Tag Archives: Electric Brixton (venue) – Brixton – London

May 2018 – upcoming rock gigs – God Is An Astronaut’s British tour with appearances from White Ring, Xenon Field and Tim Bowness (17th, 18th, 20th May)

12 May

God Is An Astronaut, 2018

Within rock, Celtic romanticism has a chequered history. It might energise a white man’s answer to soul music (including Van Morrison and The Waterboys) but it can also peak in wildly sentimental bombast (Big Country’s glossed pipe-guitar burn, the Cranberries’ parade of obvious, U2’s urge to prove themselves the biggest, most emotive band in the world for every minute they play and record).

There’s also the other more abstracted kind which works so well as impressionism, as suggestion of a psychological landscape, as a window onto seeing and interpreting differently – Van’s inarticulate speech of the heart, if you like. This latter type’s found mostly in instrumentation and production shaping: those lonely keens, the vaunting inclusive pridefulness in the sonic qualitiesm the rain-on-high-rocks scenic tone. For me, it’s often found most keenly and propulsively in the synthscapes which Mick MacNeil created for Simple Minds in their prime: a band who, in their time, have staggered between the heart-thrilling and the stadium belch, and for whom MacNeil (whether armed with cheap plastic post-punk era electronics or his later battery of high-end gear) crafted outsize pulsing and ringing soundscapes which used European schooling and Japanese technology to recall and recreate the Barra island scenery of his childhood.

There’s something of this latter abstracted tone in the work of God Is an Astronaut, now nine albums deep into an instrumental rock which initially sets up its stall in post-rock but which very quickly starts hurling itself against the dry, jaded constraints of the form, like an impassioned bloke in a claustrophobic pub booth. Discovering that they hail from the long, gorgeously wooded glacial valley of Ireland’s Glen of the Downs makes perfect sense: there’s the grand sense of scene and wide-open place pulsing through, the homescape bypassing words and blotting itself through experience into sound. That’s not to say that when the music breaks free it clots into clapalong arena riffs or waves a mute, commanding white flag up on a giant screen. What emerges is still, somehow, hushed, but a giant reverberation around hush. In some respects, they seem to conjure up the romantic post-Ballardian wreckage of a Celtic rock stadium gig, their compositional camera slowly panning past the decayed hulks of long-silenced speaker stacks; the ruins of abandoned Amnesty stands.



 

The band’s ongoing European tour touches England and Scotland next week for three dates, supporting on all of which are New York “heavy body music” trio White Ring, who play like the filmy ghosts of a long-dead rave. Also supporting (as they’ve done for most of the European dates) are Dublin duo Xenon Field. Robert Murphy and Conor Drinane produce a bony, grinding, yet elevated post-Goth dance sound with a mixture of programmed, manipulated electronics plus live guitar and bass. Despite having been at it for eleven years, recorded music seems to be thin on the ground: they seem to concentrate more on production work or on spontaneous live dance-culture jams, so here they are pumping out a bleak but energized groove at Dunk! Festival last year.




 

A surprise – or at least surprising – extra guest at the London show is Tim Bowness. As he edges into his mid-fifties, the No-Man singer’s increasingly the custodian of a particularly tailored subsection of art pop in which a very English reticence and literary sparseness grapples with awkward all-consuming heartache and frothing, inconvenient emotions. Still promoting his most recent album (2017’s ‘Lost In The Ghost Light’, which gradually, softly and relentlessly strip-mines the jaded psyche of a ’70s nearly-was rock star), he’s an odd fit for this bill – the lone narrative voice in a succession of wordless or incomprehensible sound-builders, like an Edwardian curate wandering through an all-nighter.

Still, it’s worth remembering the gorgeous, tortured echolalic howls Tim brought to his stint with Darkroom; and that when he first put No-Man together with Steven Wilson in 1986, they may have taken note of sleek pop and prog vehicles like Roxy Music, Genesis and Japan, but among the other influences were Swans and the Velvets. Perhaps this different May milieu will awaken something old in him.


 
Dates:

  • Electric Brixton, Town Hall Parade, Brixton, London, SW2 1RJ, England, Thursday 17th May 2018, 7.00pm (with White Ring + Tim Bowness + Xenon Field) – information here, here and here
  • The Classic Grand, 18 Jamaica St, Glasgow, G1 4QD, Scotland, Friday 18th May 2018, 7.00pm (with White Ring + Xenon Field) – information here, here and here
  • Club Academy @ Manchester Academy, Oxford Road, Manchester, M13 9PR, England, Sunday 20th May 2018, 7.30pm (with White Ring + Xenon Field) – information here, here and here

April 2016 – upcoming gigs – three for London – expanded hip hop tag with Beardyman’s Dream Team Sessions (with Bellatrix + Disraeli + LeeN + DJ JFB + Rob Lewis + Emre Ramazanoglu + Ben Sarfas); Poly-Math, Theo & evillookingbird play Chaos Theory’s late-night math-rock Facemelter; a LUME jazz evening with the Dave Kane Quartet and a Corey Mwamba/Cath Roberts/Olie Brice trio at the Vortex.

30 Mar

Three more interesting-looking early April London shows for the coming weekend, from improvisatory hip hop to assorted math rock to jazz. There should still be tickets (or, in the case of the Facemelter gig, free spaces) left for all of these. I’m in a hurry again, so the following is all promoter blurb… and if you’re quick on the Saturday, you could even catch most of the first two.

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Beardyman Dream Team Sessions, 2nd April 2016

Beardyman & Soundcrash present:
Beardyman: The Dream Team Sessions (featuring Beardyman + Bellatrix + Disraeli + LeeN + DJ JFB + Rob Lewis + Emre Ramazanoglu + Ben Sarfas)
Electric Brixton, Town Hall Parade, SW2 1RJ London, United Kingdom
Saturday 2nd April 2016, 7.00pm
more information

“Improvisation. Telepathy. Imagination. Beatboxing. One album. One hour.

Soundcrash are extremely happy to announce that the prodigiously talented Beardyman will be taking to the stage at Electric Brixton along with a mind-blowing ‘dream team’ consisting of some of the finest freestyle MCs and improvisatory talents the world has to offer. This team of extraordinary individuals will be using a mixture of telepathic communication and improvisatory prowess to create a brand new album right in front of the lucky audiences eyes, inspired by that same audience’s dreamt-up song titles.


 
Beardyman has made a name for himself for being one of the most multi-talented musicians on the face of the planet. One minute he’s winning the UK Beatbox competition, twice, next he’s winning best MC at Breakspoll, and then he’s playing a sold-out run of solo comedy shows at the Edinburgh Fringe. As if he didn’t already have enough strings to his beat bow Beardyman outgrew the restrictions of the human mouth and stepped into the world of live looping using Kaoss pads to take his music into the rapturous world of live production.

Beardyman currently performs using the self-designed Beardytron, the world’s most advanced live music production system. This device allows him to improvise studio quality, cutting edge music in realtime. Using the Beardytron has led Beardyman to recently collaborating with Herbie Hancock and led him onto the collaborative path that has ended up with the formation of the ‘Dream Team’.


 
In this brand new show Beardyman will be combining his own improvisatory prowess with some of the leading talents in the UK’s improvisatory scene. Female World Beatbox Championship winner Bellatrix will be bringing her vocal and bass talents to the mix as well as her old band leader Dizraeli on freestyle vocals. Rob Lewis will be providing tantalising string parts on the cello whilst Emre Ramazanoglu shows us how he drummed on the last Michael Jackson record amongst many others.


 
One of the world’s leading freestyle MCs, LeeN, will also be spitting lyrics; whilst 3 times UK DMC champion JFB takes to the decks along with additional strings and saxophone from Ben Sarfas.”


 
(As a further indication of what’s on offer, here’s a previous full-length Dream Team Sessions show, from the Jazz Café…)


 

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Poly-Math + Theo + evillookingbird @ The Facemelter, 2nd April 2016

Chaos Theory presents:
The Facemelter: Poly-Math + Theo + evillookingbird
The Old Blue Last, 38 Great Eastern Street, Shoreditch, London, EC2A 3ES, England
Saturday 2 April 2016, 10.30pm
– free event – more information

“It’s a no-brainer really – a late-night, free entry math-rock party.

Brighton band Poly-Math are an absolute belter of a trio, who have mastered walking the line between complex polyrhythmic math rock and head-noddingly bouncy riffs. In only few short years, they’ve independently amassed a huge following across Europe’s prog and math rock scenes with the release of a few blindingly good early singles, hugely anticipated debut EP ‘Reptiles’, and some carefully chosen gigs, including an early slot at the first ever ArcTanGent, where we discovered them by accident. With new mini-album ‘Melencolia‘ coming out soon via Superstar Destroyer Records, we can expect some new sounds from the Brighton trio.


 
Theo is a one-man riff factory, known for setting up in the middle of the audience, laying down incredible math rock guitar riffs and looping them on top of each other, before sitting down at his drum kit and banging out some incredible rhythms. The fact that he manages to do this, create extraordinary dynamic changes, crescendos and down-tempo sections, while never letting the pace slack too much, explains why his name has rippled across the underground math rock scene all over Europe.


 
evillookingbird are an instrumental project from Belgium, who combine classical music, post-rock, noise and psych, to end up sounding a bit like Mogwai, Chopin and Battles are all fighting over the keys. This may be their first trip out of their home country, but evillookingbird are no stranger to familiar names in the European math rock scene, having supported the likes of Alright The Captain, Bear Makes Ninja, Mannheim, Hibagon, Celestial Wolves and more, as well as having been asked to perform at one of Europe’s biggest street festivals Gentse Feesten. They’ll be heading into the studio to record some new material, which we’ll get to hear at the show, but check out their EP ‘Labyrinth’ for now.


 
Afterwards Chaos Theory curator Kunal will DJ post-hardcore and math rock riffs, and Chaos Theory photographer Magda will DJ classic rock, power ballads, and anything you’ll love dancing to after a few beers at 3am.”

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LUME presents:
Dave Kane Quartet + Corey Mwamba/Cath Roberts/Olie Brice
The Vortex Jazz Club, 11 Gillett Square, Dalston, London, N16 8AZ, England
Sunday 3rd April 2016, 7.30pm
– more information here and here

Dave Kane, 2016“The Dave Kane Quartet – Dave Kane (double bass), James Allsopp (saxophones and clarinet), Alex Bonney (trumpet) and Joost Hendrickx (drums) – will be playing music from their forthcoming album, to be released on Two Rivers Records later this year.

Dave says ‘This music is my own personal reflection and dedication to the jazz lineage, all of the music that I have listened to and the music that has influenced me the most. Each track on the record is a dedication to a composer/person that has influenced me greatly throughout my career. There are tracks dedicated to the following people: Charles Mingus, John Zorn, Hamid Drake, Eric Dolphy and Henry Threadgill. For me “the jazz lineage” means the records that are in my collection… my own personal lineage to the tradition, and my resulting music as a composer influenced and shaped by the music. Most people think of the jazz tradition as jazz standards, etc. This is not what I do, or what I am interested in. I have always listened to more adventurous composers & musicians who always pushed the music forward. This is what I have achieved with my new record. Although this music is still on the contemporary/avant garde side of jazz… I would say it is some of the most accessible music I have ever written.’


 
The improvising trio of Corey Mwamba (vibraphone), Cath Roberts (baritone saxophone) and Olie Brice (double bass) first played together in 2014, bringing together three musicians active on the UK jazz and improvised music scene. Olie Brice leads his own quartet as well as playing in numerous other collaborations including a trio with Toby Delius and Mark Sanders; BABs with Alex Bonney and James Allsopp; Nick Malcolm Quartet; Loz Speyer’s Inner Space Music; and Alex Ward Quintet/Sextet. Cath Roberts leads two groups playing her compositions, Sloth Racket and Quadraceratops, as well as writing and improvising new music with guitarist Anton Hunter as Ripsaw Catfish. She is a member of the Madwort Sax Quartet, Anton Hunter’s Article XI, the eight-piece improvising saxophone group Saxoctopus and the collaborative quartet Word Of Moth. Corey Mwamba leads his own trio, Yana, and is involved in a variety of other groups including Sonsale; duos with Rachel Musson, Orphy Robinson and Robert Mitchell; Martin Archer’s large ensemble Engine Room Favourites; and Nat Birchall’s quintet. He is recognised as a highly creative improviser and composer working across a wide range of jazz and contemporary music, as well as a programmer of forward-looking music in his home city of Derby.”

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More shortly on the upcoming Gnod weekender – or on anything else that flits across my radar.
 

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