Tag Archives: Ghost Notes (venue) – Peckham – London

May 2018 – upcoming experimental gigs in London and Worthing – Matana Roberts, Kelly-Jayne Jones, Coby Sey in London (9th May); Linden Pomeroy and Hattie Cooke in Worthing (10th May); Colliding LDN with Polyop, Reuben Kyriakides and others (10th May)

3 May

Flagging up a few more experimental events in London and Worthing…

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Matana Roberts & Kelly-Jayne Jones + Coby Sey, 9th May 2018
Upset The Rhythm presents:
Matana Roberts + Kelly-Jayne Jones + Coby Sey
Ghost Notes, Peckham Levels, 95a Rye Lane, Peckham, London, SE15 4ST, England
Wednesday 9th May 2018, 7.30pm
– information here, here and here

“Internationally renowned US composer, saxophonist, mixed-media practitioner, and sonic voyager Matana Roberts and British sound artist/improviser Kelly Jayne Jones will weave their own approaches into live collaborative works informed by deeply expressive playing, tactile electro-acoustic interplay and a broader shared politics of resistance/defiance. This Upset The Rhythm show is part of the first in a series of special live shows commissioned by Outlands, a new national experimental music touring network.

“Matana Roberts is an internationally renowned composer, band leader, saxophonist, sound experimentalist and mixed-media practitioner. Roberts works in many contexts and mediums, including improvisation, dance, poetry, and theatre, and has released a diverse body of solo and ensemble work under her own name on Constellation Records and Central Control over the past decade.

“She is perhaps best known for her acclaimed Coin Coin project, ongoing and unfolding via Constellation Records: a multi-chapter work of “panoramic sound quilting” that aims to expose the mystical roots and channel the intuitive spirit-raising traditions of American creative expression while maintaining a deep and substantive engagement with narrativity, history, community and political expression within improvisatory musical structures. Constellation began documenting the Coin Coin project in 2011 and has released the first three of a projected twelve album-length chapters to date.


 
“Kelly-Jayne Jones makes use of varying combinations of prepared recordings, text, rocks, found sounds and flute. Her work beckons a tussle with uncertainty, inviting exposure and vulnerability in performance, chasing experiences that open our chasms within, without restraint. Searching for humble principles of growth; physics; sound, connecting with others in the same space/moment, customary experimental play, with threads and beads of improvisation and interactivity.

“KJJ has had residencies at Arnolfini in Bristol UK and Kunstalle Bergen, Norway, and has produced commissioned works for Haris Epaminonda at dOCUMENTA13, Tate Modern, ICA London, Schirn Frankfurt, Point Centre Nicosia. She has performed, solo and with part wild horses mane on both sides, at CCA Glasgow, Trieze Gallery Paris, Borealis Festival, Tectonics Reykjavik, Hangar Bicocca in Milan and at Huddersfield Contemporary Music Festival.


 
Coby Sey is a vocalist, musician and DJ, who, after years spent buzzing around the DIY artist circuitry of South East London, has developed a distinctive presence as a performer and producer offering a shifting, disorienting vision of club music. A long-time collaborator with Mica Levi, Tirzah, Babyfather, Klein and Kwes, Coby’s recorded work – as best evidenced on the ‘Whities 010: Transport for Lewisham’ 10” – spans the realms of live instrumentation, sample-based productions and experimental music, melding recognisable motifs of hip hop, drone, jazz, grime and more into a dubbed-out anaesthesia.

“Live, these dreamlike compositions are imbued with a heavy, uneasy dancefloor energy, often abetted by live vocals as well as saxophone interjections c/o regular cohorts Ben Vince and Calderwood. Coby’s open-door approach to sharing and making music stretches to his work with London collective Curl, who release records and host events with a collaborative, improvisatory approach, as well as a regular slot on NTS which offers a portal into his appealingly murky musical world.”



 
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A more bucolic experimental event happens down in Worthing the following evening, with a dusting of pop…

Linden Pomeroy + Hattie Cooke, 10th May 2018

DisConcert & Third Kind Records present
Linden Pomeroy + Hattie Cooke
The Cellar Arts Club, 70 Marine Parade (basement), Worthing, West Sussex, BN11 3QB, England
Thursday 10th May 2018, 8.00pm
information

Linden Pomeroy is a musician and sound artist from West Sussex, building pastoral ambience via meditative guitar abstractions, tapes, voice and field recordings. Gathered from hours of home recordings, his latest album ‘Spirit Replica’ (released on 21st April on Brighton’s Third Kind Records on limited C-90 cassette) further explores his textural approach to the guitar with the injection of field recordings and digital processing. Vignettes of sound bleed through tape hiss, crickets chirping, wind between distant trees… Nothing is quite what it seems with an ambitious scope, from down tuned folk ballads to more expansive drone and psychedelia.



 
“Support comes from Brighton-based singer-songwriter Hattie Cooke, whose eponymous debut album (also available on Third Kind) coasts the twin poles of Sarah and vintage Factory Records bordering a tape that splits the difference between felt-patterned synths and tender, sitting-in-the-bay-window guitar songs.”


 
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'Colliding LDN: Arcade', 10th May 2018

Back in London, the same night sees the next in the sequence of Colliding LDN audio-visual events up at New River Studios…

“Our next event is ‘Arcade’: performances which traverse the physical and digital, inspired by videogame aesthetics and process. We invite you to join us for a one night special session staged at New River Studios, featuring both live acts and an arcade of interactive installations and experimental games.

Polyop fuse organic and machine aesthetics with sci-fi mythologies to create an immersive audio-visual voyage. Enlist on their first cosmic pilgrimage to distant reaches of an alternate polyhedral universe, occupied by psychedelic soundscapes, rhythmical acid entities and uncharted electro artefacts. Fusing funk, jazz and electro with techno and modern sound design, their sound is graphically rendered through custom visual performance engine Hedron.

 
Reuben Kyriakides and film artist Jules Leaño collaborate on a live audiovisual set-piece, a triad of video, sound and contemporary dance. Movements are filmed, manipulated, and re-projected live upon the performance as it happens. The dancer is torn between reality and it’s interface, her every move digitised, glitched and repurposed – a dark shadow glimpsed between raw data and its translation.


 
“With support from The Palace International Film Festival we present the following short films shot entirely in-game – Jonathan Vinel‘s 2017 work ‘Martin Pluere’ (Martin Cries), created in ‘Grand Theft Auto V’; and ‘Counter-Charge’ (Alex Hovet, 2016), created with ‘Leisure Suit Larry 3’.

 
“We are also pleased to welcome installations, inteventions and inventions from poets Abigail Parry and Jon Stone, and performance artist Campbell McConnell. More information to be announced.”

Colliding Lines present:
‘Colliding LDN: Arcade’
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Thursday 10th May 2018, 8.00pm
– information here and here

 

January/February 2018 – upcoming London jazz gigs – Where Pathways Meet (17th January); Laura Jurd, KIM Trio and Têtes de Pois at a celebration of women in jazz (4th February)

9 Jan

Quick news on a couple more London jazz shows – a free-entry cosmic jazz performance in Peckham, and a woman-centric triple bill in Soho.

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Where Pathways Meet, 17th January 2018

Peckham Levels and Ghost Notes present:
Where Pathways Meet
Ghost Notes, 95a Rye Lane, Peckham, London, SE15 4ST, England
Wednesday 17th January 2018, 7.30pm
– free event – information here and here

“Ostensibly, a Where Pathways Meet performance serves as a latter-day tribute to the outergalactic sounds of Sun Ra. In actuality, the collective are as just as forward-facing as the great cosmonaut himself and, rather than revisiting the sounds of decades gone by, epitomise everything that’s exciting about the community of young South London musicians they call friends. As with immediate peers like Nubya Garcia, Moses Boyd and Ezra Collective, Where Pathways Meet draw as much from the contemporary sounds that surround them as they do from the art form’s traditional conventions; amid all the intricate arrangements and the cosmic interplay there are as many nods to West London’s Broken Beat scene and as anything attributable to the Arkestra.

“Headed up by trumpet player and bandleader Axel Kaner-Lidstrom, the double-drumming ensemble features an extensive cast of musicians who are each involved in their own South East London based projects. As such, Where Pathways Meet serves as what the band themselves describe as an open conduit to the area’s underground scene. Having recently smashed the stage at their Jazz Re:Freshed debut we’re delighted to welcome WPM for something of a homecoming show in Peckham this January.”

For the curious – the strongest of Where Pathways Meet’s links seem to be with Tomorrow’s Warriors and SE Dub Collective, with the group members apparently a nucleus of tenor saxophonist James Mollison (SEDC, Ezra Collective, Akua Naru), drummer Jake Long (another SEDC member and leader of Afro-spiritualists Maisha), trombonist Rosie Turton (SEDC, the TW-affiliated Nérija and her own quintet) and guitarist Mark Mollison, augmented by second drummer Sam Jones (Binker Golding Quartet) plus a shifting talent pool including bass players Mutale Chashi (Kokoroko, Idiom), Michael Shrimpling and Mick T Shirt and keyboard players Amané Suganami (Maisha, etc), Sara Tandy (Watertight Group etc) and Dominic Stephen Canning (Steam Down).


 
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Celebrating Women In Jazz (Laura Jurd + KIM Trio + Têtes de Pois), 4th February 2018

Independent Venue Week and Help Musicians UK present:
Celebrating Women in Jazz: IVW18 – Laura Jurd + KIM Trio + Têtes de Pois
The 100 Club, 100 Oxford Street, Soho, London, W1D 1LL, England
Sunday 4th February 2018, 7.30pm
– information here and here

“Independent Venue Week in partnership with Help Musicians UK, present a special event celebrating women in jazz at the 100 Club London, featuring some of the UK Jazz scene’s most dazzling artists.

“Internationally-acclaimed Mercury-Prize-nominated trumpeter Laura Jurd headlines with a formidable new quartet. This is an unmissable opportunity to witness a stellar group of players improvising together.” (NOTE – the quartet is probably Laura, regular drummer Corrie Dick, bassist Tom Herbert (Acoustic Ladyland, Polar Bear, The Invisible) and her fellow trumpeter and Trinity Laban mentor Chris Batchelor of Loose Tubes, Big Air and many more. Laura will also playing a longer evening set at Poplar Union’s Jazz Herstory season on 15th February, leading a trio completed by Corrie and Tom.)


 
KIM Trio is led by tenor saxophonist and Peter Whittingham Jazz Award 2017 winner Helena Kay, and features Misha Mullov-Abbado on double bass and David Ingamells on drums. Inspired by greats such as Sonny Rollins and Antonio Carlos Jobim, and by contemporary names like Melissa Aldana and Larry Goldings, the trio enjoy performing a varied mixture of Helena’s originals and tunes from the jazz canon.


 
Têtes de Pois (a tight genre-bending seven-piece ensemble fresh out of Leeds College of Music) fuse jazz, hip-hop and neo-soul. Featuring alto/baritone saxophonist Jasmine Whalley, tenor saxophonist/singer Harry Fowler, , guitarist Ben Haskins, keyboard player George McDonald, bass guitarist Owen Burns, drummer George Hall and percussionist Josh Ketch (plus, until recently, Eloise Oates Lidar on trumpet), they’ve recently been awarded an additional development fund as part of the Peter Whittingham Jazz Award.”


 

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