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May 2017 – upcoming London gigs – new SIKE! psych-rock night in Holloway (featuring The Spanish Infanta, Dazy Crown, Eyre Llew and Niris, May 11th); dance/pop/jazz with Agar Agar and Lucien & The Kimono Orchestra plus Is Tropical DJ set (May 16th); a womantronic evening with electric:indigo, A’bear and Lisa Busby (May 18th)

4 May

SIKE, 11th May 2017

gigmit presents
SIKE! (featuring The Spanish Infanta + Dazy Crown + Eyre Llew + Niris)
Nambucca, 596 Holloway Road, Upper Holloway, London, N7 6LB, England
Thursday 11th May 2017, 7.00pm
– information here, here and here

A new psychedelic rock night, launching at Nambucca in upper Holloway this month, attempts to capture the whole of the range within the genre. Good luck with that – Baba Yaga are still scooping up variations after years of plugging away at it.

That said, SIKE!’s debut night scintillates across a determined four-act psych spectrum from gritty backstreet hardness to sunkissed airiness. There’s the lysergic gutbucket garage sludge of The Spanish Infanta; the gentler post-punk-meets-West Coast-y songs of Dazy Crown, the soaring Icelandic-inspired raptures and wreckage of Nottingham’s Eyre Llew; and the Balearic chillout of instrumental duo Niris (a teaming of guitarist/multi-instrumentalists Nick Engel and Chris Hatwell which covers a broad range between uplit flamenco-inspired guitar duets, ambient sunrise electronica, and breezy dance songs). Examples below.






 
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Snap Crackle & Pop Live presents:
Agar Agar + Lucien & The Kimono Orchestra + Is Tropical (DJ set)
The Moth Club, Old Trades Hall, Valette Street, Hackney, London, E9 6NU, England
Tuesday 16th May 2017, 7.30pm
– information here and here

Agar Agar + Lucien & The Kimono Orchestra + Is Tropical DJ set, 16th May 2017Over in Hackney, the Snap Crackle & Pop label are running a Cracki Records night featuring a couple of French and Belgian acts who explore luminous, involved dance-and-groove styles (plus a DJ set from squat-party experimentalists turned international poptronicists Is Tropical).

The ’80s synth pop/acid disco hybrid of Agar Agar mixes resurrected old analogue tech with art school smarts and fluid contemporary sensibilities on identity and expression. Blending electro sunniness with the feeling of a haunt in the full noon brightness, there’s also (as with Elephant) an ineffable bruised melancholy creaming off the top. Their songview’s full of interesting propositions – from Prettiest Virgin’s dancefloor ballad of yearning, slightly predatory female longing (complete with suggestive, part-animated video clip of lost girl, naked dancers, dolphins and fleshy tunnelling) to the surreal night journey of I Am That Guy (with its burnishings of ominous analogue hornsynth, its intimations of housebreaking, and the profanity-laden, deracinated blues-growl of its cross-gender vocal).



 
Like Agar Agar, Lucien & The Kimono Orchestra draw on the 1980s (predominantly in their attempts to recapture impressions of French cinema and Japanese funk) but also look back towards the ’70s. Like Carl Hudson’s Moon Unit, they breathe new life into Lonnie Liston Smith cosmic jazz-funk, retool a handed-down Horace Silver vocabulary, and flood jazzy cascades and stabbing Wurlitzer syncopations through contemporary dance club sensibilities. On their vocal collaborations – such as Ship, with FM Laeti – they coast towards a Morcheeba cool. Left to their own devices, they’ll veer towards warm, skittish brain-grooves, occasionally like a slightly less oblique French take on Weather Report (or, as on Galaxies, like Brand X or the more fusionesque moments of Genesis).



 
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electric:indigo + A'bear + Lisa Busby, 18th May 2017

The Engine Room + Austrian Cultural Forum + The Wire presents:
electric:indigo + A’bear + Lisa Busby (DJ Set)
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Thursday 18th May 2017, 8.00pm
information

If you’re more interested in an evening of female musicians working way out in the left-field, IKLECTIK are offering the first British gig in twenty years for Austrian electro-polymath Susanne Kirchmayr – a.k.a. electric:indigo. Composer, DJ, producer and founder of female:pressure (the go-to directory for women in electronic music), on this occasion she’ll be performing “a unique version of her six-channel sound art piece ‘109.47 degrees’. The title of the ultra-wide hyper-stereo piece refers to “the ideal tetrahedral angle in foams as described in Plateau’s laws”. From a set of small acoustic particles ‘109.47 degrees’ creates complex sonic structures that “live on friction, cohesion and constant movement”…” Suzanne will also be being interviewed by ‘The Wire’s Emily Bick.


 
In support, “vocal/techno/experimental/rap/rainbow workout” artist Janine A’Bear will be performing a synths-and-voicewarp-and computers set of “electronic poetry” boasting “carefully constructed verse combined with themes of a cosmic nature.” That’s quite a lot of grab-quotes there. I’ve also grabbed a few examples of her work and laid them out here – shimmering, layered rivulets of synthesis at a post-techno pulse rate, there’s plenty in there, but if you want to explore her verse it sounds as if you’ll have to tease it out of the soundscaping with a wool-comb.

 
Working the DJ decks for the evening is musician, Goldsmiths music lecturer and Editions Of You head Lisa Busby; also known for her work with The Nomadic Female DJ Troupe, noise/improve/playback crew Rutger Hauser and electro-Dada duo Sleeps In Oysters (as well as a solo career as singer-composer exploring “the fringes of song… using domestic or outdated playback media as instruments, but also work(ing) in text-based score, installation and site specific performance…”). Come and listen to her uncrate her mind.

If you want to dig a little deeper, it’s worth noting that this concert is part of international sound art exhibition The Engine Room, running between 4th May and 1st June between IKLECTIK and the nearby Morley College.
 

May 2017 – upcoming English gigs by or with Steve Lawson – Neil Murray masterclass + Steve’s Ley Lines trio in Kidderminster (May 2nd); Steve plays with Robert Logan (plus Surjit Sembi-Harding, Daniel Brooks and Dan Rogerson) in London (May 13th); Steve Lawson/Mike Outram/Emre Ramazanoglu trio in Birmingham (May 14th)

22 Apr

Ever-gregarious solo bassist Steve Lawson (who’s been having a pretty busy spring already, with his earlier Birmingham Bass Night and a couple of new albums ready to go) has put out news of three further upcoming live appearances in England as solo player and collaborator. Collectively, they run the familiar Lawson gamut of jazz, ambient fusion, electronica, work with singer-songwriters… and plenty of talking.

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First up is a combined gig, masterclass and interview (with Steve on the interviewer end of the mic…)

Neil Murray masterclass + Ley Lines, 2nd May 2017

“Kidderminster College presents a masterclass with bass legend Neil Murray! Neil’s career is woven into the history of British rock, including his time as bassist for Whitesnake, Black Sabbath, Gary Moore & Brian May. His influential style helped shape the evolution of hard rock from the jazz rock crossover of the 70s in bands like Colosseum II through to Whitesnake’s era-defining ‘1987’ global smash. Neil will talk with Steve Lawson about his career, demonstrate some of the lines that made him one of the most sought-after bassists in the country, and share advice from his life in music.

“The second half of the evening will be a performance by Ley Lines – Steve Lawson, Andy Edwards and Phi Yaan-Zek are the bass/drums/guitar teachers at Kidderminster College, and have released two critically acclaimed albums as a trio. This is their long-awaited live debut outside of the college, and promises to be an enthralling high energy set of improvised music crossing many styles and sounds!”


 
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The Waiting, 13th May 2017

Steve continues:

“May 13th at The Waiting, in Hounslow will be a solo gig and a collaboration with synth genius Robert Logan – Robert and I have been talking about collaborating for a long time. I’m a huge fan of his solo work, and am really looking forward to seeing what we come up with!”

For those of you who aren’t immediately familiar with Robert, he’s a pretty outstanding talent in electronic music. Like many in the field, he earns much of his living from drama or documentary soundtracks (the kind after which you squint eagerly at rapidly scrolling credits. keen to catch the name of whoever’s responsible for the arresting background sounds) but he’s also made a backroom wizard’s name for himself via beats and texture work for the likes of Brigitte Fontaine, Morcheeba’s Skye Edwards and in particular Grace Jones’s ‘Hurricane’, as well as collaborations with Steve Roach and Raf & O.

Four albums into a parallel solo career (which began with 2007’s ‘Cognessence’, recorded while he was still a teenager), Robert’s music displays a startling mastery of broad and exciting strands, going from dubstep, techno thud and ocean-pop ambience to twisted beats, atonal arpeggiations and dark ambience via experiments with banjo and pocket trumpet tracks; plus a magisterial atmospheric and heft of intent drawing from reconstructed classical music.


 
As regards the host event, The Waiting is a monthly gig at Maswell Park Church, boasting particularly full evening bills with a Christian slant (if not necessarily in terms of lyrical fervency, at least in terms of the faith and society which drives and shapes the musicians). On the 13th, in addition to Steve and Robert’s contributions, there will be appearances by Surjit Sembi Harding (frontman with Chiswick pop band Under Control, currently leading his own Surj project) and by Daniel Brooks, a onetime Robert Logan production client who divides his own work between quizzical electro-pop (exemplified by the ‘Toys’ track below), grand digital popscapes and electronic atmospheres. Both men are sometime worship leaders, bringing some of those skills to their pop fronting and songwriting voices; and while it’s true that Christian pop can sometimes be a refuge for simpering blandness, neither Surjit nor Daniel subscribe to this, both being several cuts above.



 
Surjit’s Under Control bandmate Daniel Rogerson will also be on hand for a solo guitar set, plus there’s a two-hour open mic session before the gig for anyone who wants to try their luck.

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Back to Steve for word on the final May show:

Steve Lawson/Mike Outram/Emre Ramazanoglu, 14th May 2017

“May 14th is a really special gig at Tower Of Song, with two of my favourite collaborators ever. Mike Outram (guitar) and Emre Ramazanoglu (drums) are true geniuses on their instruments – Mike and I recorded ‘Invenzioni’ back in 2010 but never played live. Emre and I met as part of a studio experimentation with Beardyman almost exactly a year ago. We played live in London last September and are really looking forward to playing again, and recording it properly for a live release.”

Here’s a trim of what I wrote last time the trio stepped out:

“Possessed of a boisterously convivial and adventurous set of guitar tones (as well as a spontaneous but eminently accessible creativity), Mike Outram is one of a number of contemporary electric guitarists who define themselves via the act of music rather than the reinforcement of genre. Although jazz enthusiasts will rightly admire him for his work with Nikki Iles, Tim Garland, Theo Travis’s Double Talk and Billy Bottle & The Multiple, Mike learns from and adds to whichever situation or artist he works with outside of jazz, be it soul pop with Carleen Anderson, latterday prog fusion with Steven Wilson or the classical/soundtrack work of composer Laura Rossi…. A committed solo performer since 2000, dedicated to presenting bass guitar as a standalone instrument, Steve has also been an enthusiastic and garrulous collaborator. His conversational fretless bass tones, Kaoss Pad rhythmic experiments and panoramic swathing loopscapes have meshed with a wide variety of partners from pianists, saxophonists, singers and drummers to electric kora players and a range of other amenable solo bassists. His own relaxed attitude to genre has resulted in a musical voice which strolls from place to place, touching on points from smooth-hipped jazz to art-rock, slick pop to noisy improv, dance electronica to ambient-aquatic sound painting, but never being tied down to any of them…. Emre Ramazanoglu, a multi-genre drummer, programmer, writer and producer… generally works (semi-invisibly) behind the scenes in the music industry, at the points where high-level musical chops, cunning production ideas and rapidly-evolving technology mesh with contemporary pop music production and bespoke event soundtracks. In between the demands of catwalk and chart, he fits in more esoteric, less overtly commercial work such as writing and shaping new records for reggae stalwarts Trojan, playing the Adrian Sherwood/remixological role on Martin France’s Spin Marvel jazztronica project, and co-running quirky sound design outfit Rattly’n’Raw.”

And here’s some of what they played on the night:



 
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Details on all three gigs below:

  • Neil Murray masterclass + Ley Lines – Worley’s @ The Swan, 56 High St, Stourport-On-Severn, DY13 8BX Tuesday 2nd May 2017, 7.00pm – free event – information
  • Steve Lawson + Surjit Sembi-Harding + Daniel Brooks + Robert Logan (& guests) + Dan Rogerson – The Waiting @ Maswell Park Church, corner of Heath Road and Inwood Road, Hounslow, London, TW3 1XN, England, Saturday 13th May 2017, 7.00pm (open mic from 5.00pm)information
  • Steve Lawson/Mike Outram/Emre Ramazanoglu – Tower of Song, 107 Pershore Road South, Kings Norton, Birmingham B30 3EL, England, Sunday 14th May 2017, 7.00pminformation

 

April 2017 – upcoming London gigs – three songwriters – Momus (10th); BC Camplight (20th); David Vaughan (29th)

4 Apr

This month, there’s the chance to catch the work of three distinctive and different songwriters who are making individual appearances in London.

In reverse date order – there’s the warm and witty cabaret folk of David Vaughan, who ruminates on subjects from cheerful lust to the downfall of Andrew Mitchell, to the resolve of bereaved children. There’s the wrecked, wracked, shaggy-falsetto alternative pop of Philly refugee-turned-Manchester revenant BC Camplight. Finally – or firstly – there’s whatever a reflective, career-compiling Momus currently cares to pick out from his twenty-six years of contentious adventure (whether it’s the sampler pop performance art palimpsests of his recent work, the Pet-Shop-Boys-do-transgressive-Gainsbourg synth pop of his middle period, or the dazzlingly literate acoustic folk of the early years when he lined up alongside Cave, Cohen and Brel as a speculative, lethally witty chronicler/observer of the possible, the askew and the perverse).

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Momus
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Monday 10th April 2017, 7.30pm
information

Momus, 2017“Nick Currie, more popularly known under the artist name Momus (after the Greek god of mockery), is a Scottish songwriter who lives in Japan. He also writes fiction and reviews contemporary art.

“A veteran of British indie labels, Momus is currently in the midst of a re-release program which will see all his early material reissued by Cherry Red. His latest LP of new compositions is ‘Scobberlotchers’ — a response to Brexit and Trump — and his latest novel is ‘Popppappp’, the tale of two graphic designers captured by fanatical followers of Mark E. Smith.”




 
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Parallel Lines presents:
BC Camplight
St Pancras Old Church, Pancras Road, Camden Town, London, NW1 1UL, England
Thursday 20th April 2017, 7.30pm
information

“Lost treasure needn’t be found in the distant past; the 21st century hides many artists who disappeared into the great wide yonder. BC Camplight (the alter-ego of American songwriter Brian Christinzio) is one such example.

BC Lamplight, 20th April 2017“Originally from New Jersey, Christinzio started playing piano aged just four, inspired by his mum’s Jerry Lee Lewis and Nilsson records and his Dad’s classical collection. Depression and crippling hypochondria clashed with captaining the football team and a penchant for boxing. Post-school, he fell in with people, “willing to go through shit to be a musician,” which saw him relocate to Philadelphia where he occasionally played live with Philly faves The War On Drugs and guested on Sharon Van Etten’s album ‘Epic’. He went on to release his own albums in 2005 and 2007, both gems of a certain psych-pop vintage, combining eloquent songwriting with a self-destructive bent. Christinzio certainly knew it – he’s described himself as “the guy who blew it.”

“But this sublime talent with the keening vocal and fearless approach to lyrical introspection has another chance. His new album ‘How To Die In The North’, recorded in his newly adopted home of Manchester, England, is a fantastically rich, stylistically diverse trip. From dramatic, layered pop to a haunted take on Sixties sunshine-pop, from blue-eyed soul to speedy surf-pop, from sparser piano balladry to psychedelic showstoppers and a grand finale that’s part Nilsson and part Broadway showtune.”

There’s a further twist to the tale in that BC has recently fallen foul of Britain’s ludicrous visa laws and is now having to split his living time between Paris and Philadelphia (the very place he had to leave in order to achieve this artistic and personal rebirth). Come along to this solo piano-and-voice gig on the 20th to at least express a little sympathy.


 

 

(UPDATE, 7th April 2017 – Another sorry twist. This gig has been moved to St Pancras Old Church following the sad, sudden closing of The Forge. Another great venue goes down… At least this means that the show doesn’t get pulled and that more tickets are available.)

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MAP Studio Café presents:
David Vaughan
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 29th April 2017, 7.30pm
information

David Vaughan“Singer-songwriter David Vaughan’s highly original mix of chanson, latin jazz and classical music comes to MAP for the very first time. Playing two forty-five minute sets of original songs arranged especially for voice, piano/classical guitar, accordion and clarinet, David calls on a number of influences including French chanson of the mid 20th century, modern and traditional Latin jazz, and classical music. They are melodic in nature with intricately arranged accompaniments highlighting David’s talents as both a performer, composer and arranger.

“With a varied career that spans work as a big band jazz trumpeter, jazz fusion keyboard-player (with Matt Borgmann’s 1990s band Meander), rock singer, commercial music composer and music teacher, David leads the show in his own relaxed, friendly style putting his audience at ease for what is an intimate, often heart-felt, sometimes dramatic, sometimes virtuosic show. Few contemporary British songwriters propose such an original blend both of instrumentation and of musical styles. The sound of top UK cabaret/jazz accordionist Romano Viazzani, combined with the mellow tone of upcoming classical clarinetist Jordi Juan Pérez, provides an inimitable backdrop to Vaughan’s songs. And yet this is neither folk nor traditional song, but something entirely original.”


 


 

April/May 2017 – upcoming London gigs – across-the-board instrumental progressive – Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain (7th); Piko Cloud Booker + Mein Haus + Matt Baber of Sanguine Hum (April 20th); Mouse On The Keys + Mutiny On The Bounty + Strobes (May 1st)

30 Mar

Three upcoming London gigs across April and leading into the start of May: all of them batting around ideas in the progressive field, whichever particular road they took into it. In early April – a Chaos Theory post-rock show with three bands offering successive palettes of solitary guitar sketches, sombre filmic post-Godspeed tonescapes, and bright-toned romantic futurism. In mid-April – the debut of a brand new progtronic trio alongside an experimental string duo and a humble keyboard star. On May Day, an international rhythmatic threesome at Rich Mix mixing up post-Squarepusher tech-fusion, bursting guitar instrumentals and twenty-first century dual-keyboard/drumkit jazz-rock barrage.

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Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain, 7th April 2017

Chaos Theory Promotions presents:
The Facemelter: Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Friday 7th April 7.30pm
information and here

“This month The Facemelter features a glorious night with some truly brilliant veterans of post-rock, drone and ambient sounds, with new and seasoned projects alike.

“Formed thirteen years ago, Flies are Spies from Hell have climbed up from humble beginnings to international fame. The years have seen them move on from small local gigs, to sharing the stage with behemoths such as Russian Circles, And So I Watch You From Afar, *shels, Latitudes and Vessels, to a couple of European tours, and appearances at ArcTanGent and Dunk!festival. Two years after the release of their second album ‘Underdog Underfoot’, they’ll finally grace the stage at The Facemelter.


 
A-Sun Amissa are a powerful (mostly) instrumental collective possessed of “a rusted industrial aesthetic that lurks in the periphery of perception” (‘Rock-A-Rolla’), founded and led by Richard Knox (Shield Patterns, Glissando, The Rustle of the Stars) and Angela Chan (Tomorrow We Sail, Lanterns On The Lake, The Rustle of the Stars) that has featured an array of members and collaborators since its formation in 2011, as well as two albums out on Gizeh Records.

“Producing dense, drone-like atmospheres with evocative, melodic string and woodwind sections, intertwining guitars and field recordings, their live performance is a mixture of recorded output combined with improvisation to explore progressions in the music every time. Their ever-flowing lineup of collaborators have included members of Amenra, Nadja, Gnod, Oiseaux-Tempête and Hundred Year Old Man.


 
Only Echoes Remain serve up incredibly cinematic post-rock, without becoming too cliched thanks to generous smatterings of math, ambient and classic prog influences. They have already played with the likes of Her name Is Calla, TOTORRO, VASA, Poly-Math and Waking Aida, and will be releasing their debut LP early this year.”


 
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Piko Cloud Booker + Mein Haus + Matt Baber, 20th April 2017

Piko Cloud Booker present:
Piko Cloud Booker + Mein Haus + Matt Baber
Paper Dress Vintage Bar & Boutique, 352a Mare Street, Hackney, London, E8 1HR, England
Thursday 20 April 2017, 7.00pm
information

Piko Cloud Booker are a modern-day progressive rock trio combining King Crimson-esque cyclical guitar patterns in a mix-up of wacky time signatures with the expansive sequencer-driven explorations of early Tangerine Dream. PCB are guitarist Cameron Piko (mastermind of Australian prog-metal unit Montresor), bassist/violinist Gaz Cloud (one half of dream-technoists Cloud & Owl) and drummer Andrew Booker (no-man, Tim Bowness, Sanguine Hum).”

(This project’s so new that’s there’s no music available to present for it – instead, I’ve had to give you a few ideas via these clips from the member’s other projects, including Andrew’s ten years of undersung work with jamming collective Improvizone:)




 
“Supporting them will be string duo Mein Haus, consisting of Patricia Stepien (violin) and Elliot Murphy (cello, guitar). Their music is by turns creepy and sparse, then intense and dramatic. But whether it’s complex rhythmic interplay, or crunching cello and soaring violin, you feel the humour is never far away. From gigsite ‘Go Out Of Tune‘ – “based in East London but hailing from Poland and Ireland originally, they’ve been making music together since they met on a train in Deptford over a year ago. Their performances are high in energy and musically unpredictable. Their music has been described as: ‘Shostakovich and Arvo Part being kicked down a flight of stairs in an oil barrel’, with influences ranging from the Sex Pistols through Penderecki, Battles and Kraftwerk.”


 
Matt Baber is a co-founding half of the continuing Oxford-based musical journey that is currently Sanguine Hum, having made its way through various earlier incarnations. He has played keyboards throughout, both crafting his unique synth atmospheres plus stamping down complex piano riffs on his Fender Rhodes. Expect more of the latter this time, as he delves into his Jarrett/Emerson-flavoured solo material for his first ever solo keyboard show.”


 
Note that Gaz Cloud – as half of Cloud & Owl – will also be playing this Askarabaskara techno/house gig five days earlier, demonstrating part of the elements-puzzle which makes up his new band.

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Mouse On The Keys + Mutiny On The Bounty + Strobes, 1st May 2017Chaos Theory Promotions presents:
Mouse On The Keys + Mutiny On The Bounty + Strobes
Rich Mix, 35-47 Bethnal Green Road, Shoreditch, London, E1 6LA, England
Monday 1st May 2017, 7.30pm
-information here, here and here

“An ultrasonic mammoth of a lineup, packed with dreamlike jazz, vast math rock, ambient precision and mesmerising polyrhythmic beats!

“The extraordinary Mouse On The Keys trio are back from Japan, armed with fresh material from their new album ‘Out Of Body’, out last January via Topshelf Records. This is a pristine example of blending minimal-phrased piano and dynamic drumming, while creating a live experience composed of visual and audio elements. Formed in 2006, with elements of jazz, funk, post‐rock and electronic music, Mouse On The Keys fits into a genre of their own.

“The trio consists of two former members of the influential Japanese underground band Nine Days Wonder – Akira Kawasaki and Atsushi Kiyota – who teamed up with Daisuke Niitome (who has played drums as well as composed music for countless jazz‐funk and hip hop bands). Their unique sound, comprising two pianos, two keyboards and drums, continues to stand at the forefront of the Japanese music scene.


 
“Luxembourg quartet Mutiny On The Bounty bring a torrent of groovy rhythms, guitar acrobatics and joyous melodies our way. These guys have been showcasing their unique brand of math-rock and instrumental music throughout Europe and have played close to five hundred shows supporting bands such as Biffy Clyro, And So I Watch You From Afar, TTNG and Maps & Atlases as well as playing some of the biggest festivals like Roskilde, Primavera and Fusion festival.

“Following on from their album ‘Trials’, released in 2012 and recorded by producer Matt Bayles, Mutiny On The Bounty released their latest album ‘Digital Tropics’ via Small Pond, which encompasses facets of their personalities ranging from rock, to electro, 80’s pop and even hip-hop. A reverb-infused, pop groove-laden feast of staccato guitar melodies, loops and math rock beats.


 
Strobes‘ triangle of electrified polyrhythms, spaced-out synth jams and off-kilter beats will open the evening. Featuring guitar and synth-work by Matt Calvert (Three Trapped Tigers), drums by Joshua Backmore (Troyka) and keys by Dan Nicholls (who has collaborated with Squarepusher and Matthew Herbert), the trio flickers effortlessly between the worlds of electro-improv, minimalist polyrhythm and distinctively original hooks.

“Like a twisted love child of Aphex Twin, Brainfeeder and Battles, Strobes have been heard individually with the likes of Squarepusher, Matthew Herbert and Three Trapped Tigers. Built from collective composition, studio production, live sampling and improv jams, the band smashes out exhilarating odd-tempo loops, polyphonic synth soundscapes and big headnodding beats. Their new album ‘Brokespeak’, out via Blood And Biscuits, is a true work of genius.


 
“With DJ sets from Bojan Nikolic (The Brain Center At Whipple’s, Battleship Grey), this will be an intensely satisfying feast of jawdropping talent and headnodding beats.”

 

March 2017 – upcoming London experimental music gigs – Pefkin, Bell Lungs, Russell Walker and David CW Briggs on the 12th; Yoni Silver, Eden Grey and |V|I|O|L|E|N|C|E| at openJack on the 15th; Magnus Loom, Alex Douglas, Zoey Gunshot and Flying Saucer on the 16th

5 Mar

Sundry experimental music shows in London during mid-March:

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Pefkin + Bell Lungs + Russell Walker + David CW Briggs, 12th March 2017Pefkin + Bell Lungs + Russell Walker + David CW Briggs
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Sunday 12th March 2017, 7.00pm
information

Words from the organiser:

“Scotland comes to New River and it’s going to be a spooky psychedelic affair.

Pefkin is the alter ego of Gayle Brogan, one half of Glaswegian vintage synth duo Electroscope and ex-proprietor of the Boa Melody Bar mail order. She has been recording as Pefkin since 1999 and released albums on Morc, Wild Silence, Reverb Worship, Pseudoarcana etc. More recently she has been recording with the Kitchen Cynics‘ Alan Davidson, creating psych-folk hymnals inspired by a mutual love of folk songs and nature, and has been recording with United Bible Studies. On her own Gayle creates a dreamy rural psychedelia from looped vocals, guitar, analogue synth and violin. She is currently recording an album inspired by the recumbent stone circles of Aberdeenshire.


 
Bell Lungs (vocals/electric guitar/electric violin) is from Scotland and has previously performed in the USA, Germany, Italy, Spain and the UK, in curious locations such as an abandoned grain silo, a hydro-electric power station inside a mountain, the top deck of a double-decker bus and amidst the eerie, moving sculptures of Sharmanka Kinetic Theatre. She will be playing an immersive continuously-morphing set that will carry you from the Western Isles of Scotland to the rainforest and outer space.


 
“Support from Russell Walker of Pheromoans fame and Bomber Jackets infamy. He has also written a book. The book is great, very funny. I saw Russell play at Tatty Seaside Towns‘ most recent event in the famed ‘Naughty Corner’. Me and Barney Wakefield were trying to have a serious conversation but it was IMPOSSIBLE because of this set. He was reading some very funny, misanthropic, storioes/poetry about some ‘people’ either real or unreal. Scathing and mundane in equal measure which is the sign of a good cook. Great with kids. (His son is the spitting image of my nephew… I didn’t want to mention it at the time, ‘cuz that’s probably a strange thing for stranger to bring up on first meeting).


 
David CW Briggs will open the proceedings! Dave used to play in Unlabel band Cove and was playing solo under the moniker Hills Have Riffs for a while. He drinks a lot of tea and is great with kids.”


 
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openJack, 12th March 2017

Ellis Gardiner presents:
openJack – Yoni Silver + Eden Grey + |V|I|O|L|E|N|C|E| + guests
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Wednesday 15th March 2017, 7.30pm
information

Yoni Silver is a multi-instrumentalist (specialising in bass clarinet and electronics), composer, improvisor and performer. He plays in a number of projects, including the Hyperion Ensemble. This is Yoni’s first openJack appearance, but he’s back a few weeks later with his trio, Denis D’or.


 
Eden Grey‘s music is an experimental mix influenced by electro, dub, d’n’b, techno, drone, ambient and hip-hop. Her music took a major shift towards the collage-based methods of the historical avant-garde while earning her Masters’ degree in music technology and after she began building her modular synthesizer in 2013. Eden also hosts the CV FREQS meetups for the London Modular Synthesis Group.


 
|V|I|O|L|E|N|C|E| is a solo electronics project by Tim Cowlishaw, one of the people behind Walthamstow’s avant-music evening More News From Nowhere.”


 
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Magnus Loom, 16th March 2017Chlöe Herington presents:
Magnus Loom + Zoey Gunshot + Flying Saucer
The Harrison, 28 Harrison Street, Kings Cross, London, WC1H 8JF, England
Thursday 16th March 2017, 7.00pm
information

This is another of the leftfield gigs organised by reedswoman/noise-fiddler and curator Chlöe Herington (Chrome Hoof, Knifeworld, V A L V E, Half The Sky), and here’s what she has to say about it:

Magnus Loom wildly turns and tumbles through a cornucopia of brightly burning pitches and rhythms, howling and whispering, in his own world of avant-punk cabaret. According to his Facebook page, “Magnus Loom makes a noise, and lives in hope that one day others might enjoy it as much as he does.” It’s really good noise. I reckon you’ll enjoy his noise.



 
“The two support acts are both performing debut gigs. Zoey Gunshot is political noises and anti-folk; Flying Saucer is experimental noises, a bit Jonathan Richmond tinged with Bob Drake.“

 

March 2017 – upcoming Brighton gigs – Oscillations V on the 10th (JØTA, M U M M Y, Maskulin); The Real Music Club on the 25th (Brother Twain, Gail Storm Edmunds, Jack Pout)

3 Mar

Here are a couple of imminent Brighton events which caught my attention, initially through their connection with a certain strand of south-coast English psychedelia – gently self-exiled, looking outward from the shore, murmurating in open-sky freedom) which spans contact, membership, inspiration or practical fellowship with the likes of Damo Sukuki, The House of Love, Cardiacs, Stereolab, Levitation, the Lewes Psychedelic Festival et al.

That said, the full range of what you eventually get here, along Brighton’s eclectic seafront, seems to sit itself more in other areas: ‘60s pop and Anglo rhythm-and-blues (Love, Traffic, The Walker Brothers), synthpop, European dance music and broken beats, folk-club fingerpicking, slightly eldritch post-punk noise. Everything meets by the sea.

* * * * * * * *

The first of these two gigs takes place in central Brighton’s rock’n’roll boutique hotel, Hotel Pelirocco – two Regency townhouses turned into a glamour warren. Oscillations have been running free nights of electronic/psychedelic music and visuals there since last autumn, inspired by fifty years of assorted countercultures and altered states of mind: I’m only just catching up with this now.

Oscillations V, 10th March 2017

Oscillations presents:
Oscillations V – JØTA + M U M M Y + Maskulin
Hotel Pelirocco, 10 Regency Square, Brighton, BN1 2FG, England
Friday 10th March 2017, 7.30pm
– free event – information

JØTA is electronic music producer Peter J.D Mason (half of Becky Becky, one-fifth of Cloud and formerly one-thirtieth of Fence Collective. He improvises electro-space-disco-synth-experimental-Soviet-dance tunes on cheap anal/igital synths inspired by the Soviet space programme of the ’50s and ’60s.


 
M U M M Y‘s Jo Spratley and Bic Hayes breathe and drink and eat and live with all the other creatures and plants and beings in England near The Sea. They need very little to survive. They dedicate their noise to the vanishing ones and long to slip through the deep with the seal.


 
Maskulin provides a versatile collection of content generating modern twist on the beats scene. Expect vibrant combinations of genres from the likes of jazz and soul with modern rap to engineer a sound unique within the Brighton music scene.”


 
Also on hand are the “mind-melting visual projections” of Innerstrings, the “lumière” side of the son-et-lumière at Lewes Psychedelic Festival. DJ sets come from from the Oscillations organisers themselves and from DJ MessyTrax: “proud owner of one of the largest private collections of Legowelt vinyl in Fiveways… spinning a selection of tunes old and new, including aliases, side projects, collaborations and remixes… essential slam-jack electronics.”

* * * * * * * *

Later in the month, there’s an airier, gentler evening being staged a step or two westward in Hove, at which one of the newer Brighton bands are making their first live appearance.

The Real Music Club, 25th March 2017

The Real Music Club presents:
“The Triangulation of the New”: Brother Twain + Gail Storm Edmunds + Jack Pout
The Brunswick, 1-3 Holland Road, Hove, West Sussex, BN3 1JF, England
Saturday 25th March 2017, 8.00pm
– information here or here

“The name “Brother Twain” has been rumoured and whispered about on the Brighton scene for a few years now, especially amongst fans of legendary Brighton garage band CLOWWNS. The time has arrived for the Rodes brothers, Étienne and Adrien, to launch the band: drawing influences from classic pop, less classic pop, Krautrock, crooners, bluegrass and film music, it’s grown-up-psych-prog-baroque pop (with a love of circular melodies and unexpected chords via guitars, strings and brass).

“Brighton dwellers since the early 2000s, Adrien and Étienne hail from the historic city of Versailles, France. It’s perhaps unsurprising (or inevitable) therefore that their sister went to school with members of Phoenix, and that Nicolas Godin of Air once studied under the benevolent supervision of their father at the Versailles School of Architecture. Adrien previously busied himself with recording under the aliases Topo Gigio and Rec.Tangle for mancunian label Melodic Records, while Étienne joined Stereolab offshoot Imitation Electric Piano (with Simon Johns and Joe Watson) for their second album, before becoming part of CLOWWNS. Most recently, both brothers participated in the live rendition of Tim Smith’s Spratleys Japs album ‘Pony’.

“United by blood and an undying love for a crafty tune (and armed with a long list of tracks written over the last ten years), the Rodes brothers joined forces and got to work in Adrien’s six-meter square studio on the Brighton seafront along with singer/lyricist Miles Heathfield (CLOWWNS, Poppycocks) and drummer Damo Waters (CLOWWNS, Tim Smith’s Spratleys Japs, Electric Soft Parade, Field Music, SLUG), while hired hands played strings and brass. Adrien and Étienne played everything else and everyone chipped in for backing vocals. The Brother Twain debut album has been out since 19th February; this is their debut gig.


 
“Niece of the late trombone legend Rico Rodriquez, Gail Storm Edmunds grew up heavily influenced by reggae, soul, jazz and blues. Having played sessions and toured all over the world with the likes of Eddie Floyd, Terence Trent D’Arby, Heidi Berry and Sacha Stone, she’s pioneers her own “Hippy Soul” sound, blending her strong, rich, powerful yet classical voice to simple, affective acoustic guitar, meaningful songwriting and a catchy, upbeat, positive style. Though Gail’s original debut album ‘Time Is The Master’ (recorded back in 1999) ended up unreleased – and she subsequently took time out for happy motherhood – she is making a comeback (having played a number of festivals last year) with the upcoming ‘This is Hippie Soul’ EP.


 
Jack Pout is a BBC Folk Award-nominated singer/songwriter inspired by the revivalist musicians of the ’60s and ’70s. Jack’s music carries nuances of numerous influences such as John Martyn, Duster Bennett, Bob Dylan and Chris Smither but with an individuality that makes his music inimitably his. In 2015 he released his debut EP “Baksun” and he has just followed that up with the release of ‘Chrono Manual Man’ (an EP of his favourite songs from the ‘40s, ‘50’s, ‘70’s and 2016). Jack continues to play shows across the UK and Europe, playing and hosting stages at numerous festivals: his honest, and often deeply personal, style of writing is married to a love for humour. His live shows are known for their friendly and conversational style with audiences, and feared for his love of puns.”


 

March 2017 – upcoming gigs – Richard Barbieri and Grice’s brief English tour with Duncan Chave and Lisen Rylander Love (16th, 26th, 28th); plus ’80s synthpop heaven at Birmingham’s Seventh Wave Festival with Rusty Egan, Chris Payne, Test Dept. and more… (23rd-26th)

26 Feb

Richard Barbieri + Grice on tour, March 2017In mid-March, Richard Barbieri heads out on a five-date English tour supporting his new album ‘Planets & Persona’: on all but one of the dates he’ll be sharing the bill with art-pop singer-songwriter Grice.

Over a five-decade career as a keyboard player, Richard has exemplified a precise balance between pop and the avant-garde. Initially compared to both Brian Eno and Karlheinz Stockhausen, his work anticipated the likes of Aphex Twin and a host of shrouded twenty-first century electronica artists. Initially finding fame as the keyboard player in art-pop band Japan, his approach reached its first apogee in the chimes-and-sibilance atmospherics of their 1982 single Ghosts: unwilling to be restricted by the glamour-punk through which he’d entered music (yet unsuited to either roots playing or the formal technicalities of progressive rock) he’d concentrated instead on developing electrophonic timbre and immaculately-planned textural arrangements, allied to subtle pop tunefulness.

Richard went on to refine his techniques in the post-Japan realignment projects Rain Tree Crow and Jansen Barbieri Karn, to work with left-field instrumentalists and bands (including Hans-Joachim Roedelius, Percy Jones, No-Man and The Bays), and to become an experimental sonic foil for singer-songwriters (Steve Hogarth, Tim Bowness, his own wife Suzanne on ambient folk project Indigo Falls). For seventeen years he was a member of Porcupine Tree, helping to shape the texture of the band’s music as it shifted from psychedelic space rock through prog to metallic adult rock, while simultaneous honing his own skills with more conventional keyboard playing on organ, clavinet and Mellotron. Richard’s recent string of solo albums – including ‘Planets & Persona’ – marry his past experiences with further inspirations from contemporary dance, electronica and left-field progressives.


 

One of the singer-songwriters who’ve benefited from Richard’s textural input, Grice is a more recent art-rock emergent. London-born but now Devon-based, he began as an early ‘90s arty Britpopper with the bands Laugh Like A Madman and The Burning Martyrs before refining his work with the successor project hungersleep. Since 2012 he’s been a solo artist.The subsequent ‘Propeller’ and ‘Alexandrine’ albums – plus last year’s ‘Refractions’ EP – have explored Grice’s drive towards dramatic and emotive songcraft. Blending his ballad-singer openness and the feathered strength-and-vulnerability of his high, breathy voice with a wide range of acoustic and electronic ingredients (brass-band and acoustic guitar, Uillean pipes and violins, touchstyle instrumentation and electronic glitch) they’ve rewarded him with acclaim in art-pop and progressive rock circles, plus the opportunity to collaborate on his own terms with instrumental and production luminaries such as BJ Cole, Markus Reuter, Raphael Ravenscroft, Lee Fletcher, Hossam Ramzy and Steve Jansen.


 

Dates:

  • Vibraphonic Festival @ Exeter Phoenix, Bradninch Place, Gandy Street, Exeter, EX4 3LS, England, Thursday 16th March 2017, 8.00pminformation
  • Seventh Wave Festival of Electronic Music @ The Blue Orange Theatre, 118 Great Hampton Street, Jewellery Quarter, Birmingham, B18 6AD, England, Sunday 26th March 2017, 1.30pminformation
  • Seventh Wave Festival of Electronic Music @ The Blue Orange Theatre, 118 Great Hampton Street, Jewellery Quarter, Birmingham, B18 6AD, England, Sunday 26th March 2017, 6.30pminformation
  • Hoxton Hall, 130 Hoxton Street, Hoxton, London, N1 6SH, England, Tuesday 28th March 2017, 7.00pminformation

On all dates, GRICE will be performing with his collaborator Duncan Chave, a Devon-based theatre composer and sound designer who (in addition to handling loops and programming) plays the Eigenharp, an intriguing breath/strip/finger-flex MIDI controller. In Exeter, they’ll also be joined by the rest of GRICE’s band (Jo Breban on drums, Al Swainger on bass and pedals).

In contrast, Richard Barbieri performs solo at Exeter, but at the Birmingham theatre shows and the London date will be performing with Swedish singer/saxophonist/electronics player Lisen Rylander Löve, formerly half of experimental pop/jazztronica duo Midaircondo and one of the major guest contributors to ‘Planets & Persona’.

* * * * * * * *

While I’m here, a little more on the other events in the Seventh Wave Festival in Birmingham (for more information on Exeter’s Vibraphonic event, go browsing, since they don’t seem to have put a website together this year…) Put together by the people behind the local electronica radio show of the same name, Seventh Wave Festival expands the show’s sideline of putting on electronica, synthpop, post-punk, Goth and New Wave music nights in Birmingham.

Seventh Wave Festival of Electronic Music 2, March 2017This particular concert series has a strong late-’70s/early-’80s focus, calling in some big names from the first synthpop wave. Visage mainstay and onetime ‘Blitz’ club DJ Rusty Egan will be performing material from his new album ‘Welcome to the Dancefloor’, as well as providing DJ slots and talks. Rusty’s ‘Fade to Grey’ co-writer Chris Payne (who also worked with Dramatis and Dead or Alive, as well as spending a decade in Gary Numan’s band) will be showing up with a brief resurrection of his early ‘80s post-Numan project Electronic Circus – for more on that, have a read of his recent interview with ‘The Electricity Club’. There’ll also be appearances by Richard Barbieri and by Human League/Heaven 17/British Electric Foundation’s Martyn Ware.

Although late ’80s dance-poppers Scarlet Fantastic (of ‘No Memory’ fame) have had to pull out, they’ve been replaced by Peter Coyle of the revived The Lotus Eaters; his fellow New Wavers Blue Zoo are also in place. At the more experimental end, two members of electro-experimentalists Test Dept (Graham Cunnington and Paul Jamrozy) will be on hand with “an electronic remix preview of upcoming Test Dept album material” complete with audio-visual mix.

Also contributing are representatives of newer takes on the electronic approach – Salford’s expansive Gnod collective, Ade Bordicott’s drone project Mutate, the vintage synthpop movie soundtrack-inspired Agents Of Evolution and Tony Adamo’s Ten:Ten project.

  • Test Dept:Redux (Graham Cunnington/Paul Jamrozy) + Gnod + Mutate – The Flapper, Cambian Wharf, Kingston Row, Ladywood, Birmingham, B1 2NU, England, Thursday 23rd March 2017, 7.00pminformation
  • Chris Payne’s Electronic Circus (Gary Numan/Visage) + DJ Rusty Egan + Peter Coyle (Lotus Eaters) + Ten:Ten – The Flapper, Cambian Wharf, Kingston Row, Ladywood, Birmingham, B1 2NU, England, Friday 24th March 2017, 7.00pminformation
  • A Morning with… Richard Barbieri – Birmingham and Midland Institute, 9 Margaret Street, City Centre Core, Birmingham B3 3BS, England, Saturday 25th March 2017, 9.00 aminformation
  • Electronic Music Conference (featuring Martyn Ware, Chris Payne, Richard Barbieri & Rusty Egan) – Birmingham and Midland Institute, 9 Margaret Street, City Centre Core, Birmingham B3 3BS, England, Saturday 25th March 2017, 12.00pminformation
  • Rusty Egan (with Chris Payne) + DJ Martyn Ware + Blue Zoo + Agents Of Evolution – The Flapper, Cambian Wharf, Kingston Row, Ladywood, Birmingham, B1 2NU, England, Saturday 25th March 2017, 7.00 pminformation
  • (see also the Birmingham Richard Barbieri/Grice dates above…)

 

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