by Deborah Pritchard, Andy Ingamells and Eloise Gynn

Performers:

Oliver Pashley – clarinet
Anne Denholm – harp
Marianne Schofield – double bass
Héloïse Werner – soprano/co-director

Supported by
Hanna Grzekiewicz – co-director/marketing/development

Kate Whitley and Soosan Lolavar have both provided blog entries discussing the genesis of their Sonic Visions pieces (based on a poem setting and on an exploration of the links between Iranian music and Renaissance Counterpoint, respectively). The graphic score for Deborah Pritchard’s piece (which is apparently called ‘Kandinsky Studies’) showed up on Twitter recently, so I’ve reproduced it below:

Deborah Pritchard:  score for 'Kandinsky Studies', 2016

Deborah Pritchard: score for ‘Kandinsky Studies’, 2016

Also below are a couple of videos – one of the Hermes Experiment in the flow of free improvisation, the other of them performing William Cole’s ‘me faytz trobar’.



 
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The Britten Sinfonia return for the second of this year’s (and the third overall) ‘At Lunch’ concert series of mid-day performances across the east of England, this time managing to stretch as far as the south coast.

Britten Sinfonia presents ‘At Lunch Three’

Daníel Bjarnason (photo by Samantha West)

Daníel Bjarnason (photo by Samantha West)

Programme:

Claude Debussy – Syrinx
Franco Donatoni – Small II
Daníel Bjarnason – new work (world premiere tour)
Franco Donatoni – Marches
Claude Debussy – Sonata for flute, viola and harp (L137)

amended setlist for Southampton adds:

André Jolivet – Petite Suite
Toru Takemitsu – And Then I Knew ‘Twas Wind

Performers:

Emer McDonough (flute)
Clare Finnimore (viola)
Lucy Wakeford (harp)

“The combination of flute, viola and harp may not be the most familiar trio ensemble, but it is one that certainly lends itself to the rich exploration of colour and harmonies that is typical of Debussy’s output. A deeply expressive curiosity in soundscapes and association with visual art also features in the compositions of Icelandic composer Daníel Bjarnason, whose new work features alongside that of Debussy in this programme.”

The London and Cambridge gigs include an “in conversation” event (a pre-concert discussion on Daníel Bjarnason’s new work) before the concert at 12.15pm in London, or after the concert at 2.15pm in Cambridge. Tickets are free but must be booked in advance in London, and are only available to concert ticket holders in Cambridge.

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Back in Norwich, there’s a promising trio concert…

Busch Trio, 2016

(Norfolk & Norwich Chamber Music Festival presents:
The Busch Trio
John Innes Centre, Norwich Research Park, Colney Lane, Norwich, NR4 7UH, England
Saturday 20th February 2016, 7.30pm
more information

“Named after the legendary violinist Adolf Busch and inspired by trio member Mathieu van Bellen’s possession of Busch’s 1783 J.B. Guadagnini violin, the London-based Busch Trio – previously The Busch Ensemble – are emerging as one of the leading young piano trios among the new generation, receiving enthusiastic responses from audiences and critics across the UK and Europe. Recognised for their achievements and the “incredible verve” of their playing, they were winners of the 2012 Royal Overseas League Competition and went on to win several prizes including 2nd prize and the recording prize at the 2012 Salieri-Zinetti International Chamber Music Competition and the 3rd prize at the 2013 Pinerolo International Chamber Music Competition in Italy as well as the 2nd prize at the International Schumann Chamber Music Award in Frankfurt.

Since its formation in 2012 highlights of the Trio’s performances in the UK have included the Edinburgh Festival Fringe, Queen Elizabeth Hall, the Sage Gateshead and a critically acclaimed appearance at Wigmore Hall. They have also given concerts in the Netherlands, France, Germany, Switzerland, Italy and Denmark. The trio enjoys the support of the Tunnell Trust, the Kirckman Concert Society, the Park Lane Group and the Cavatina Chamber Music Trust, as well as being awarded the MMSF Philharmonia Orchestra Ensemble Award. Most recently they have completed the prestigious ChamberStudio Mentorship Programme, which has offered them teaching from some of the world’s leading musicians. They are currently receiving guidance from members of the Artemis Quartet at the Queen Elizabeth Music Chapel in Brussels.”

This concert includes a pre-concert discussion with the trio members at 6.30pm. In addition to two familiar Romantic-era classics, the programme includes a performance of ‘Ackermusik’ by jazz/Eastern-cultures-inspired Dutch composer Theo Loevendie (which Loevendie notes is “written in a mosaic form of five repetitive elements” and which possibly, though not explicitly, pays tribute to the low, breathy vibrato clarinet stylings of late British trad-jazzer Acker Bilk).

Programme:

Theo Loevendie – Ackermusik
Johannes Brahms – Piano Trio No. 2 in C major Op. 87
Franz Schubert – Piano Trio No 2 in E flat D929

Performers:

Omri Epstein – piano
Mathieu van Bellen – violin
Ori Epstein – cello

Here’s a recent recording of the Busch Trio performing the third (Poc adagio) movement of Dvorak’s Piano Trio in F minor, op.65, as well as a previous performance of ‘Ackermusic’ by the Van Baerle Trio.


 

 

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Finally, news on an ongoing concert and commissioning series…

Susanne Kessel - 250 Pieces For Beethoven

Bonner Kunstverein presents:
Susanne Kessel: ‘250 Piano Pieces for Beethoven’
Klavierhaus Klavins, Auguststrasse 26–28, 53229 Bonn, Germany
Thursday 25th February, 2016, 7.30pm
more information.

“In the year 2020, the world will celebrate the 250th birthday of Ludwig van Beethoven, who was born in Bonn. In partnership with German radio station WDR Köln, pianist and Bonn native Susanne Kessel has begun an international composition project, inviting composers from all over the world to write a short piano piece “for Beethoven” with a duration of four minutes or under.

Since the start of the project, Susanne has been performing all the pieces at a series of concerts in Bonn (with some pieces also being presented at Speicher am Kaufhauskanal in Hamburg). All pieces will subsequently be published in a “precious paper” sheet-music edition by Editions Musica Ferrum of London.”

As of February 5th of this year, Susanne has received fifty-seven of the planned two hundred and fifty pieces. The next of the concerts in the performance series takes place on February 25th, in the Bonn instrument store Klavierhaus Klavins, and will feature premieres of work by the following composers:

  • Ivo van Emmerik – Dutch composer and onetime student of, among others, John Cage, Brian Ferneyhough and Morton Feldman (regarding whom he’s sometimes been suggested as a successor) with a strong interest in multi-media musical staging, electronic music and computer applications.
  • Mike Garson – cross-disciplinary American jazz, rock and experimental pianist and arranger (best known for his mid-‘70s work with David Bowie).
  • Robert HP Platz – German composer and founder/conductor of Ensemble Köln, generally better known for large-scale projects which can include operatic works, children’s music, literature, poetry, audio tapes and visual arts.
  • Claudio Puntin – Swiss composer, clarinettist and loop musician best known for wild, beautiful and moody electronica and post-jazz as a member of ensembles including ambiq and Sepiasonic as well as work for film, television and theatre.
  • Markus Reuter – German cross-disciplinary composer, touch guitarist, teacher and instrument designer, known for his work with centrozoon, Stick Men and others (as well as for his recent full-scale orchestral piece ‘Todmorden 513’).
  • Klaus Runze – German “intermedia” artist, composer, educator and theorist (pursuing, amongst other things, structured improvisation, composition, sonic sculpture, and painting-while-performing)
  • Mateo Soto – award-winning Spanish composer and recent winner of YouTube CODE 2016 Series Call for Scores.
  • Knut Vaage – Norwegian composer and member of the ensembles JKL and Fat Battery, whose work explores the boundaries between composition and improvisations.

Five of the composers (van Emmerik, Platz, Puntin, Reuter and Vaage) will be attending and possibly speaking, as will German percussionist/composer/music professor Dennis Kuhn and Swiss composer-pianist Lars Werdenberg (founder of New Music platform Chaotic Moebius), both of whom have previously contributed pieces to the project.

News on the ongoing project can be followed here.

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More gig news shortly, including William D. Drake in Italy and Louis Barrabas on the rampage across Scotland and northern England.

North-eastern classical – a London debut for the Baltic Music Society

17 Jun

Baltic Music Society, London - inaugural concert

Baltic Music Society – Inaugural Concert (All Saints Church,, Clydesdale Road, Notting Hill, London W11 1JE, UK, Saturday 20th June, 7.00pm)

The newly-formed Baltic Music Society in London hosts its debut concert of classical chamber music this coming Saturday, in Notting Hill.

This first concert features music by Erkii Sven-Tuur, Jāzeps Vītols and a host of living composers including Arvo Part. It includes the world premiere of a specially commissioned new work – ‘Memories of Lithuania’ by Keith Burstein, a British composer of Lithuanian descent – and music by a wide range of Baltic state composers including Zita Bružaitė, Bronius Kutavičius, Anatolijus Šenderovas, and Ariel Anenburg.

The Baltic states of Lithuania, Latvia and Estonia lie on one of the critical geopolitical faultlines of the world and yet still little is known of their culture in the West. However the burgeoning creativity of the region now promises a new wave of cultural riches. The Baltic Music Society exists to explore, present and introduce music from or inspired by the Baltic region. The world refracted through the amber stone of the Baltic – a new light from a new music. Join us at the beginning of this pathway of discovery.

Programme:

Zita Bružaite – Novelette

Bronius Kutavičius – Three Metamorphoses

Jāzeps Vītols – Romance

Erkki-Sven Tüür – Piano Sonata

Keith Burstein – Trio for Viola, Clarinet and Piano, “Memories of Lithuania” (world premiere)

Anatolijus Šenderovas – Cantus in memoriam Jascha Heifetz

Arvo Pärt – Spiegel im Spiegel

Keith Burstein – PianoWorks

Ariel Anenburg – Images

Performers:

Jelena Makarova, Rimantas Vingras, Kristiina Rokashevich, Keith Burstein – piano
Antanas Makštutis – clarinet
Orpheus Papafilippou – violin,
Barbara Gumėnaitė – viola.

Expect a broad range of musical voices, from folk-inspired pieces to torrid, fractured flights of neo-romantic piano through to Pärt’s familiar “holy minimalism”. More information is here, and tickets are available here – price £10.00.

For a few tastes of what’s on offer, I’ve tracked down a few YouTube performances of some of the pieces on the programme – see below:

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