Tag Archives: Colchester Arts Centre (venue) – Colchester – England

July 2018 – strange folk indeed – Sutari and Dead Rat Orchestra’s joint-headlining English tour through Colchester, Norwich, London, Nottingham, Hull, Leeds and Oxford (10th to 16th July 2018) with The Dyr Sister and Sarsa Awayes

4 Jul

News on an imminent set of alternative folk gigs – eerie, funny, magical and pertinent (aiming as it does at our history of migrations and settlings).

* * * * * * * *

“Two of the world’s most prominent avant-folk ensembles join forces for a joint headline tour of the UK.

“It’s not often that you can say you met someone over a meat cleaver but in the case of Dead Rat Orchestra and Sutari it’s true. Not that anyone who knows the work of the UK’s DRO – or for that matter, Poland’s Sutari – should be surprised. Kindred spirits not only in their approach to free-folk but in their use of unusual objects – including meat cleavers – in their performances, this tour will see them join forces to explore the cultural impact of Polish and European migration in England. Performing in locations across England that have been centres of Polish immigration, and engaging with British, Polish and European communities, the tour will utilise Sutari and DRO’s unique approaches to performing traditional musics to lead audiences in a performative and timely discussion about the cultural impacts of the UK leaving the European Union.

“Formed by Daniel Merrill, Nathaniel Mann and Robin Alderton – and performing internationally for over a decade – Dead Rat Orchestra have gained a reputation as one of the most innovative ensembles on the UK music scene. Raw, elemental and poignant and with a love of adventure, their performances feature flailing axes, salt and sawdust, throbbing harmonium, grinding fiddle and two thousand shards of micro-tuned steel cast to the floor in cascading, shimmering joy. DRO create works that blur boundaries between installation and performance. Activities have included ‘The Cut’ (2014), a site-specific musical tour undertaken by canal boat along two hundred and seventy-three miles of waterway; and ‘Tyburnia’ (2015/17) exploring seventeenth and eighteenth century gallows ballads and their sociopolitical history.

“Dead Rat Orchestra are adventurers adrift in a sea of sound and possibility, plucking textures and melodies to craft their idiosyncratic vision of what music and performance can be. Most often they have steered their ship through the idioms of folk and improv, to shout, sing and glisten at audiences from the UK to mainland Europe, Scandinavia to Canada. They have created music using the architectural surroundings in which they find themselves; coppice woods, abandoned abattoirs, paper mills, churches. Necessity has sometimes dictated duo performances of any permutation, always imbued with a sense of the missing member. Instruments are constantly swapped. Rarely performing in a conventional manner they often step away from the stage, to sing and holler a cappella amongst the audience. Acutely haunting, occasionally brutal and raucously joyous, their music always attempts to enchant and entrance, be it emotionally or physically.

 

“Sutari are Kasia Kapela, Basia Songin and Zosia Zembrzuska – a trio of young singers, instrumentalists and performers, each from different musical and theatrical backgrounds, who come together to continue the tradition of home-made folk music. The Sutari project is a fusion of diverse music experiences and passions: they use a mixture of traditional instruments (violin, basetla and drum), and also make use of everyday objects, exploring their potential as musical devices – for instance, a hand mixer, grater, bottles and a wrench… kitchen avant-garde!

“They explore deep vocal harmony traditions, searching for the essence and hidden character of traditional songs, whilst exploring themes of femininity in folklore. Their compositions are based on Polish and Lithuanian folk songs; and they are particularly inspired by the sound and character of Lithuanian Sutartines, sung only by women in perfect harmony. An affecting and elegant fusion of traditional folk, theatrical flair and contemporary mood music.”



 

There are a couple of support acts along the way. In Nottingham, the support comes from Sarsa Awayes – a Nottingham-based Polish spoken word artist. In Colchester, it’s Sally Currie – a.k.a. The Dyr Sister (where “dyr” is Old Norse for “deer”). A Hull-born “multi-instrumental cervine beat mistress”, she “conjures up surreal tales with the aid of viola, synth, mandolin her voice and an array of DIY samples. Performing her catalogue of haunting, ethereal, modern day folk songs as a one-woman band, she paints a fascinating canvas of sound.”


 
Dates:

  • Colchester Arts Centre, Church Street, Colchester, Essex, CO1 1NF, England, Tuesday 10th July 2018, 7.30pm – information here and here
  • Norwich Arts Centre, 51 St Benedicts Street, Norwich, Norfolk, NR2 4PG, England, Wednesday 11th July 2018, 8.30pm – information here and here
  • (secret location), Bow, London, England, Thursday 12th July 2018, 7.30pm – information here and here
  • The Maze, 257 Mansfield Road, Nottingham, NG1 3FT, England, Friday 13th July 2018, 8.00pm – information here and here
  • The New Adelphi Club, 89 De Grey Street, Kingston-upon-Hull, Yorkshire, HU5 2RU, England, Saturday 14th July 2018, 8.00pm – information here and here
  • Leeds Polish Centre, Newton Hill Road, Leeds, Yorkshire, LS7 4JE, England, Sunday 15th July 2018, 4.00pm – information here and here
  • Holywell Music Room, Holywell Street, Oxford, OX1 3SD, England, Monday 16th July 2018, 7.30pm – information here and here

 

March 2016 – upcoming gigs – Laura Cannell & Phil Mill in Colchester; in London, Prescott, Charles Hayward and Kavus Torabi at Servant Jazz Quarters and Clara Sanabras’ musical spin on ‘The Tempest’ at the Barbican

28 Feb

As some of you may have guessed already, I’m treating this blog – including the long stretches during which I’m only posting up about live dates – as an ongoing education. Plenty of the musicians I’m covering I’ve only learned about shortly before covering them; in other cases, in pursuing their tour dates around Britain or elsewhere in the world, I’m learning about places, projects and initiatives which I might otherwise have been ignorant about.

I’ve posted plenty about Laura Cannell since the start of the year. Her slightly psychedelic yet deeply-rooted improvisations on early, mediaeval and imagined tunes and ideas (played on standard or overbowed fiddle or on double recorder) span and spark across several of my musical interests. As she makes her way across Britain this year in a meandering voyage from high-profile festival to half-hidden venue to multi-genre bill, I’m following along behind (at least with the gig news). Here’s where she is this week:

Laura Cannell, 2015

Laura Cannell + Phil Mill
Colchester Arts Centre, Church Street, Colchester, CO1 1NF, England
Tuesday 1st March 2016, 7.30pm
more information

Playing in support is the Colchester experimental musician and sound artist Phil Mill, whose work “focuses on the use of field recordings and digital DIY softwares made for processing sound. He has recently been recording in a variety of locations in Europe, often associated with or identifiable as a territory or boundary between places and their sonic signatures. Phil’s music is often improvised, and he is currently developing software that reflects on this process – enabling the process of composition to reflect on the nature of the sound environment and the unpredictability of the soundscape.”

Below are videos of Laura in concert and one of ‘The Drifters’, a film soundtrack by Phil using only sounds from sea/environmental field recordings, which was commissioned for Colchester’s Lightbulb Festival in 2015.


 

* * * * * * * * *

In London, there’s another gig by one of the finest, most rubbery (and recently augmented) instrumental bands out there at the moment, playing hand-in-hand with some special guests in one of the city’s snuggest venues…

Prescott/Charles Hayward @ Servant Jazz Quarters, 1st March 2016

Prescott + Charles Hayward “begin anywhere” + Kavus Torabi (DJ)
Servant Jazz Quarters, 10a Bradbury Street, Dalston, London, N16 8JN, England
Tuesday 2nd March 2016, 8.00pm
more information

“It’s the North London debut of a new-look, four-piece Prescott, featuring Keith Moliné (Pere Ubu, Two Pale Boys) alongside Kev Hopper (Stump), Rhodri Marsden (Scritti Politti) and Frank Byng (Snorkel, Crackle, many others). A mesmerising collection of new tunes featuring soaring melodies, nagging riffs and explosive sounds. Also, the legendary Charles Hayward (of This Heat and many other endeavours, including the recently resurgent This Is Not This Heat) will be at the piano with his (begin anywhere) project: “A solo song cycle sequence of betrayal, paranoia, subterfuge, as well as sound events, spoken word and percussion pieces, stark, minimal arrangements; an unexpected departure.” And binding the whole thing together from the safety of the DJ booth will be Kavus Torabi (Knifeworld, Gong, Cardiacs).”

I’ll just add this quote of my own here, from the last time Prescott played London:

“ a percolating musical alliance… According to The Harrison’s blurb, the band deliver “a curious mix of the melodic and discordant with syncopated funky, skewed beats and lopsided, sometimes jabbing riffs that emerge from a complex web of musical interactions and expand or contract like sections of a stuck record.”< The band themselves talk about "jabbing heteroclite riffs, circular rhythmic patterns, vibrating harmonic clashes, irregular note intervals, all contrasted with pockets of beautiful melody" and their trick of "microriffing" – repeating the same tiny melodic segment for “as long as they can hold their nerve” (out of a sense of persistence, a zest for irritancy or a desire to pay homage to loop culture) . I’ll add that while these descriptions make Prescott sound like a set of ticks on a battered art-music bingo card, they’re actually one of the most entertaining and even danceable bands I’ve seen in recent years; pumping out a surprisingly melodious batch of hiccups, peculiar grooves and inventive colours, and sometimes seeming to plug into a monstrous late-Miles Davis synth-fusion groove (entirely by mistake).”

There, that should do it – but here’s some video of the new-look Prescott quartet…


* * * * * * * * *

Lastly for now, something mixing classical drama, classical music and folk work…

A Hum About Mine Ears

Shakespeare400 presents:
Barbican Shakespeare Weekender – Play On…
‘A Hum About Mine Ears’: Clara Sanabras/Chorus Of Dissent/Vox Holloway/Britten Sinfonia, conducted by Harvey Brough
Barbican Hall @ Barbican Arts Centre, Silk Street, City of London, London, EC2Y 8DS, England
Sunday 6th March 2016, 6.00pm
– more information here and here

“Shakespeare’s ‘The Tempest’ is set in new surroundings in this performance of vocalist and composer Clara Sanabras’s new album ‘A Hum About Mine Ears’. More than a simple soundtrack to the play, ‘A Hum About Mine Ears’ takes some of the ideas and themes in ‘The Tempest’ – loss and retrieval, exile and reunion – and relates them to Sanabras’s own experiences as an emigrant.

While some songs lift direct passages from the play, surrounding these in Britten Sinfonia’s soaring strings and the swirling vocals of choirs Chorus of Dissent and Vox Holloway, conducted by Harvey Brough, others place the characters in more modern settings – Sanabras’s powerful soprano solos casting Ariel as a festival-crazed free-loving spirit, or Miranda as a free and independent woman, emancipated from Prospero. Drawing on elements of everything from blues and jazz to European folk, see one of Shakespeare’s most famous works unravelled in a performance as deep, mysterious and expansive as ‘The Tempest’ itself.

This concert takes place as a part of Shakespeare400 – a year of celebrations in 2016 to mark the 400th anniversary of Shakespeare’s death.”

* * * * * * * *

Plenty, plenty more March gig news is on the way…

Upcoming gigs – Lite + Knifeworld + Axes in London, August 19th; Vennart in Leicester and Colchester, August 19th & 20th; Vennart + Knifeworld + Cleft UK tour in November

13 Aug

My part of London’s being gradually gentrified. I’m noting the warning signs – the launderettes being replaced by redundant fresh-fruit emporiums, estate agents proliferating even as the street drinkers melt away; the rough-and-ready Irish pub that’s suddenly been boarded up and now waits to became a sandwich outlet. Even the looming black tower block which dominates the district and which once housed the capital’s most brutal social security offices (leading to it being roundly cursed in song by New Model Army) is being stripped down to white bone and built up into luxury homes, yesterday’s painful memories now smothered under today’s property bubble.

Waiting for the next rent rise – the one which might well bump me out of the neighbourhood in search of new roots – I guess that I can console myself with what seems to be a coincidental side effect. The neighbourhood’s also hosting more interesting gigs, with an influx of art rock, post-progressive and psychedelic evenings nudging aside the garage bands. If this is gentrification, I can at least live with that side of it: Tim Bowness playing down the road at the end of the month, and fresh bursts of tone-colour lighting up Tufnell Park junction on a regular basis. Which leads me to the following…

Lite (& Knifeworld) @ The Boston Music Rooms, London, 19th August 2015

 

LITE + Knifeworld + Axes (Pink Mist @ The Dome, 2a Dartmouth Park Hill, Tufnell Park, London, NW5 1HL UK, Wednesday 19th August 2015, 7.00pm) – £12.00

On August 19th Tokyo instrumental math heroes LITE return to London for a special one-off show at The Dome. A mainstay in the Japanese charts and something of an institution in their homeland, LITE released ‘Approaches 4‘ – six new live recordings including a new track called Balloon – for free download on May 19th. They’ll be joined by shape-shifting psych impresarios Knifeworld. Led by former Monsoon Bassoon/Cardiacs man Kavus Torabi, the London based octet have been hailed by everyone from ‘The Guardian’ to ‘Rock Sound’ to ‘The Line Of Best Fit’ to ‘Drowned In Sound’ and back again. And then there’s Axes, who in ‘Glory’ released one of the best math rock records of the last ten years. All three bands are on the same bill, for £12, which is pretty damned amazing.


Please note that there are age restrictions on this gig – there’s a lower age limit of fourteen, and under-sixteens must be accompanied by an adult, so trainee adolescent psychonauts should take note (or take a fake ID). Up-to-date information on the gig is available here, while tickets are available here.

(UPDATE – whoops. I only posted this twelve hours ago, and suddenly the whole gig has been transferred to The Lexington instead – up-to-date and ongoing details here – though hopefully not because some moneyed flashmob’s now opening a craft brewery on the site of the luckless Dome…)

Mike Vennart, 2015

More British psychedelic/post-progressive rock is out on the road at the same time, since former Oceansize and current British Theatre frontman Mike Vennart (also known for putting extra guitar flail into the live lineup of Biffy Clyro) is playing a couple of warm-up gigs for his appearance at the ArcTanGent Festival with music from his solo album ‘The Demon Joke’. ArcTangent has nearly sold out now (though you might still be able to grab one of the last tickets if you head over to the website now) but I’m plugging the other gigs now for the benefit of anyone within running distance.

The Vennart live band features two other former Oceansizers (Richard “Gambler” Ingram and Steve DuRose) plus drummer Denzel Pearson. Support comes, variously, from Mike and Gambler themselves (as British Theatre, who’ve just released their first new music in three years – a free download single called ‘Cross The Swords‘ which I’ll be reviewing shortly), Colchester alt.rock songwriter Christie Isaac and assorted last-minute Leicestrians (ask the promoter).

Vennart + British Theatre + guests (Robot Needs Home @ Firebug Bar, 25 Millstone Lane, Leicester, UK, Wednesday 19th August 2015 – 7:00pm) £10 – info and tickets here.

Vennart + Christie Isaac (Colchester Arts Centre, Church Street, Colchester, Essex, CO1 1NF, UK, Thursday 20th August 2015 – 7.30pm) £11 – info and tickets here.

You could also set aside some time in the autumn to catch Vennart’s week-long British tour in November, apparently the last of their gigs for some time (after this, Mike and Gambler will immerse themselves in recording a full album as British Theatre). Knifeworld will return as support on this tour, with the third act on the bill being Mancunian “turbo-prog” duo Cleft who encourage you to think of them as “a machine that compresses fourteen minute songs down to three minutes.”

  • Bodega Social Club, 23 Pelham Street, Nottingham. NG1 2ED, UK, Monday 23rd November 2015
  • Bush Hall, 310 Uxbridge Rd, London, W12 7LJ, UK, Tuesday 24th November 2015
  • The Deaf Institute, 135 Grosvenor Street, Manchester, M1 7HE, Wednesday 25th November 2015
  • King Tut’s, 272a St Vincent St, Glasgow G2 5RL, UK, Thursday 26th November 2015
  • The Hop, 19 Bank Street, Wakefield, West Yorkshire WF1 1EH, UK, Friday 27th November 2015

A couple of tastes of Knifeworld and Cleft follow. If I’m going to be fiddling while Rome burns, I can’t imagine better company.


ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

Make Weird Music

Because 4 chords aren't enough

A jumped-up pantry boy

Same as it ever was

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Static and debris. Skronk and wail. This is music?

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

Headphone Commute

honest words on honest music

Yeah I Know It Sucks

an absurdist review blog

Pop Lifer

Waiting for the gift of sound and vision

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The Weirdest Band in the World

A search for the world's weirdest music, in handy blog form

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

a home for instrumental and experimental music

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

eyesplinters

Just another WordPress.com site

FormerConformer

Striving for Difference

musicmusingsandsuch

The title says it all, I guess!

%d bloggers like this: