Tag Archives: Francis Close Hall @ University of Gloucestershire (venue) – Cheltenham – England

December 2016 – upcoming gigs – ‘Staggerlee Wonders’ with Robert Mitchell, Debbie Sanders, Corey Mwamba, John Edwards, Elaine Michener, Mark Sanders and others (London, 8th); Trio Generations with Maggie Nichols/Lisa Ullén/Matilda Rolfsson (Cheltenham and London, 9th & 11th)

5 Dec

StaggerLee Wonders
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Thursday 8th December 2016, 8.00pm
– information here and here

'Staggerlee Wonders', 8th December 2016Billed as “an evening of radical poetry and prose fused with free improvised music”, this event’s title is taken from James Baldwin’s blazingly scornful, almost conversational poem – itself named for the black outlaw/hoodlum who flits and thunders through a set of conflicting American tales and songs, taking on the roles of murderer, proud badass, pimp and more.

In all cases, Stagger Lee’s become a byword and signifier for transgressive black resistance to cultural pressure and norms. A lengthy lope in a thickly jazzy, declamatory style, Baldwin’s version takes up the final, revolutionary Stagger Lee position, setting aside the thuggery, choosing instead to weigh up the protests, delusions and not-so-secret wickednesses of white hegemony in one Afro-American palm (seamed with exile, scepticism and righteous ire) before firing up his sardonic, acidic tongue to flay and spit the flesh right off their bones. It’s not clear whether Baldwin’s take will be performed as the evening’s centrepiece, or whether it simply serves as an inspiration; but it certainly sets the bar high, both artistically and politically.

Various performers, both black and white, are confirmed to attend. Hopefully, they’ll all rise to the explicit challenge. Reknowned for his weighty slowhand approach, jazz pianist Robert Mitchell has worked with Epiphany3, F-ire Collective and Panacea. Jazz/folktronicist Corey Mwamba plays small instruments, dulcimer and electronics across assorted projects but is best known for his highly dynamic, hammers-to-humming vibraphone playing and for the ongoing questioning spirit which he explores in both live music and academia (and any intersections he can make between the two). Voices come from restless, movement performer and polygenre singer Elaine Michener (recently seen at the Cockpit Theatre in a quartet with Alexander Hawkins) and from storytelling singer/composer Debbie Sanders (currently heading up Mina Minou Productions, previously embedded in proto-acid-jazz, trip-hop and British R&B via work with Skylab and Chapter & The Verse).

Bass and drums are provided by two stunning soloists who also happen to make up one of London music’s most formidable rhythm partnerships. Both double bass player John Edwards and drummer Mark Sanders are capable of a breadth of sound and attack on their respective instruments, running across an orchestral breadth from whisper to hailstone attack (via conversation or monologue, from growling belligerence to kidding conversation or querying patter).

More people may be showing up to play, but that’s already a pretty thrilling loose sextet to work with and to choose from.

* * * * * *

Trio Generations is an intermittent name for a convocation of three top European improvisers, Maggie Nichols, Lisa Ullén and Matilda Rolfsson. Formed last year, they’re playing a couple of English shows to bookend the upcoming weekend. Outlines below, mostly from the Café Oto pages:

Trio Generations, 2016

Trio Generations, 2016

Maggie Nicols joined London’s legendary Spontaneous Music Ensemble in 1968 as a free improvisation vocalist. She then became active running voice workshops with an involvement in local experimental theatre. She later joined the group Centipede, led by Keith and Julie Tippets and in 1977, with musician/composer Lindsay Cooper, formed the remarkable Feminist Improvising Group. She lives in Wales and continues performing and recording challenging and beautiful work, in music and theatre, either in collaborations with a range of artists (Irene Schweitzer, Joelle Leandre, Ken Hyder, Caroline Kraabel) as well as solo.

Matilda Rolfsson is a Swedish percussionist and free improviser, based in Trondheim, Norway. During the spring of 2015 she was temporarily based in London where she finished her masters in free improvisation and the relationship between improvised music and dance at Trinity Laban Conservatoire of Music and Dance. During her London stay Matilda got the chance to meet and play with some of Londons most efficient improvisers: Phil Minton, Sylvia Hallett and London Improvisers Orchestra with Maggie Nichols. With her 20” vintage Gretsch bass drum, Tibetan bowls, gongs, bells and plastic isolations, sticks, fingers and brushes, Matilda explores the free improvisation and the instant compositions shaped in the moment: dynamics, orchestrations – structure and chaos. To make rules and break rules, always with the question: where’s the music going, and where’s the freedom?

“Pianist Lisa Ullén grew up in the northern part of Sweden, and is based in Stockholm. A versatile player with a singular musical vision, Lisa has repeatedly proven her ability to imprint her absolute sense for tonal texture on whatever musical context she appears in. Besides working as a soloist and leader of her own groups, Lisa has collaborated extensively with many well-known Swedish artists and dancers, and has also scored several dramatic productions. She’s also performed and recorded music by contemporary composers.”
 
To provide a sense of what might be coming, here’s the full half-hour set from their debut performance at IKLECTIK in 2015: a fractured, prolonged collective improvisation which swaps mood, pace and suggestions like a game of speed poker, with passing shreds of blues. Although Lisa and Matilda match her with lethally-aimed flinders of explosive, challenging percussion and piano, Maggie remains the centre of attention via a performance that’s as much stand-up comedy or theatre piece as it is free jazz. She produces not only the clucks, hisses, pants and operatics of free-voice improv but a bewildering spiky cavalcade of female voices and archetypes (hopeful chitterer, wise sly crone, mother in labour, put-upon wailer, deft gossiper) while including fleeting lyrics from jazz, blues or music hall and assorted Dada twists (including a phase which sounds like a demonic toothbrushing session).


 

This month’s Trio Generations dates:

  • Xposed Club @ Francis Close Hall, University of Gloucestershire, Swindon Road, Cheltenham, GL50 4AZ, England, Friday 9th December 2016, 8.00pm (with Chris Cundy) – information
  • Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England, Monday 11th December 2016, 8.00pminformation

At the Café Oto show, John Edwards will be joining in to make the group a quartet. While there’s no support act at Oto, at the Xposed Club Cheltenham reedsman/multi-instrumentalist Chris Cundy will be providing a solo slot on bass clarinet and saxophone. A tactile extended-technique player, Chris began as a self-taught Medway busker coming into his own under the combined influence of Eric Dolphy (on record) and Billy Childish (in the flesh and in the kitchen). Following a relocation to Cheltenham to pursue fine art, Chris has broadened his scope into a world of other collaborations in film, electronica, free improvisation and pop. He’s worked extensively with Fyfe Dangerfield (as part of the Guillemots horn section and as an integral member of Gannets), with Canadian freak-folkers Timbre Timbre and a succession of left-field singer-songwriters. His extended techniques (including multi-phonics, circular breathing and microtonality) have also led him into exploring the works of Cage and Cardew and those of contemporary avant-garde composers such as Thanos Chrysakis and Pete M Wyer, as well as producing a growing number of albums of his own work.


 

November/December 2016 – a plague of Charles Haywards in Britain and Ireland – with Samuel Hällkvist and Charlie Stacey in London (Nov 12th); with Phosphene at Xposed Club in Cheltenham (Nov 18th); at Daylight Music in London for Laura Cannell’s ‘Memory Mapping’ (with Mythos of Violins, Hoofus and Jennifer Lucy Allan, Nov 26th); in Dublin with The Jimmy Cake and Percolator (Dec 10th)

7 Nov

“Man with drumkit and nerve available. Works well on his own, but can work with anyone from virtuoso level to raw newbie. Will also travel, though being in the right place is essential.”

Charles Hayward – drummer, songwriter, improviser; patron saint of South London spontaneity. Creator, humble communitarian and sharer. Kit-and-tapes driver for avant-rockers This Heat and Camberwell Now! during the ‘70s and ‘80s; more recently, the curator-enabler of experimental multi-media events such as Accidents & Emergencies. Internationally reknowned but publically anonymous go-to bloke for musical support and thrilling upset. A musician who goes out and does.

Here are four separate upcoming instances of Charles Hayward in the act of doing: all taking place this month or next month. As good a hook as any to hang a ‘Misfit City’ post off.


 
* * * * * * * *

London EFG Jazz Festival presents:
Hallkvist/Taylor/Goller/Hayward + Charlie Stacey
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Saturday 12th November 2016, 8.00pm
– information here and here

“The Swedish musician Samuel Hällkvist was given the ‘Jazz in Sweden’ award in 2010. It caused some controversy at the time because Samuel is a guitarist who doesn’t fit comfortably into the template of Scandinavian jazz. Nordic brooding is not his style at all. Instead Samuel brings unsurpassed wizardry to the use of effects pedals, which he deploys with great discretion and aplomb. He has toured extensively in Scandinavia, other parts of Europe and Japan, as well as touring the UK in 2012, where he performed with Yazz Ahmed, Denys Baptiste and Gary Crosby.


 
“Samuel is joined on this occasion by a carefully selected cast, featuring Ruth Goller (the bass guitarist of Acoustic Ladyland), the wonderful Charles Hayward on drums (This Heat etc.) and free improviser Noel Taylor on bass clarinet. The ensemble is a combustible blend of elements which promises high-energy rhythmic patterns awash with thunderous beats of drum and bass, and surmounted with the languorous, rich tones of bass clarinet.

Charlie Stacey first popped into the jazz scene when he was featured on UK television as a child prodigy. In 2012, still a teenager, he reached the semi-finals of the Montreux Jazz Piano Competition. Since then he has performed at festivals around the world. Stacey’s tastes range from Keith Jarrett to Sun Ra and Albert Ayler – stir these ingredients together into a swirl of mood and pianistic virtuosity: that’s the unique sound of Charlie Stacey.”


 
* * * * * * * *

Charles Hayward + Phosphere, 18th November 2016The Xposed Club presents:
Charles Hayward + Phosphene
The Xposed Club @ Francis Close Hall, University of Gloucestershire, Swindon Road, Cheltenham, GL50 4AZ, England
Friday 18th November 2016, 8.00pm
– information here and here

Charles Hayward‘s ‘(begin anywhere)’ is a new project centred around songs performed at the piano, a sequence of betrayal, paranoia, subterfuge, opening out into resistance, hope and humanity, interweaved with sound events, drums, spoken word, performance. Stark, minimal arrangements; an unexpected departure.

Phosphene is the name Glasgow-based artist John Cavanagh has worked under for his solo music-making since 2000. In that time, there have been three full-length Phosphene albums, featuring collaborations with Lol Coxhill, Bridget St. John, Raymond McDonald, John McKeown (1990s/Yummy Fur), Isobel Campbell, Bill Wells and others. John is also a a member of the duo Electroscope, along with Gayle Brogan (Pefkin) and the more recently formed Sonically Depicting, with Ceylan Hay & friends. He is also known as a radio presenter & contributor, voice-over artist, author of a book on the Pink Floyd album ‘The Piper At The Gates Of Dawn’, producer of records/occasional record label operator and organiser of music nights at Glasgow’s Sharmanka Kinetic Gallery.”

* * * * * * * *

Daylight Music 240, 26th November 2016

Arctic Circle presents:
Daylight Music 240: Laura Cannell presents “Memory Mapping”: Charles Hayward + Mythos Of Violins + Hoofus + Jennifer Lucy Allan
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 26th November 2016, 12.00pm
– free event (suggested donation: £5.00) – information

“The Arctic Circle At Ten celebrations continue courtesy of experimental fiddle and recorder player Laura Cannell, bringing together musicians whose work is both spontaneous and deeply inspired by their surroundings. Using real and imagined memory, ideas are mapped internally and externally and turned into atmospheric, moving and unexpected performances.

“Charles Hayward gives a solo performance of his piano piece (begin anywhere)…” – see the Xposed Club bit for more on that. Also note that Charles and Laura play together in the Oscilanz trio (with Ralph Cumbers of Bass Clef/Some Truths), creating new music by exploding, recombining and reinterpreting the music of twelfth-century composer and polymath Hildegard Von Bingen, in a web of drums, trombone, violin, recorders, singing and electronics. (There’s a clip of them below, for context.)


 
Mythos Of Violins is the experimental violin work of Laura Cannell and Angharad Davies, creating new works inspired by location and memory and “puzzling over the unsconcious or conscious effect of place on the creative development of an artist.” ‘The Scotsman’ reviewed their performance at Glasgow University Chapel earlier in April this year as “hypnotic… they made judicious use of the venue as they circled the pew-bound audience, unfurling a tapestry of intense scratches and squeals – as if the cloisters had been infested by an attack of rabid rats – fused with discordant prettiness and yearning hints of Celtic folk.” Laura and Angharad will be performing a special piece inspired by the Union Chapel. Laura will also be performing a solo set of her own.



 
Jennifer Lucy Allan – former online editor of ‘The Wire’ (and still running their Resonance FM radio show), as well as being the co-runner of experimental record label Arc Light Editions – will be weaving rural and industrial soundscapes through this very special event (possibly including evidence of her ongoing research project on fog horns).”
Also to have played was Hoofus, a.k.a. Andre Bosman, an electronic musician based in coastal Suffolk. Focused on live performance, emergence and improvisation, Hoofus uses drifting oscillators, overlapping frequency modulation, ragged percussion and a sense of tactile interaction between performer and machines to create music of wayward eerie wonder. Drawing on ideas of edgelands and peripheries and the intersecting of wilderness with urban/industrial spaces, Hoofus explores the uncanny beauty of the intangible, the occult and the arcane seeping through into the post-industrial 21st century world of reason and corporate compliance. Unfortunately he won’t be performing them here this time around – maybe next time?


 
* * * * * * * *

Charles Hayward + The Jimmy Cake + Percolator, 10th December 2016The Jimmy Cake present:
Charles Hayward + The Jimmy Cake + Percolator
Bello Bar, Portobello Harbour, Saint Kevin’s, Dublin 6, Ireland
Saturday 10th December 2016, 8.00pm
information

For this December show, Charles heads up an evening of “loud instrumental space-prog-post-apocalypse rock”. There’s no word on what he’s specifically doing, but I’m guessing it’s a return to the furious drums, the disruptive tapes and the man-in-the-moment vocals of his main improvisation style.


 
Event organisers The Jimmy Cake are sixteen-year instrumental veterans of Irish instrumental rock. Over five albums under the leadership of keyboard-playing main-brain Paul G. Smyth they’ve employed banjos, clarinets, strings and brass – mixing Chicagoan post-rock, European space rock and Canterbury prog with the happysad fiddle-and-whistle uplift of Irish music sessions – or lurked behind gonging walls of noise and synth. Fast friends with Charles already (he guested at their previous annual show, prompting his invite back for this one), they’ve also backed Damo Suzuki – a set of influences and associations which should make their intentions, impulses and credibility clear.



 
When they’re clicked into “simple” mode, Waterfordian trio Percolator bounce and sing-song like an appealing, easily-approved indie-pop mix of The Stooges, Television, and Pavement influences, with additional craic courtesy of the chatty vocal rapport between drummer Eleanor and fuzz-sliding, odd-angles guitarist Ian. When they pull out the remaining stops on their organism and get more complicated, they transform into something much more remarkable – one of the few bands who can appropriate that lazy “sounds like My Bloody Valentine” tag – or have it foisted on them – and not disgrace it. The wilder tracks on their last EP, ‘Little Demon’ are whirlwinds of biplane-crash guitar drones, road-hammering motorik drums and bass surges. They sound like so much more than a rock trio – virtual unknowns already able to capture the wheeling cosmic dizziness of a full-on King Crimson soundscape or the pre-apocalyptic glower of a Gnod blur-mood as well as the microtonal shear of Kevin Shields.



 

October/November 2016 – upcoming gigs – a European tour for string trio improvisers In The Sea (25th October to 23rd November)

21 Oct

From late October to late November, improvising string trio In The Sea are out on a European tour taking in the Netherlands, England, Scotland, France, Switzerland, Italy and Austria.

Comprising three French-Canadian musicians – veteran cellist and singer/ranter Tristan Honsinger, double bass player Nicolas Caloia and violinist Joshua Zubot – their music’s a raucous and brainy mashing and grinding of box-battering extended classical techniques, transmigrated hot jazz swing, jaunty folk dances and texts declaimed in conversational squawks. It’s full of both swarming bow torture and tunefulness, continually flickering over the line between impetuous noise and structured, harmonious discipline: something fostered and nurtured by the enthusiastic understanding running between all three players.


Information on the tour dates is variable (some of it’s only up in sketchy details right now) but here’s what I have at time of posting:

  • Oorsprong @ Plantagedok, Dokzaal, Plantage Doklaan 8-12, 1018 CM Amsterdam, Netherlands, Monday 24th October 2016, 7.00pm
  • The Horse Improv Club @ IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England, Tuesday 25th October 2016, 8.00pm (with Adam Bohman/Adrian Northover/Hutch Demouilpied/Sue Lynch)information
  • Safehouse @ The Verdict, 159 Edward Street, Brighton, BN2 0JB, England, Wednesday 26th October 2016, 8.00pm (with Gus Garside/James Parsons + The Wildcard Quartet)– information here and here
  • Xposed Club @ Francis Close Hall, University of Gloucestershire, Swindon Road, Cheltenham, GL50 4AZ, England, Friday 28th October 2016, 8.00pm (with Mike Adcock & Pete Robson)information
  • The Old Hairdressers, 23 Renfield Lane, Glasgow, G2 6PH, Scotland, Saturday 29th October 2016, 8.00pm (with Bravest Boat + Richard Youngs)information
  • Sproggits @ Wharf Chambers, 23-25 Wharf Street, Leeds, LS2 7EQ, England, Monday 31st October 2016, 8.00pm
  • Fizzle @ The Lamp Tavern, Barford Street, Birmingham, B5 6AH, England, Tuesday 1st November 2016, 7.30pm
  • Terminus, 7 Avenue Gare, 57200 Sarreguemines, France, Thursday 3rd November 2016
  • Off-Bar, Offenburgerstrasse 59, Basel 4057, Switzerland, Friday 4th November 2016
  • Jazzatelier Ulrichsberg, Badergasse 2, 4161 Ulrichsberg, Austria, Saturday 5th November 2016, 8.00pm
  • Misterioso Jazz Club @ Das Institut, Elisabethenstrasse 14a, 3. Stock, 8004 Zürich, Switzerland, Tuesday 8th November 2016, 8.00pm
  • La Nef, Rue Saint-Hubert 17, 2340 Le Noirmont, Switzerland, Thursday 10th November 2016
  • Cafè des Arts di Coucourda Luca, Via Principe Amedeo 33, 10123 Torino, Italy, Saturday 12th November 2016
  • Machito, Via Argentero 4/G Torino (piazza nizza), Torino, Italy, Sunday 13th November 2016
  • Musique Rayonnante @ Centro di Ricerca Musicale @ Angelica, Via San Vitale 63-67,40125 Bologna, Italy, Tuesday 15th November 2016, 8.30pm
  • Kulturforum Villach, Postgasse 6 9500 Villach, Austria, Thursday 17th November 2016
  • Hybrida, Tarcento, Italy, Friday 18th November 2016
  • Limmitationes @ Gasthaus Rudolf Pummer, 7561 Heiligenkreuz im Lafnitztal, Obere Hauptstraße 11, Lafnitztal, Austria, Saturday 19th November 2016, 7.00pm (with Trio 876 & Jean Demey)information
  • Fluc Praterstern 5, A-1020 Wien, Austria, Wednesday 23rd November 2016

There’s a little information about some of the support acts and bill sharers. In London and Brighton, there’ll be sets by what are effectively the house improv bands. At the Horse Improv Club, it’ll be the free array of Adam Bohman (amplified objects), Adrian Northover (sax/electronics), Hutch Demouilpied (trumpet/flute) and Sue Lynch (tenor sax/clarinet). At Safehouse, it’ll be the duo of Gus Garside (double bass and electronics) and drummer/percussionist James Parsons: there’ll also be a performance by The Wildcard Quartet, Safehouse’s usual four-piece of randomly selected names from the Brighton improv community. (For two Wildcard examples, see the murky video clip I’ve trawled up below, plus the rather more viewable one under that…)



 
At Cheltenham’s Xposed Club, In the Sea will be supported by the piano duo of Mike Adcock and Pete Robson. In Glasgow, they’re part of a three-act show – the other two acts being Glaswegian-Bradfordian exploratory collective Bravest Boat (longstanding guitar duo Stevie Jones and Jer Reid, plus viola player/singer Aby Vulliamy, trombonist George Murray and violinist Rafe Fitzpatrick) and the quixotic, master-of fuzzy-genre voyager Richard Youngs (whose list of collaborators and fellow-sparkers stretches from Jandek to Skullflower and Acid Mothers Temple, and whose work frequently features soft songs with avant-garde interruptions).



 
Later on in the tour – in the Austrian town of Lafnitztal, close to the Hungarian border – In The Sea will be playing on a bill with the “close, loose” trans-European Trio 876 (featuring Italian avant-jazz percussionist Marcello Magliocchi, Belgian total-voice artist Jean-Michel van Schouwburg and Swiss violin master Matthias Boss). For the latter, expect a quick, febrile and knowing shuffle of everything from structured tunes, mouth sputters, blind charges, yodelling, singing and elements from both “logic and fantasy”: in other words, a full gamut. Belgian double bassist Jean Demey will be guesting, rendering the trio a full quartet for this particular evening – but for original trio action, see below.


 

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